Age, Biography and Wiki
Shumon Basar was born on 15 October, 1974 in Pabna, Bangladesh, is a Bangladesh born British writer, editor and curator. Discover Shumon Basar's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 49 years old?
Popular As |
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Occupation |
N/A |
Age |
49 years old |
Zodiac Sign |
Libra |
Born |
15 October, 1974 |
Birthday |
15 October |
Birthplace |
Pabna, Bangladesh |
Nationality |
Bangladesh
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We recommend you to check the complete list of Famous People born on 15 October.
He is a member of famous Editor with the age 49 years old group.
Shumon Basar Height, Weight & Measurements
At 49 years old, Shumon Basar height not available right now. We will update Shumon Basar's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
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Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
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Not Available |
Children |
Not Available |
Shumon Basar Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Shumon Basar worth at the age of 49 years old? Shumon Basar’s income source is mostly from being a successful Editor. He is from Bangladesh. We have estimated Shumon Basar's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Editor |
Shumon Basar Social Network
Timeline
Shumon Basar (born 15 October 1974) is a British writer, editor and curator.
Basar was born in Pabna, Bangladesh, in 1974.
His mother Dilruba Basar emigrated with him to the United Kingdom, to join his father, Abul Basar, who had already settled to work as a medical psychiatrist.
The family lived in several Northern towns and cities until they settled in Blackpool in 1985.
Basar attended Gonville and Caius College, Cambridge University as undergraduate between 1993 and 1996.
Between 1998 and 2000 he studied at the AA School, London.
In 1999, Basar co-founded an independent magazine entitled sexymachinery with friends Dominik Kremerskothen and Stephanie Talbot.
After Talbot's departure, the collective grew to include Patrick Lacey, Dagmar Radmacher, Benjamin Reichen, Kajsa Stahl and Maki Suzuki.
From 2001 to 2007, sexymachinery released a number of innovative printed issues that eschewed the tendency to move content online, hosted a number of events which they considered "live issues," collaborated with brands such as Adidas and Mandarina Duck, and art directed the dance-pop band Freeform Five.
Having joined in 2001, Basar is currently Editor-at-Large at the fashion/culture quarterly Tank Magazine.
He is also contributing editor at the Middle East arts and culture magazine Bidoun.
He has written journalism, criticism and reviews for ArtReview, Frieze, Art Monthly, Art Papers, 032c, Contemporary, Blueprint, Icon, Abitare, Domus, AA Files and The Sunday Telegraph.
In 2005 Basar was invited by Eyal Weizman to join a new doctoral program within the Department of Visual Cultures, Goldsmiths, University of London.
Did Someone Say Participate? was edited by Shumon Basar and Markus Miessen, designed by Abake and published by Revolver and MIT Press in 2006.
Dominic Eichler, in Frieze magazine, described it as, "an atlas of sorts, but one that maps an extended academic circle and its response to a built world being radically reshaped by conflict and globalization."
Cities from Zero was edited by Shumon Basar, designed by Kasia Korczak/Boy Vereeken and published by AA Publications in 2007.
"The contributors in this book... focus on both the Gulf emirate of Dubai and the rapid urbanisation of China. Are cities from zero universal blueprints of a better world for all of us, or doomed, out-dated models of already extinct ideologies?"
With/Without was co-edited by Shumon Basar, Antonia Carver and Markus Miessen, designed by Jana Allerding, and published by Bidoun/Moutamarat in 2007.
Containing 30 essays and articles on an array of Middle Eastern cities such as Damascus, Tehran, Cairo, Istanbul and Mecca, Kaelen Wilson-Goldie wrote that, "the editors set themselves the task not of celebrating or bashing Dubai but rather of offering a third way between neoliberal and neoleft readings of the place."
The World of Madelon Vriesendorp was edited by Shumon Basar and Stephan Trueby, designed by Kasia Koczak and published by AA Publications in 2008.
Since 2009, Basar has lived in Dubai, Vancouver, Berlin, Beirut, Istanbul, and travelled extensively through the Middle East.
Hans Ulrich Obrist Interviews: Volume 2 was edited by Charles Arsene-Henry, Shumon Basar and Karen Marta, and published by Charta in 2010.
"This is the second volume of interviews from curator Hans Ulrich Obrist's ongoing infinite conversation. It contains dialogues with some of the most significant architects, artists, filmmakers, historians, musicians, philosophers and writers from the twentieth and twenty-first centuries."
"The three editors decided to do it according to birthdays so highlighting the five generations occupied by the interviewees," said Obrist, about the system of organising the 70 interviews.
Translated By was edited by Charles Arsene-Henry and Shumon Basar, designed by Zak Kyes and published by Bedford Press in 2011.
Do You Often Love with Success and with Fame? was a 2012 book written by Basar and published by the Dubai gallery Traffic.
It consisted only of rhetorical questions, one per page, and mimicked a classic leather-bound pocket diary.
An expanded English/Turkish version was published by SALT, Istanbul, in 2012 entitled Tercüme Eden.
In 2012, the director of Art Dubai, Antonia Carver, invited Basar to reinvent its associated cultural program, the Global Art Forum, which had been running since 2007 in a form derived from Art Basel Talks.
Global Art Forum 6, under the directorship of Basar, was entitled "The Medium of Media" and took place in Doha, Qatar (18/19 March 2012) and Dubai (21–24 March 2012).
It expanded the disciplinary remit to include novelists, historians, filmmakers and journalists; as well as introducing the Globe Books imprint; long-term research projects and curated art and media exhibitions.
"The Medium of Media" investigated the meaning of the word "media" in an art context as well as the role that media played in the unfolding of the Arab Spring which was barely a year old at that point.
Drone Fiction and Autobiography were two volumes edited by Shumon Basar and H.G. Masters, and published by Globe Books in 2013 as part of the Global Art Forum, Dubai.
This was followed by Global Art Forum 7 (17–23 March 2013), commissioned by Basar, directed by H.G.Masters, and entitled "It Means This."
The theme of language has been an ongoing concern for Basar, who has said, "Contemporary reality is often ahead of our ability to describe it, because we are still left behind in the terminology of the previous era or moment. Such a schism leads to blindness about what is actually happening to us, around us."
Global Art Forum 8 (15/16 & 19–21 March 2014) was commissioned by Basar, directed by Omar Berrada and Ala Younis, and entitled "Meanwhile... History."
It assembled an imaginary timeline of histories lost, forgotten and erased.
The Age of Earthquakes, co-authored with the novelist Douglas Coupland and curator Hans Ulrich Obrist, was published in 2015 by Penguin Books in the UK, Blue Rider Press in the US and Eichborn in Germany.