Age, Biography and Wiki
Son Sohui (손소희) was born on 12 September, 1917 in North Hamgyong Province, is a South Korean poet (1917–1987). Discover Son Sohui's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 70 years old?
Popular As |
손소희 |
Occupation |
N/A |
Age |
70 years old |
Zodiac Sign |
Virgo |
Born |
12 September, 1917 |
Birthday |
12 September |
Birthplace |
North Hamgyong Province |
Date of death |
1987 |
Died Place |
N/A |
Nationality |
South Korea
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We recommend you to check the complete list of Famous People born on 12 September.
She is a member of famous poet with the age 70 years old group.
Son Sohui Height, Weight & Measurements
At 70 years old, Son Sohui height not available right now. We will update Son Sohui's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Son Sohui's Husband?
Her husband is Kim Dongni
Family |
Parents |
Not Available |
Husband |
Kim Dongni |
Sibling |
Not Available |
Children |
Not Available |
Son Sohui Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Son Sohui worth at the age of 70 years old? Son Sohui’s income source is mostly from being a successful poet. She is from South Korea. We have estimated Son Sohui's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
poet |
Son Sohui Social Network
Instagram |
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Linkedin |
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Twitter |
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Wikipedia |
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Imdb |
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Timeline
Son Sohui (손소희, September 12, 1917 – January 7, 1987) was a South Korean writer of novels and short stories.
A leading woman writer in the colonial and postwar periods, she is considered one of the first Korean authors to address women's psychological struggles in fiction.
Son Sohui was born in 1917 in North Hamgyong Province's Eorang township, Kyongsong County, in what is now North Korea.
After graduating from a girls' school in Hamhung in 1936, she traveled to study English at Japan's Nihon University, but she dropped out of the program after a short period.
Her career began in 1939, when she began publishing poetry while working as a journalist for the Manseon Ilbo in Manchuria.
After returning to Korea following Korean independence from Japan in 1945, Son Sohui continued to write and publish her work, with several poems published in the influential monthly magazine Sinsedae, and many short stories written.
Her first short story collection, Iragi (梨羅記), was published in 1948.
She also continued her work as a journalist in this period, serving as editor in chief of the magazine Hyeseong (혜성, Comet) from 1949 until the start of the Korean War, and shepherding the growth of the magazine Hanguk Munhak (한국문학, Korean Literature), through which she helped offer young writers the chance to be published for the first time.
Son Sohui was the second wife of fellow writer Kim Dongni, whom she married in 1953 and also collaborated with.
Later in her career Son Sohui primarily focused on writing novels, beginning with Taeyangui Gyegok (태양의 계곡, "The Valley of the Sun") in 1959.
She would later study English at Hankuk University of Foreign Studies, graduating in 1961.
Throughout her 40-year career Son Sohui wrote over one hundred short stories and eleven novels.
In 1961 she was the recipient of both the Seoul Culture Award and the May Literary Award.
Her 1963 novel Nampung (남풍) was translated into English in 1988 as The Wind From the South.
She also worked as an academic, teaching at Sorabol College (1965), Hongik University (1968), and Chung-Ang University (1978).
Son Sohui is thought to be one of the first Korean writers to focus specifically on women's struggles.
Her work frequently incorporated themes of madness and suicide in portraying women's responses to an oppressive society, employing a psychological realist style.
She also addressed gender and ethnic issues during the Japanese occupation, becoming a leading female novelist of the Japanese colonial period.
In the 1980s and 90s, her work was also included in translation in the anthologies Modern Korean Short Stories and Modern Korean Literature: An Anthology.
In 2012 she was featured in the YoungIn Museum of Literature's exhibit "Korean Women’s Literature 30 Years."