Age, Biography and Wiki

Stephanie Gillard was born on 24 October, 1973 in Paris, is a French documentary filmmaker. Discover Stephanie Gillard's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 50 years old?

Popular As N/A
Occupation Filmmaker, Editor, Writer
Age 50 years old
Zodiac Sign Scorpio
Born 24 October, 1973
Birthday 24 October
Birthplace Paris
Nationality South Dakota

We recommend you to check the complete list of Famous People born on 24 October. She is a member of famous filmmaker with the age 50 years old group.

Stephanie Gillard Height, Weight & Measurements

At 50 years old, Stephanie Gillard height not available right now. We will update Stephanie Gillard's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Not Available

Stephanie Gillard Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Stephanie Gillard worth at the age of 50 years old? Stephanie Gillard’s income source is mostly from being a successful filmmaker. She is from South Dakota. We have estimated Stephanie Gillard's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income filmmaker

Stephanie Gillard Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia
Imdb

Timeline

1890

In December 1890, at Wounded Knee, the massacre of hundreds of unarmed Lakota took place.

The Squad (Les Joueuses, in French), also produced by Julie Gayet, deals with the Olympique Lyonnais women’s football team.

The documentary is a critical success :

In Les Cahiers du Cinéma Raphael Nieuwjaer says : "Without forgetting the junction between generations and status, transmission being its principal aim (...), The Players never forgets that sport is a matter of gestures, a mix of physical tact and contact with the ball, on the pitch, with the other players."

Jacques Morice, in Télérama, states "The different players explain their personal history, their wish to pass on their passion to the next generations, their victories and their difficulties. But it is maybe in the way to capture the beauty and the brutality of this sport, and to capture the different contacts and movements, that Stéphanie Gillard "scores the most".

1973

Stephanie Gillard (born 1973, in Paris) is a French documentary filmmaker, writer and editor.

Her documentary The Ride, about the annual 300-mile journey through the South Dakota Badlands where young Lakota Sioux ride horseback, was praised by reviewers.

The Squad, about the Olympique Lyonnais women’s football team, was very well received by critics too.

Stephanie Gillard was born in Paris.

After studying law, Stephanie Gillard worked as an assistant director (films à lou), then as a programming assistant (radio FG)and as an assistant producer (agat films ex nihilo).

2011

Filmed in winter 2011 and produced by Julie Gayet's production company : Rouge International : The Ride takes audiences on the annual Chief Big Foot Memorial Ride that retraces the Lakotas' history.

After the defeat of General Custer at Little Big Horn and the surrender and execution of Chief Sitting Bull, the Lakota Sioux fled through South Dakota, joined by Chief Big Foot's people and chased by the US Cavalry.

2018

Le Bleu du Miroir comments :"Stéphanie Gillard, whose previous documentary (The Ride in 2018) we already appreciated, chose a completely different context, a different group, softly but in an ingeniously political way, without losing the same attention (with very beautiful pictures from Jean-Marc Bouzou)."

In Hollywood Reporter, Jordan Mintzer writes : "A necessary addition to the sports doc genre."