Age, Biography and Wiki

Sebastian Meissner was born on 1969, is an A polish electronic musician. Discover Sebastian Meissner's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 55 years old?

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Age 55 years old
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Born 1969
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Sebastian Meissner Height, Weight & Measurements

At 55 years old, Sebastian Meissner height not available right now. We will update Sebastian Meissner's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Sebastian Meissner Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Sebastian Meissner worth at the age of 55 years old? Sebastian Meissner’s income source is mostly from being a successful musician. He is from . We have estimated Sebastian Meissner's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income musician

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Timeline

1969

Sebastian Meissner (born 1969 in Częstochowa, Poland) is an artist, electronic musician, journalist, radio-producer and photographer.

Under monikers such as Random Inc, Random Industries and Bizz Circuits he released several albums for influential electronica label Mille Plateaux.

He also composed music for German independent label Kompakt under the name Klimek.

Followed up by releases on New Yorker Anticipate Recordings and Belgian Sub Rosa label.

He has collaborated with Ekkehard Ehlers under the name Autopoieses and with Israeli audio-visual artist Ran Slavin as b.Z_ToneR.

1978

Under the name Solid State Transmitters they played selected compositions from the catalogue of SST Records – a music label formed in 1978 by Black Flag member Greg Ginn.

An Artforum reviewer wrote about this concert the following:

"What Meissner and Kwartludium were about to attempt was nothing less than a new-music interpretation of some minor classics from the cult American hardcore and alternative-rock label. Beginning with Black Flag's 'I Can See You,' they moved on to Blind Idiot God's 'Roller Coaster,' Grant Hart's 'The Main,' and Husker Dü's 'Something I Learned Today.' Accompanying each piece with a slow-dissolving projection of some of the band's record-cover illustrations (Raymond Pettibon's designs for Black Flag being the most familiar to an art-world viewer), they gave each one a different, radical, and surprisingly effective spin."

2002

His album "Walking in Jerusalem" was included by The Wire magazine in their list of top 15 electronic records of the year 2002.

Meissner performed at many notable music and sound art festival like CTM in Berlin, MUTEK in Montreal, Sónar in Barcelona, Unsound in New York, Sonic Acts in Amsterdam, Jewish Culture Festival in Kraków and Steirischen Herbst in Graz.

He recorded audio material with former Nick Cave & the Bad Seeds member Hugo Race and with Italian songwriter Marta Collica.

2010

For the opening of the 2010 New York edition of the Unsound Festival Meissner performed with Polish classical music ensemble Kwartludium at the David Rubenstein Atrium of the Lincoln Center.

Since 2010 Meissner has been writing and directing documentary radio features for German public radio stations such as Deutschlandfunk, Deutschlandfunk Kultur, RBB and WDR3.

He also composed soundtracks for some of those broadcasts.

Meissner dedicated several of his long form broadcasts to the history and current affairs of United States.

The topics ranged from urban explorations in Detroit, portraying native Hawaiian protesters at Mauna Kea in Hawaii and capturing Voodoo rituals in New Orleans.

as Klimek

as Random Inc

as Bizz Circuits

as Random Industries

2011

For his project Not By Note he received in 2011 an honorary mention in the category Digital Musics & Sound Art at Prix Ars Electronica.