Age, Biography and Wiki
Seung H-Sang was born on 26 October, 1952 in Busan, South Korea, is a South Korean architect. Discover Seung H-Sang's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 71 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
71 years old |
| Zodiac Sign |
Scorpio |
| Born |
26 October, 1952 |
| Birthday |
26 October |
| Birthplace |
Busan, South Korea |
| Nationality |
South Korea
|
We recommend you to check the complete list of Famous People born on 26 October.
He is a member of famous architect with the age 71 years old group.
Seung H-Sang Height, Weight & Measurements
At 71 years old, Seung H-Sang height not available right now. We will update Seung H-Sang's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Seung H-Sang's Wife?
His wife is Choi Deok-joo
| Family |
| Parents |
Not Available |
| Wife |
Choi Deok-joo |
| Sibling |
Not Available |
| Children |
Not Available |
Seung H-Sang Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Seung H-Sang worth at the age of 71 years old? Seung H-Sang’s income source is mostly from being a successful architect. He is from South Korea. We have estimated Seung H-Sang's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
architect |
Seung H-Sang Social Network
Timeline
Seung H-Sang is a South Korean architect who studied at Seoul National University and Technische Universitaet in Wien.
After working for Kim Swoo-geun from 1974 to 1989, he established his own office IROJE architects&planners in 1989.
Seung was a core member of the 4.3 Group, which strongly influenced South Korean architecture, and participated in founding the Seoul School of Architecture for a new educational system.
He is the author of Beauty of Poverty (1996 Mikunsa), Architecture, Signs of Thoughts (2004 Dolbegae), Landscript (2009 Yoelhwadang) and Memorial of Roh Moo-hyun (2010 Nulwa), and was a Visiting Professor of North London University and taught at Seoul National University and at Korea National University of Arts.
His works are based on his critical concerns with Western culture of the 20th century, particularly regarding the topics of beauty and poverty.
He won various prizes for his practice and work and served as coordinator for Paju Book City.
The American Institute of Architects made Seung an Honorary Fellow of AIA in 2002, and the Korea National Museum of Contemporary of Art selected him as Artist of the Year in 2002, which was a first for any architect, after which he hosted a grand solo architecture exhibition.
Seung has gained worldwide fame as an architect by way of his architectural achievements and various international exhibitions, as well as has spread his architectural influence over Asia, Europe, and the Americas.
In 2007, the South Korean government honored Seung with the Korea Award for Art and Culture, and he was commissioned as director for Gwangju Design Biennale 2011 after for Korean Pavilion of Venice Biennale 2008.
He stepped down as the first City Architect of the Seoul Metropolitan Government in 2016.
He also taught at TU Wien as a guest professor in 2017.
He then worked as Chief Commissioner of the Presidential Commission on Architecture Policy of Korea from 2018 to 2020.
In 2019, the Austrian Government awarded him the National Decoration the Cross of Honor for Science and Art, First Class.
He is now a Chair Professor at Dong-A University and Distinguished Expert of CAFA Visual Art Innovation Institute in Beijing.
"'Beauty of poverty. Here‚ it is more important to use than to have‚ to share than to add‚ to empty than to fill.'"
