Taku Tsumugi

Taku Tsumugi (紡木たく) is a Japanese manga artist.

She was born in Yokohama in 1964.

Growing up, her mother forbade her from reading manga and both of her parents were drawing in their freetime; her father drew landscapes.

She was 17 years old, when she started her career as a professional manga artist.

She published manga mostly in the 1980s and 1990s in the magazine Bessatsu Margaret.

The four tankobon volumes had 7 million copies in print, which made it one of the best-selling shōjo manga of the 1980s.

Hot Road deals with the impact of "yankee" subcultures of juvenile delinquents in motorcycle gangs in Japan in the 1980s; Marie Kim considers her portrayal of rebellious female delinquents a glorification of "yankee" culture.

Other shōjo manga artists like Satosumi Takaguchi also portrayed "yankee" culture at the time.

Thorn sees Tsumugi's focus on marginalized youth as an example of the development of shōjo manga in the 1980s, which at this point had lost some of its innocence when depicting relationships and identity.

While some of her manga like Hot Road are set in urban environments, other like Mabataki mo Sezu are set in the countryside.

Titles and dialogue often incorporate colloquialisms.

For example, the dialogue in Mabataki mo Sezu is consistently written in the local dialect of Yamaguchi Prefecture, where the story is set.

While her aesthetic is, according to Rachel Thorn, within the "visual grammar of shōjo manga", Tsumugi is credited with creating new forms of expression within this aesthetic.

Tsumugi uses experimentation with form in order in order to create multi-layered depictions of the psychology of her characters.

Her style is marked by placing empty space and, especially in Mabataki mo Sezu, vast landscapes in the center.

There are hardly any close-ups of faces of characters in her work, often characters stand alone in a scenery.

Tsumugi expressed in an interview that she enjoys drawing background scenery, as opposed to many other shōjo manga artists.

She adds sound words to background scenes taking place in the far distance.

Thorn writes, "Delicate images are set against a stark white background. Readers get the feeling of viewing the action from afar, as if remembering some long-forgotten memory".

Tsumugi also conveys emotion through the placement of speech bubbles, the empty space around them and experimental page layouts with dissolving or overflowing panels.

Her first published work was the short story "Machibito" ("Waiting"), which appeared in 1982 in the manga magazine Bessatsu Margaret.

She became a regular contributor to the magazine and wrote short stories.

From 1984 until 1985, she drew her first series with Tsukue wo Stage ni.

She was commercially successful; her series Hot Road (1986–1987) was one of the best-selling shōjo manga of the 1980s.

Tsumugi developed a specific style within the visual and narrative grammar of shōjo manga to convey the emotional depth of her characters.

Her storytelling techniques and play with form got attention by manga scholars and critic.

Tsumugi does usually not accept interviews and there is only little known about her personal life.

Her most successful series was Hot Road, which she published in Bessatsu Margaret between 1986 and 1987.

The story revolves around a highschool girl with family issues who falls in love with a juvenile delinquent who is part of a motorcycle gang.

Her next series Mabataki mo Sezu ("Without Blinking") was her longest; it ran from 1987 until 1990 and depicts the love story between two high school students in a small town.

She became friends with fellow Bessatsu Margaret contributors Fusako Kuramochi, Chiaki Hijiri and Kaoru Tada while working for the magazine.

In 1995, she stopped her career.

The only manga she published after this was My Gardener in 2007.

However, she released a picture book compiled of watercolor panels from previous manga of hers in 2014 and supervised the script of the 2014 live-action film adaptation of Hot Road.

She uses inner monologue in form of a stream of consciousness narration and her storytelling is considered documentary-like realistic.

Tsumugi's storytelling has a focus on conveying emotions like pain, anxiety and the eventual healing from them.

Themes like mental health and grief appear in Kanashimi no Machi ("Town of Sorrow), the short story "Yokohama, 14-sai, Yūko" deals with a 14-year-old having an abortion. Manga scholar Rachel Thorn called her stories "sensitive" and "moving". Masanao Amano describes that Tsumugi often draws "the kind of situation when a person is so engrossed with what they are feeling internally, the world around them fails to have any kind of meaning."

While the protagonists in her first short stories were college students, she became most known for centering the lives of high school and junior high school students.

In her later career, she had works focusing on elementary school students.

Her characters were usually youth with family issues such as problems between parents and children, an absent father the breakdown of a family.