Sonja Mejcher-Atassi

An Impossible Friendship: Group Portrait, Jerusalem Before and After 1948, New York: Columbia University Press (Religion, Culture, and Public Life), 2024.

https://cup.columbia.edu/book/an-impossible-friendship/9780231560443

This work traces Rafa Nasiri's trajectory as a graphic artist, his journey from Baghdad to Beijing in the late 1950s, as well as his artistic engagement with different traditions of works on paper from across the Arab world, China, and Europe.

“is a pioneering book that sheds light on a wide-ranging view of collecting practices in the Arab world,” writes the Palestinian artist and critic Kamal Boullata, providing a vital source for “readers interested in the cultural history of the region, the origins of modernity and the making of a national identity.”

Sonja Mejcher-Atassi (born 8 August 1972 in Tübingen) is a writer, a cultural historian, and a professor of Arabic Studies and Comparative Literature at the American University of Beirut.

This work explores the role of literature and memory in times of political crisis, focusing on Elias Khoury's novels written during the Lebanese Civil War (1975–90).

This is the first English-language book to provide a clear sense of the significance and complexity of Sa’dallah Wannous’ life and work.

The book exemplifies “the role of cultural production—especially dramatic literature—in providing a portrait of and shaping a culture in the throes of profound transformation.”

Helmut Mejcher, Fusul min tarikh al-sharq al-awsat (articles by Helmut Mejcher translated into Arabic and presented to him for his 80th birthday), ed.

Mejcher-Atassi received her MA from the Free University of Berlin in 2000, and her DPhil from the University of Oxford in 2005.

Geschichten über Geschichten: Erinnerung im Romanwerk von Elias Khoury, Wiesbaden: Reichert (Literatures in Context), 2001.

She joined the American University of Beirut's Faculty of Arts and Sciences in 2005.

=== “Writing a ‘Tool for Change’: ‘Abd al-Rahman Munif Remembered,” a special issue of MIT's Electronic Journal of Middle East Studies edited by Mejcher-Atassi in 2007, pays tribute to ‘Abd al-Rahman Munif===

Described by Sabry Hafez as “an Arabian master” in the art of the novel, Munif was also a distinguished intellectual and an expert in petroleum economics.

The volume includes a newly translated essay Munif wrote on the Iraqi artist Jewad Selim and his Monument of Freedom.

Sonja Mejcher-Atassi, MIT Electronic Journal of Middle East Studies vol. 7 (2007).

https://www.academia.edu/37031364/Writing_A_Tool_for_Change_Abd_al_Rahman_Munif_Remembered_ed_Sonja_Mejcher_Atassi

Reading across Modern Arabic Literature and Art, Wiesbaden: Reichert (Literatures in Context), 2012.

Sonja Mejcher-Atassi and John Pedro Schwartz, Farnham: Ashgate, 2012.

https://www.routledge.com/Archives-Museums-and-Collecting-Practices-in-the-Modern-Arab-World/Mejcher-Atassi-Schwartz/p/book/9781138279681

Writing a ‘Tool for Change’: ‘Abd al-Rahman Munif Remembered, ed.

https://reichert-verlag.de/media/Prospekte/Litkon_2014.pdf

https://reichert-verlag.de/media/Prospekte/Litkon_2014.pdf

The Theatre of Sa’dallah Wannous: A Critical Study of the Syrian Playwright and Public Intellectual, eds.

Sonja Mejcher-Atassi and Robert Myers, Cambridge: Cambridge University Press (Cambridge Studies in Modern Theatre), 2021.

https://www.cambridge.org/core/books/the-theatre-of-sadallah-wannous/15C4A203FC765A1F33339B9CD2A0551D#fndtn-information

Rafa Nasiri: Artist Books, eds.

Sonja Mejcher-Atassi and May Muzaffar, Milan: Skira, 2016.

https://www.skira.net/en/books/rafa-nasiri-1/

Archives, Museums and Collecting Practices in the Modern Arab World, eds.

During the academic year 2017–2018, she was an invited resident fellow at the Institute for Advanced Study / Wissenschaftskolleg zu Berlin.

She is the recipient of the 2021 Alexander von Humboldt Foundation's Reimar Lüst Research Award for International Scholarly and Cultural Exchange and the 2008 Annemarie Schimmel Research Award.

Mejcher-Atassi's research focuses on modern Arabic literature in global perspective and closely intersects with cultural and intellectual history.

Interdisciplinary in scope, it engages with memory studies, life writing/(auto)biography, literature archives and writers’ libraries, gender studies, global modernism, interrelations of word and image, book culture/art, and aesthetics and politics.

This work brings to life an extraordinary circle of young men and women who came together across religious lines in Palestine under the British Mandate, among them Wolfgang Hildesheimer, Jabra Ibrahim Jabra, Sally Kassab, Walid Khalidi, and Rasha Salam.

“In exploring this ecumenical friendship and its artistic, literary, and intellectual legacies, Mejcher-Atassi demonstrates how social biography can provide a picture of the past that is at once more inclusive and more plural.

This group portrait, she argues, allows us to glimpse alternative possibilities that exist within and alongside the fraught history of Israel/Palestine.”

This work draws on interarts studies to chart new approaches to the study of modern Arabic literature.

It focuses on three literary writers and their rapport with visual art: Jabra Ibrahim Jabra, ‘Abd al-Rahman Munif, and Etel Adnan.

Sonja Mejcher-Atassi, Beirut: Dar al-Tanweer, 2017.