Age, Biography and Wiki
Tadeusz Baird was born on 26 July, 1928 in Grodzisk Mazowiecki, Poland, is a Polish composer (1928–1981). Discover Tadeusz Baird's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 53 years old?
| Popular As |
N/A |
| Occupation |
composer,soundtrack |
| Age |
53 years old |
| Zodiac Sign |
Leo |
| Born |
26 July, 1928 |
| Birthday |
26 July |
| Birthplace |
Grodzisk Mazowiecki, Poland |
| Date of death |
2 September, 1981 |
| Died Place |
Warsaw, Poland |
| Nationality |
Poland
|
We recommend you to check the complete list of Famous People born on 26 July.
He is a member of famous Composer with the age 53 years old group.
Tadeusz Baird Height, Weight & Measurements
At 53 years old, Tadeusz Baird height not available right now. We will update Tadeusz Baird's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Tadeusz Baird's Wife?
His wife is Alina Sawicka-Baird (m. ?–1981)
| Family |
| Parents |
Not Available |
| Wife |
Alina Sawicka-Baird (m. ?–1981) |
| Sibling |
Not Available |
| Children |
Not Available |
Tadeusz Baird Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Tadeusz Baird worth at the age of 53 years old? Tadeusz Baird’s income source is mostly from being a successful Composer. He is from Poland. We have estimated Tadeusz Baird's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Composer |
Tadeusz Baird Social Network
Timeline
Tadeusz Baird (26 July 1928 – 2 September 1981) was a Polish composer.
Baird was born in Grodzisk Mazowiecki, in Poland.
His father Edward was Scottish, while his mother Maria (née Popov) was Russian.
In 1944 at the age of 16 he was deported to Germany as a forced labourer, and after a failed escape attempt was imprisoned in a concentration camp.
After liberation by the Americans he spent six months recovering at the military hospital in Zweckel before returning to Poland.
Between 1947 and 1951 Baird studied composition and musicology in Warsaw under Piotr Rytek and Kazimierz Sikorski, and piano with Tadeusz Wituski.
The aim of Group 49 was to write communicative and expressive music according to socialist realism, the dominant ideology in the Eastern Bloc at the time.
This change in perspective was a result of the traumatic experiences he faced during World War II and on into the early 1950s.
Barbara Literska sees him as "a prophet of the future of music (postmodernity)".
After Stalin's death in 1953 he increasingly turned to serialism.
In 1956, along with Kazimierz Serocki, he founded the Warsaw Autumn international contemporary music festival.
Like Berg, his use of serialism was always very free and expressive, as in his String Quartet (1957).
But the later works, starting with the 1966 one-act opera Jutro ("tomorrow", based on the short story by Joseph Conrad) become darker, particularly in the orchestral piece Psychodrama (1972) and in his final work, the song cycle for baritone and orchestra Głosy z oddali (‘Voices from afar’), which sets a bleak text by Jarosław Iwaszkiewicz on the subject of death and personal extinction.
In 1974 he began to teach composition at the National College of Music (currently the Music Academy) in Warsaw.
In 1977, now a full professor, he was offered a post to teach a composition class at the Warsaw Academy of Music, and also a membership of the Academie der Künste der Deutschen Demokratischen Republik – Berlin in 1979.
Baird died in 1981, aged 53.
He wrote both large scale symphonies and chamber music, however, of great importance in his output are numerous vocal cycles inspired by poetry.
He was also a composer of film and theatre music.
Baird's music is usually melodic, lyrical, very expressive, and intensely subjective.
It is often rooted in the post-Romantic tradition, despite the use of serial techniques.
Alistair Wightman identifies Baird as "a late Romantic lyricist and successor not only to Berg, but Mahler and Szymanowski".
