Age, Biography and Wiki
Sarah Raphael was born on 10 August, 1960 in East Bergholt, is an English artist (1960-2001). Discover Sarah Raphael's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 41 years old?
Popular As |
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Age |
41 years old |
Zodiac Sign |
Leo |
Born |
10 August, 1960 |
Birthday |
10 August |
Birthplace |
East Bergholt |
Date of death |
2001 |
Died Place |
London |
Nationality |
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We recommend you to check the complete list of Famous People born on 10 August.
She is a member of famous artist with the age 41 years old group.
Sarah Raphael Height, Weight & Measurements
At 41 years old, Sarah Raphael height not available right now. We will update Sarah Raphael's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Not Available |
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Not Available |
Sarah Raphael Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Sarah Raphael worth at the age of 41 years old? Sarah Raphael’s income source is mostly from being a successful artist. She is from . We have estimated Sarah Raphael's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
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Not Available |
Source of Income |
artist |
Sarah Raphael Social Network
Timeline
Sarah Natasha Raphael (10 August 1960 – 10 January 2001) was an English artist best known for her portraits and draughtsmanship.
Raphael was born on 10 August 1960 in East Bergholt, Suffolk – in the same birthplace village as John Constable, the renowned landscape painter, who was born in 1776.
Her parents were Sylvia Betty Glatt and Frederic Raphael – screenwriter, novelist and journalist.
Her family lived abroad for long periods of time.
"As a little girl aged seven, she was dazzled by the beauty of the Greek island Ios, where she lived with her family. She started painting it then and there with her little box of paints, and she would return to the motif later in adult life."
Sarah was educated at Bedales School (Steep, Hampshire), and subsequently studied art at Camberwell School of Art, London, 1978 – 81, graduating with a First Class Honours Degree.
Raphael worked in several media and in both figurative and abstract styles.
As a portrait painter she gained recognition at the highest level and is featured on The National Portrait Gallery's website.
Charles Saumarez Smith, director of the National Portrait Gallery, called her "one of the finest figurative artists of the generation".
She was an accomplished, assured draftsman.
Raphael married Nick McDowell in 1985 and they had three daughters.
She and her husband were separated at the time of her death.
She illustrated books written by her father, Frederic, The Hidden I: A Myth Revisited in 1990 and Of Gods and Men in 1992.
She has works hanging in the Metropolitan Museum in New York and in several large corporate collections as well as London's National Portrait Gallery.
By 1995, she was so much in demand that her paintings were fetching £50,000
Initially notable for her portraits, Raphael's paintings became progressively more abstract, especially evident through the series: Desert Paintings (mid-90s), STRIP! (1997) and Time Travel for Beginners (2000).
Of particular note of her prints (etchings and monotypes) are the Small Objects works, which relate to the STRIP! paintings.
She died from septicaemia following pneumonia, aged 40, on 10 January 2001.
A survey of her work is provided by the book, Sarah Raphael Drawings, published by Carcanet Press Ltd, October 2004.
As William Boyd has written of her figurative works, "You can tell how good they are yourself: you don't need the imprimatur of a gallery or a dealer or a patron."