Stephen Page

Stephen George Page is an Australian choreographer, film director and former dancer.

He is the former artistic director of the Bangarra Dance Theatre, an Indigenous Australian dance company.

Page is descended from the Nunukul people and the Munaldjali of the Yugambeh people from southeast Queensland, Australia.

Stephen George Page was one of 12 children, raised in the Brisbane suburb of Mt Gravatt.

His mother did not celebrate her Aboriginal identity until she met Page's father.

He was educated at the Cavendish Road State High School, Brisbane.

He moved to Sydney when he was 16 and trained with the Aboriginal Islander Dance Theatre, which would later become the National Aboriginal Islander Skills Development Association (NAISDA).

He graduated from NAISDA in 1983.

Page first danced with the Sydney Dance Company.

In 1991, he was appointed creative director of the Bangarra Dance Theatre, with his brothers Russell and David joining around the same time.

He choreographed Mooggrah for Bangarra, Trackers of Oxyrhyncus for the Sydney Theatre Company, and a sextet for Opera Australia's Marriage of Figaro.

During that time he also toured with the NAISDA associated Aboriginal Islander Dance Theatre.

With his works Praying Mantis Dreaming, Ninni and the 1994 production Ochres, co-choreographed with then assistant artistic director Bernadette Walong-Sene, Page established a milestone for Australian dance.

In 1996 he made his creative debut with the Australian Ballet, choreographing Alchemy.

The following year, he brought the Australian Ballet and Bangarra together in Rites, set to Igor Stravinsky's The Rite of Spring.

The following year he choreographed Fish for Bangarra, with its world premiere taking place at the Edinburgh International Festival.

Page choreographed the flag handover ceremony for the 1996 Atlanta Olympic Games and co-directed segments of the opening and closing ceremonies of the 2000 Sydney Olympic Games.

He also created the ceremony that opened the Olympic Arts Festival.

He choreographed Skin, which premiered at the festival and won the coveted Helpmann Award for Best New Australian Work and Best Dance Work.

His triple bill Corroboree toured internationally, with a sell-out tour of the US including appearances at the Brooklyn Academy of Music in New York and the Kennedy Centre in Washington.

The work earned Page a Helpmann Award for Best Choreography.

The following year, he was honoured with a Matilda Award for his contribution to the arts in Queensland.

In the same year, he choreographed Totem for The Australian Ballet's principal dancer, Stephen Heathcote.

2002 also saw the world premiere of Bangarra's double bill, Walkabout, which Page co-choreographed with Frances Rings.

Page and Rings later co-choreographed Bush for Bangarra, which sold out on its Australian tour as well as its 2004 tour to the United States.

Also in 2004, Bangarra returned to the Sydney Opera House with another sell-out production co-choreographed by Page and Rings, Clan.

The following year Page choreographed Boomerang, which had a sell-out Australian tour.

As artistic director of the 2004 Adelaide Festival of the Arts, Page was praised for reinvigorating the event with an impressive and highly successful world-class program.

His film and theatre credits include the contemporary operatic film Black River, numerous music video clips, and directing his own brother, David Page, in the one-man show Page 8 which toured the UK.

In 2006, Page and the Australian Ballet created Gathering, a double bill consisting of a reworked Rites and Amalgamate.

Also in 2006, Queensland Art Gallery director asked him to create a new dance work for the opening of the Gallery of Modern Art.

Along with his son and nephews, he created Kin, a special project that opened Asia Pacific Triennial of Contemporary Art.

In 2007, Page directed a traditional smoking ceremony in honour of the historic celebration marking the 75th anniversary of the Sydney Harbour Bridge.

Later in the year, during Bangarra's True Stories season, he directed Victorian Opera's Orphée et Eurydice in Melbourne and presented another sell-out season of Kin at the Malthouse Theatre.

In 2008 he created a new, full-length work for Bangarra, entitled Mathinna, which won a Helpmann Award in 2009 for Best Dance Work and Best Choreography.

He then took Rites to London and Paris with the Australian Ballet, and Bangarra's Awakenings to Washington, New York and Ottawa.

Later in 2008, he went to Broome, Western Australia, as choreographer for the film adaptation of Bran Nue Dae.

In 2009, after returning from a tour of Germany, Hungary and Austria with True Stories, Page and the dancers spent 10 days in Arnhem Land on a cultural exchange.

He celebrated Bangarra's 20th anniversary with Fire – A Retrospective, which won an Australian Dance Award for Outstanding Performance by a Company.

In early December 2021, Page announced that he would be stepping down from the role of artistic director of Bangarra in 2022, handing over to Frances Rings, current associate artistic director.