Slash Coleman

Slash Coleman (born August 13, 1967) is an American storyteller, producer, and writer who lives in Richmond, Virginia.

The author of The Bohemian Love Diaries, a personal perspectives blogger for Psychology Today, and a laughter yoga teacher, he is best known for his one-man performance-based storytelling shows which combine clever wordplay, music, and poetic observations about family, spirituality, romantic relationships, and struggles to find a sense of home common with Generation X artists.

His work is often compared to that of author David Sedaris.

Coleman was born Jeffrey Mark Coleman in Richmond, Virginia and raised in Chesterfield, Virginia.

He is a first-generation American and a third generation artist descended from a grandfather who was a dancer at the Moulin Rouge and a father, Mike Coleman, who is a prolific sculptor.

His mother, Nicole, is a Holocaust survivor who was born in France.

He legally changed his first name to Slashtipher with his barmitzva money to illuminate his Jewish past and to honor his grandparents who worked for the French Resistance during the war.

Coleman spent his formative years in his father's art studio learning to draw and paint.

He began playing the piano at the age of five and took up the alto saxophone at L.C. Bird High School.

Throughout his teens, he played in various alternative rock bands and went on to study jazz piano and creative writing at Radford University in Virginia, Middlesex University in London, and at Columbia College in Chicago where he received his master's degree.

He went on to earn a degree at East-West College of the Healing Arts and furthered his studies at the Upledger Institute and Oregon College of Oriental Medicine.

Coleman lived in Portland, OR from 1997–2001.

There, he worked primarily as massage therapist and a visual artist, selling his paintings at the Portland Saturday Market and through galleries.

He began hosting Home Grown Theatre out of his southeast Portland apartment.

The venue showcased new work from Portland performers, musicians and filmmakers and the characters in Coleman's own performance art that would eventually become a foundation of his stage work.

In 2000, he formed the production company About Vision Entertainment, with Stash Tea CEO Tom Lisicki, which produced over a dozen multidisciplinary products including a line of drinking teas and educational products for the Charkas.

Coleman moved to Northampton, MA in 2003 and produced his first solo show "Love in Boxes," at the Northampton Center for the Arts on February 14, 2004.

Coleman portrayed 6 characters in the production which chronicled a young boy named Jeffrey Rabbit who practiced a peculiar courtship ritual that involved giving women unusual cardboard boxes while struggling with his attempts at love and his anxieties about rejection.

The set included hundreds of cardboard boxes.

The national tour included theatres in Portland, OR, Seattle, WA, Portland, ME, and Richmond, VA.

In 2005, the death of Coleman's best friend prompted his return to his hometown of Richmond, Virginia.

There he created his solo show, The Neon Man and Me, as a tribute to his best friend, Mark Jamison, a neon artist from Roanoke, Virginia, known as the "Neon Man".

The show opened at Mill Mountain Theatre in Roanoke, on October 9, 2005 and ran for three weeks.

It was produced by an anonymous patron.

The Neon Man and Me began to tour through regional art galleries, churches, synagogues, colleges, and public schools before running on the International Fringe Theatre Festival circuit, where it opened at the San Francisco Fringe Festival in September 2005 in San Francisco, California.

Subsequent fringe festival venues included: Washington, DC; Boulder, CO; Minneapolis, MN; Long Island, NY; and Provincetown, MA.

Coleman donated 100% of ticket sales either back to the Jamison family, host venues or charities and helped raise nearly $100,000 for non-profits including children's hospitals, bereavement organizations, and schools.

In 2006, PBS/WCVE-TV expressed interest in filming The Neon Man and Me, pending Coleman's ability to raise the necessary production funding.

With the help of a student filmmaker he met on Craigslist, Coleman created a documentary entitled Glow, and began a subsequent grassroots living room tour, traveling throughout Virginia homes for the next two years and taking donations until all $65,000 of the budget was raised.

In 2006, with funding from the National Endowment for the Arts, Coleman created a public school curriculum entitled "Healing Community: Helping Students Come to Terms with Tragedy, Loss, and Violence."

He based the curriculum on the model he used to create The Neon Man and Me, then with a series of artist residencies through the Virginia Commission for the Arts, he began teaching the curriculum within the Richmond Public School system.

In observance of Governor Kaine's Month of the Grieving Child, Coleman produced a tour of student monologues relating to friendship and loss that was performed at the Virginia Museum of Fine Arts.

In conjunction with his solo performance work, Coleman began to collaborate with other Richmond performers and directors in the summer of 2006.

Coleman produced, wrote and starred in a PBS Special in 2008 entitled The Neon Man and Me which is a tribute to his best friend, Mark Jamison, a neon artist from Roanoke, Virginia who was electrocuted while hanging a neon sign.

A month after Jamison died, his girlfriend discovered she was pregnant.

Coleman and Jamison met at Radford University while in a jazz ensemble called Vegetation Information.

The show, which seeks to illuminate a young man's challenge with his sense of place in the world after his best friend's death, included 7 monologues about friendship and an original music score.

Underwritten by The Association for Death Education and Counseling and the Wilbert Foundation, the program was distributed by (NETA) The National Education Television Alliance in 2010 and aired on PBS station nationwide until 2012.

Paul Tait Roberts was the senior producer and John Felton was the executive co-producer.

The story behind The Neon Man and Me was recorded for StoryCorps and included in the archives at the Smithsonian.