Age, Biography and Wiki
Simon Fujiwara was born on 10 September, 1982, is a Simon Fujiwara is British artist British artist. Discover Simon Fujiwara's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 41 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
41 years old |
| Zodiac Sign |
Virgo |
| Born |
10 September, 1982 |
| Birthday |
10 September |
| Birthplace |
N/A |
| Nationality |
|
We recommend you to check the complete list of Famous People born on 10 September.
He is a member of famous artist with the age 41 years old group.
Simon Fujiwara Height, Weight & Measurements
At 41 years old, Simon Fujiwara height not available right now. We will update Simon Fujiwara's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Simon Fujiwara Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Simon Fujiwara worth at the age of 41 years old? Simon Fujiwara’s income source is mostly from being a successful artist. He is from . We have estimated Simon Fujiwara's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
artist |
Simon Fujiwara Social Network
Timeline
Simon Fujiwara (born 10 September 1982 in Harrow, United Kingdom) is a British artist.
His works range from paintings and photographs to installations, film and sculptures.
They are shown all around the world, for example in the Tate Modern in London, the Palais de Tokyo in Paris, the Museum of Modern Art in New York, the Irish Museum of Modern Art in Dublin and the Tokyo Opera City Art Gallery.
He studied architecture at the University of Cambridge and, from 2005 until 2008, art at the Städelschule in Frankfurt.
Fujiwara's works have been widely exhibited around the world both in solo and group exhibitions.
'The museum of incest' is among his earliest performance-based works to be selected for individual display marking the beginning of his career as an artist.
Originally performed in 2008 at the Limoncello Gallery in London, 'The museum of incest' was replicated in several occasions and contexts throughout the years.
A printed guide was published by Archive Books to accompany later versions of the installation.
In 2008, jointly with architect Sam Causer, Fujiwara conceived 'the closet gallery', a site-specific installation launched as part of the London Festival of Architecture and supported by the Architecture Foundation.
First exhibited in 2008 at the Neue Alte Brücke in Franckfurt am Main, 'Welcome to the Hotel Munber' denounced the oppression and censorship against homosexuals during the Francoist dictatorship in Spain.
Between October 2008 and March 2009, Fujiwara was a MAK Center's artist-in-residence at the Schindler House in Los Angeles.
His residency at the Los Angeles' MAK Centre for Contemporary Art culminated in 2009 with 'Impersonator', a performance investigating the cult of Arnold Schwarzenegger.
In 2009 was awarded the Arts Foundation Fellowship Award for Interior Architecture.
It was displayed, among the different locations, at Art Basel 41 in 2010, The Power Plant in 2011 and Tate St. Ives in 2012.
For the 2010 Frieze Art Fair, he conceived 'Frozen'.
Recognised with the Cartier Award for emerging artists, the site-specific installation recreates the archaeological ruins of an imaginary lost civilisation.
The site-specific installation 'frozen' earned him the Cartier Award 2010 for emerging artists.
The same year was awarded the Iaspis Residency in Gothenburg, and simultaneously with 'welcome to the Hotel Munberwon', installation on view at Art Statements, won the Baloise Art Prize.
It received particular attention on international media when in 2011 was censored at the Singapore Biennale.
More specifically, some porno-homosexual imagery of the project were removed without the artist's consent.
In 2011 his first theatrical performance 'The boy who cried wolf' was presented at Berlin's Hebbel am Ufer theatre, New York's Performa 11 Biennale and San Francisco's Museum of Modern Art.
In 2011 was nominated for the South Bank Award for the visual art category.
In his 2015 exhibition "Peoples of the Evening Land" at Proyectos Monclova in Mexico City, Fujiwara displayed new bodies of work more closely connected with his adopted home country of Germany, including through works based on rubbish separators used to sort waste in German kitchens, as well as a series of abstract paintings titled "Masks (Merkel)" depicting enlarged portraits of small sections of makeup worn by Angela Merkel.
In 2016 Simon Fujiwara showed shaved furs of animals in Tokyo, a multimedial biography of the Irish "traitor" Roger Casement in Dublin and the skin pigments of the German chancellor Angela Merkel, magnified by the factor of 1,000, in Berlin.
In Bregenz (Austria) he built a replica of the Anne Frank House in Amsterdam.
Fujiwara sees his art as a mixture of politics, architecture and his own biography.
In the Tate St. Ives for example he reconstructed the bar of a hotel his parents ran in Spain when Simon was little.
He charged the scene with erotic elements.
Simon Fujiwara was born in the London suburb of Harrow.
His family (the mother British, the father Japanese) moved to Japan, later to Spain and finally to Cornwall, where Simon discovered his sense for art.
