Age, Biography and Wiki

Tania Willard was born on 1977 in Kamloops, British Columbia, Canada, is an Indigenous Canadian multidisciplinary artist, graphic designer, and curator. Discover Tania Willard's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 47 years old?

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Age 47 years old
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Born 1977
Birthday
Birthplace Kamloops, British Columbia, Canada
Nationality Canada

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Tania Willard Height, Weight & Measurements

At 47 years old, Tania Willard height not available right now. We will update Tania Willard's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Tania Willard Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Tania Willard worth at the age of 47 years old? Tania Willard’s income source is mostly from being a successful artist. She is from Canada. We have estimated Tania Willard's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Cars Not Available
Source of Income artist

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Timeline

1977

Tania Willard (born 1977) is an Indigenous Canadian multidisciplinary artist, graphic designer, and curator, known for mixing traditional Indigenous arts practices with contemporary ideas.

Willard is from the Secwepemc nation, of the British Columbia interior, Canada.

Willard was the co-curator for the art exhibition, Beat Nation: Art Hip Hop and Aboriginal Culture, which toured in major galleries across Canada.

Willard was born in 1977 and grew up in Armstrong, British Columbia, as well as back and forth to her father's Indian reserve.

A formative moment in her life happened when she was 16 and selling fruit for her aunt at a powwow; while there she saw a group of kids breakdancing.

"'Interconnectedness is the root system of my work as an artist. Land-based art, community engaged practice, printmaking, painting are the mediums I most often work in, these ways of working are tied to me, I am tied to my ancestors, we are tied to the land.' - Tania Willard"Willard is an artist, graphic designer, and curator who focuses on mixing traditional Indigenous arts practices with contemporary ideas, often working with bodies of knowledge and skills that are conceptually linked to her interest in intersections between Aboriginal and other cultures.

In the opening essay to Willard's exhibition, Claiming Space, at the Kamloops Art Gallery, Acting Director Beverley Clayton, writes: "...inspired by geological landforms on traditional Secwepemc land and by other aspects of the place, Tania Willard's art work acts as a conduit between generations and cultures."

She works with oil and acrylic painting, printmaking, pen and ink drawing, watercolour, mixed media, and collage.

2013

She also makes public art, including a collaborative community mural with the artist Guillermo Aranda and the Secwepemc Native Youth Network entitled Neskonlith Mural, in 2013.

Willard is a member of the artist collective New BC Indian Art and Welfare Society.

From 2013 to 2015, Willard was the Aboriginal Curator in Residence at the Kamloops Art Gallery.

She is the recipient of the Hnatyshyn Foundation Visual Arts Awards for Curatorial Excellence in Contemporary Art.

2017

In 2017 Willard had a solo exhibition at the Burnaby Art Gallery entitled dissimulation.

Willard curated the exhibition project Beat Nation, which started as an online project for grunt gallery.

It features visual art, videos, music, and writing.

Beat Nation the Exhibition toured starting in Vancouver to Toronto, Kamloops, Montreal, Halifax and Saskatoon.

Willard states that, "it was a really important journey to take this exhibit to different places; the context of the exhibition is to present indigenous artists today who respond to both socio-political states of Indigenous peoples and struggles, as well as use a mix of quite contemporary mediums and ancestral ideas."

Beat Nation started with a very artist-run-centre approach—very immediate and somewhat more flexible.

The intention was never to create a large scale traveling exhibition.

BUSH gallery is an experimental land-based, Indigenous-led artist residency that takes place on Willard's land in Secwepemc Nation in interior British Columbia.

In an issue of C Magazine guest-edited by Willard and Peter Morin the editors state, "BUSH gallery is a series of on-going gatherings of like-minded folks united under questions concerning art making, land, Indigenous art history and interventions into the colonial."

This issue also included the BUSH Manifesto.

#callresponse is a multifaceted project, co-organized by Tarah Hogue, Maria Hupfield and Willard, and in partnership with grunt gallery, supported by the {Re}conciliation initiative of the Canada Council for the Arts, the J.W. McConnell Family Foundation, and The Circle on Philanthropy and Aboriginal Peoples in Canada.

It includes a website, social media platforms, touring exhibition, and catalogue, which aim to strategically centre the vital presence of Indigenous women across multiple platforms.

The project features five commissions from Indigenous women around Canada, such as Willard, Christi Belcourt, Hupfield, Ursula Johnson, and Laakkuluk Williamson-Bathory.

Each artist invited a guest, including Isaac Murdoch, IV Castellanos and Esther Neff, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq, to respond to their work.