Steven Isserlis

Isserlis currently plays on the 1726 Marquis de Corberon cello made by Antonio Stradivari on loan from the Royal Academy of Music.

Isserlis was born into a musical family in London.

His mother was a piano teacher, and his father was a keen amateur musician.

One of his sisters Annette is a viola player, and his other sister Rachel is a violinist.

Isserlis has described how "playing music, playing together", was an integral part of his early family life.

Isserlis currently plays on the 1726 Marquis de Corberon cello made by Antonio Stradivari on loan from the Royal Academy of Music.

The instrument was previously owned by Zara Nelsova and Hugo Becker.

He also part-owns a Domenico Montagnana cello from 1740 and a Giovanni Battista Guadagnini cello from 1745, which he played exclusively from 1979 to 1998.

Previously, he also performed on the De Munck-Feuermann Stradivarius which was loaned from the Nippon Music Foundation.

His grandfather, Julius Isserlis, who was a Russian Jew, was one of 12 musicians allowed to leave Russia in the 1920s to promote Russian culture, but he never returned.

Steven Isserlis (born 19 December 1958) is a British cellist.

An acclaimed soloist, chamber musician, educator, writer and broadcaster, he is widely regarded as one of the leading musicians of his generation.

He is also noted for his diverse repertoire and distinctive sound which is deployed with his use of gut strings.

From 1976 to 1978 Isserlis studied at the Oberlin Conservatory of Music with Richard Kapuscinski.

Ever since his youth Daniil Shafran has been his cello hero, of whom Isserlis has described how "his vibrato, his phrasing, his rhythm all belonged to a unique whole... he was incapable of playing one note insincerely; his music spoke from the soul."

The name Isserlis is one of many European variations of the Hebrew name 'Israel'.

Isserlis's major career breakthrough came in 1988, when he asked John Tavener to write a work for cello and orchestra.

The result of this was The Protecting Veil, and Isserlis premiered it at the BBC Proms with the BBC Symphony Orchestra and Oliver Knussen.

The piece and also Isserlis’ subsequent recording of it were met with both critical and public acclaim.

The recording became a classical bestseller.

Since then, Isserlis has had an active solo career and regularly appears with many of the world's leading ensembles.

He has performed with orchestras such as the Berlin Philharmonic, Vienna Philharmonic, Gewandhausorchester Leipzig, Tonhalle-Orchester Zürich, Deutsches Symphonie-Orchester Berlin, London Symphony Orchestra, London Philharmonic Orchestra, Philharmonia Orchestra, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, Los Angeles Philharmonic, New York Philharmonic, Philadelphia Orchestra, and the NHK Symphony Orchestra.

He has also curated concert series for Wigmore Hall, 92nd Street Y in New York and the Salzburg Festival.

Isserlis is committed to authentic performance and also frequently performs with the foremost period instrument orchestras.

He has performed Beethoven with fortepianist Robert Levin in Boston and London, and Dvořák’s Cello Concerto with the Orchestra of the Age of Enlightenment with Sir Simon Rattle.

He has also published several editions and arrangements, principally for Faber Music, and was an advisor on new editions of Beethoven's cello works, as well as the cello concertos of Dvořák and Elgar.

On the other end of the spectrum, Isserlis has premiered works by composers John Tavener, Lowell Liebermann, Carl Vine, David Matthews, John Woolrich, Wolfgang Rihm, Mikhail Pletnev and Thomas Adès.

Isserlis is the recipient of numerous awards including the Royal Philharmonic Society Music Award in 1993, the Robert Schumann Prize of the City of Zwickau in 2000, and both the Wigmore Hall Medal and Glashütte Original Music Festival Award in 2017.

His recordings have garnered two Gramophone Awards, a Classical BRIT Award, a BBC Music Magazine Award, and two Grammy Award nominations among others.

He is also one of the only two living cellists inducted into the Gramophone Hall of Fame.

He also commissioned a new completion of Prokofiev’s Cello Concertino from the Udmurt musicologist Vladimir Blok, which was premiered in 1997 with the BBC National Orchestra of Wales conducted by Mark Wigglesworth.

Isserlis has presented a number of festivals with long-term collaborators such as Joshua Bell, Stephen Hough, Mikhail Pletnev, András Schiff, Denes Varjon, Olli Mustonen, Tabea Zimmermann, and actors Barry Humphries and Simon Callow.

He is artistic director of the International Musicians Seminar, Prussia Cove in West Cornwall, where he both performs and teaches.

Isserlis is the author of two books for children on the lives of famous composers: the first is Why Beethoven Threw the Stew (Faber, 2001), and the second is Why Handel Waggled His Wig (Faber, 2006).

He has also written three stories that have been set to music by Oscar-winning composer Anne Dudley.

The first of the series Little Red Violin (and the Big, Bad Cello) received its first performance in New York in March 2007, followed by Goldipegs and the Three Cellos, and Cindercella.

On the Midweek programme in January 2014, Isserlis revealed that on arrival in Vienna in 1922, his pianist grandfather and father found a flat, but the 102-year-old landlady refused to take in a musician, because her aunt had a previous musician tenant who was noisy and would spit on the floor—this tenant was Ludwig van Beethoven.

Isserlis went to the City of London School, which he left at the age of 14 to move to Scotland to study under the tutelage of Jane Cowan.

In September 2016, Isserlis's book targeted towards young musicians, Robert Schumann's Advice to Young Musicians Revisited by Steven Isserlis, was published by Faber & Faber.

In October 2021, Faber & Faber published Isserlis's book The Bach Cello Suites – A Companion, a volume entirely devoted to the history and music of Bach's Suites for unaccompanied cello.