Squeak Carnwath

Squeak Carnwath (born 1947) is an American contemporary painter and arts educator.

She is a professor emerita of art at the University of California, Berkeley.

Carnwath was born on 1947 in Abington, Pennsylvania.

She has explained "Squeak" as "a childhood name that stuck".

After high school, Carnwath studied art in Illinois, Greece, and Vermont before attending the California College of Arts and Crafts, where she studied ceramics, painting, and sculpture with Viola Frey, Art Nelson, Jay DeFeo, and Dennis Leon.

She has a studio in Oakland, California, where she has lived and worked since 1970.

She received her MFA from California College of Arts and Crafts in 1977.

Carnwath has a distinctive and recognizable style which combines diaristic and personal elements with universal or existential themes.

Her paintings "combine text and images on abstract fields of color to express sociopolitical and spiritual concerns."

Carnwath has described herself ironically as a "painting chauvinist" due to an abiding preference for that medium, although she is also an accomplished printmaker and has created sophisticated Jacquard tapestries, artist books, and mixed media works in addition to her oil and alkyd works on canvas.

Soon after graduating with an MFA, Carnwath began to receive recognition for her work.

She received a Visual Arts Fellowship grant from the National Endowment for the Arts and a SECA Art Award in 1980 from the San Francisco Museum of Modern Art, which included a solo exhibition at the museum.

The exhibition featured a large sculptural installation titled My Own Ghost.

Works on paper related to the My Own Ghost series were also included.

Following the exhibition, Carnwath focused on paintings and works on paper.

Early 1980s artworks included interior scenes, stylized figures, and everyday objects like cups and vases, with titles often painted into wide borders.

Her work was exhibited at Goldeen Gallery in San Francisco and Van Straaten Gallery in Chicago.

In the mid-1980s, Carnwath produced a series of works based on dog toys including balls, bones, a hand, and a Kong toy.

From 1983 to 1998, Carnwath was Professor of Art at the University of California, Davis.

During this time, the art department faculty included Wayne Thiebaud, Mike Henderson, Manuel Neri, Roland Petersen, and Lynn Hershman Leeson, among others.

During the 1990s, Carnwath created series of list paintings, which included paintings describing color, gender norms, and fears, among other topics.

Many of the paintings follow a similar format, with a list of associated words grouped in one portion of the canvas, and colors or imagery charted on the remaining portion.

For example, the words slime, jade, salad, and sickness are included in a list above swatches of green in the color painting Things Green.

Reflecting on the painting What White Is, Tsujimoto writes "Carnwath has produced a visual analogy of humankind's attempt to impose structure and order on unruly meaning."

In 1994, Carnwath was awarded the Guggenheim fellowship from the John Simon Guggenheim Memorial Foundation.

In 1998, Carnwath moved from the UC Davis campus to UC Berkeley.

In an essay for a 2001 Flintridge Foundation catalog, Noriko Gamblin describes the evolution of Carnwath's approach to composition and subject matter:

Text appears in many of Carnwath's paintings, works on paper, and prints.

In an interview with Bart Schneider, she explained " Language kind of messes things up. That's what I like about it. I like that it slows us down. It's incremental. First the letters, then the words, then a phrase, a sentence, a paragraph. Language confounds the image. It calls into question what we think we already know."

As a continuation of her list-making practice, Carnwath produced a series of paintings containing song titles set in blocks of color starting around 2014.

Read as a text, the song titles provide a perspective on contemporary music, personal taste, and the way songs can be connected or arranged to create new meaning.

In an Art in America review, critic Tatiana Istomina stated "the found poetry of individual song titles accumulates to powerful effect. In Girls (2015), for example, the titles painted in various shades of pink, red and purple reflect many different aspects of gender, from innate character to performative identity to social function: "I Was Born This Way," "Bang Bang,""Piece of My Heart,""I Am Woman."

Carnwath was awarded the Lee Krasner Award from the Pollock-Krasner Foundation in its 2018-19 grant cycle.

She was inducted into the National Academy of Design along with 15 others in the class of 2019.

National Academicians are nominated and selected by over 430 living members, and the honor recognizes each artist's contributions to American culture.

While Carnwath's icons have shifted over the course of her career, they play an essential role in her compositions.

The icons symbolize various elements of culture and history, and blend Carnwath's personal history with universal topics of humanity.

Some represent the passing of time, others represent luck, and still others refer to the body and the mind.

But rather than ascribe a defined set of meanings, Carnwath leaves room for the viewer to interpret the paintings and prints in their own way.

In an interview with author and curator Karen Tsujimoto, she stated "There are subtexts, which are the real texts, and then there are the things like the 'story line,' the thing you thought you saw, but it wasn't the real information."