Age, Biography and Wiki
Tea Jorjadze was born on 1971 in Tbilisi, Georgia, is a German-Georgian artist. Discover Tea Jorjadze's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 53 years old?
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| Age |
53 years old |
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| Born |
1971 |
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| Birthplace |
Tbilisi, Georgia |
| Nationality |
Georgia
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We recommend you to check the complete list of Famous People born on .
She is a member of famous artist with the age 53 years old group.
Tea Jorjadze Height, Weight & Measurements
At 53 years old, Tea Jorjadze height not available right now. We will update Tea Jorjadze's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Tea Jorjadze Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Tea Jorjadze worth at the age of 53 years old? Tea Jorjadze’s income source is mostly from being a successful artist. She is from Georgia. We have estimated Tea Jorjadze's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
artist |
Tea Jorjadze Social Network
Timeline
Thea Djordjadze (თეა ჯორჯაძე; born 1971 in Tbilisi, Georgia) is a contemporary German-Georgian artist based in Berlin, Germany.
She is best known for sculpture and installation art, but also works in a variety of other media (drawing, painting, printing, performance, video, music).
Thea Djordjadze studied at the Academy of Arts in Tbilisi from 1988–1993.
In the mid 1990s she briefly returned to Georgia to complete her studies with an MFA at the State Academy of Arts.
Due to the Georgian Civil War the school was closed in 1993.
Djordjadze left the country and became a student at the Gerrit Rietveld Academy in Amsterdam.
After a year she left the Netherlands for the Staatliche Kunstakademie Düsseldorf, where Professor Dieter Krieg (until 1997) and Professor Rosemarie Trockel (1998–2001) became her teachers.
The collective organised exhibitions, performances, gatherings, and released several catalogues, and records such as Studio Apartment.
Among others, hobbypopMUSEUM participated in shows in San Francisco by Luc Tuymans, then curator of the NICC in Antwerp, and at the Tate Gallery.
References to popular culture can be detected in her works and their titles: film (e.g. Augen ohne Gesicht, 2000), architecture (e.g. le Corbusier in Mondi Possibli 2006), (popular) science and hermeticism (e.g. edition Die Mathematik, 2001, installation o.T. (Dipol), 2003, or performances WahrSagen, 2001, and Kaffeesatzlesen, 2008), literature (e.g. Je n'ai besoin de personne pour me souvenir Lilya Brik and Vladimir Mayakovsky or in Archäologie, Politik, Politik, Archäologie, Archäologie, Politik, Politik, Archäologie Andrè Malraux and Joseph Brodsky), as well as Georgian arts and crafts and culture (e.g. in incorporating carpets in her work or in quoting Niko Pirosmani in 2001).
In 2001, Djordjadze was awarded the Reise-Stipendium (travel grant) of SK-Stiftung Düsseldorf and Peter-Mertes-Stipendium; in 2004 the NRW-Stipendium für Künstlerinnen mit Kindern (scholarship for female artists with children of the state NRW) and Atelier–Stipendium der Imhoff–Stiftung und des Kölnischen Kunstvereins (studio grant); in 2006, she was invited by Sommerakademie des Zentrum Paul Klee and in 2007 to an artist residency by Artist-run space Studio Voltaire London, in 2008 she was granted a Arbeitsstipendium (work grant) of Kunststiftung NRW and the Katalogstipendium der Alfried-Krupp-von-Bohlen-und-Halbach-Stiftung (catalog grant).
On several occasions Djordjadze has made collaborative works with Rosemarie Trockel, including for the 2003 Venice Biennial, Kunsthalle St. Gallen (2006), 11th Lyon Biennial (2007), Sprüth Magers Berlin (2017), and Deichtorhallen Hamburg (2019), among others.
Thea Djordjadze works with a wide range of materials such as steel, plaster, wood, aluminum, ceramic, glass, fabrics, foam, cardboard, papier-mâché, and found objects.
Her sculptures and installations can often be described as assemblages.
Her working process is intuitive and informed by influences that reach from art to architecture, design, and literature.
Her works contrast organic forms and geometric structures, as well as finished and rough surfaces.
Over the years, her work has developed from smaller formats to a comprehensive installation practice that responds to the architectural peculiarities of the respective exhibition space.
Another characteristic of her work is the ongoing experimentation with a formal vocabulary that is located at the intersection between sculpture and display.
Although an older work from 2007, Der Knacks (i.e. the crack) shows the artist's working method: a broken plaster sculpture subsequently is reassembled into an unstable formation.
The title of the work refers to Francis Scott Fitzgerald’s The Crack-Up, in which a fissure or a failure is indicated as the center part of the creative process.
In 2009, she received the Kunstpreis der Böttcherstraße in Bremen.
In March 2019 Kunsthalle Portikus was awarded the Dr. Marschner Stiftung exhibition prize 2018 for Djordjadze's solo show o potio n.
