Age, Biography and Wiki

Sarah Lucas was born on 23 October, 1962 in Holloway, London, is an English artist. Discover Sarah Lucas's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 61 years old?

Popular As N/A
Occupation N/A
Age 61 years old
Zodiac Sign Libra
Born 23 October, 1962
Birthday 23 October
Birthplace Holloway, London
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 23 October. She is a member of famous artist with the age 61 years old group.

Sarah Lucas Height, Weight & Measurements

At 61 years old, Sarah Lucas height not available right now. We will update Sarah Lucas's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Sarah Lucas Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Sarah Lucas worth at the age of 61 years old? Sarah Lucas’s income source is mostly from being a successful artist. She is from United Kingdom. We have estimated Sarah Lucas's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income artist

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Timeline

1950

The theme was '50', to acknowledge the 50th anniversary of Koestler Trust and Lucas was 50 years old at the time.

1962

Sarah Lucas (born 1962) is an English artist.

Lucas was born in London, England in 1962.

1982

She left school at 16, returning to study art at The Working Men's College (1982–83), London College of Printing (1983–84), and Goldsmiths College (1984–87), graduating with a degree in Fine Art in 1987.

1988

She is part of the generation of Young British Artists who emerged in 1988.

Her works frequently employ visual puns and bawdy humour by incorporating photography, sculpture, collage and found objects.

Lucas was included in the 1988 group exhibition Freeze along with contemporary artists including Angus Fairhurst, Damien Hirst, and Gary Hume.

1990

In 1990, Lucas co-organized the East Country Yard Show with Henry Bond, in which she also exhibited.

It was in the early 1990s when Lucas began using furniture as a substitute for the human body, usually with crude genital punning.

1992

Her first two solo exhibitions in 1992 were titled The Whole Joke and Penis Nailed to a Board.

Lucas had her first solo exhibition in 1992 at City Racing, an artist run gallery in south London, and her first solo show in New York at the Barbara Gladstone Gallery in 1995.

1993

For six months in 1993, Lucas and fellow artist Tracey Emin rented a retail space in east London, The Shop, where they made artworks, ranging from printed mugs to T-shirts with slogans, and put them on sale.

1994

Created for a show organised by fellow artist Georg Herold at Portikus, Au Naturel (1994) is an assemblage of objects—a mattress, a bucket, a pair of melons, oranges and a cucumber—that suggest male and female body parts.

1995

In works such as Bitch (table, T-shirt, melons, and vacuum-packed smoked fish, 1995), she merges tabloid culture with the economy of the ready-made.

In earlier work, she had displayed enlarged pages from the Sunday Sport newspaper.

Through her career, Lucas has continued to appropriate everyday materials (including, for example, freshly made fried eggs) to make works that use humour, visual puns and sexual metaphors of sex, death, Englishness and gender.

Lucas's work has been included in major surveys of new British art in the last decade including Brilliant!—New Art From London at the Walker Art Center, Minneapolis, in 1995, Sensation (Young British Artists from the Saatchi Collection at the Royal Academy in 1997), and Intelligence—New British Art, 2000, at Tate Britain.

1996

In 1996, she was the subject of a BBC documentary, Two Melons and a Stinking Fish.

1997

One-person museum exhibitions at Museum Boymans-van Beuningen in Rotterdam, at Portikus in Frankfurt, at Museum Ludwig in Cologne and at Kunsthalle Zürich, Kunstverein am Hamburg and Tate Liverpool have accompanied exhibitions in less conventional spaces—an empty office building for The Law in 1997, a disused postal depot in Berlin for the exhibition Beautiness in 1999, and an installation at the Freud Museum called Beyond the Pleasure Principle in 2000.

1998

Sarah Lucas is also known for her 'Artist as Subject' approach where she produced a series of self-portraits, such as Human Toilet Revisited, 1998, a colour photograph in which she sits on a toilet smoking a cigarette.

2000

In her solo exhibition The Fag Show at Sadie Coles in 2000, she used cigarettes as a material, as in Self-portrait with Cigarettes (2000).

2001

And in 2001, Sarah Lucas used Neon tubes for her artwork 'New Religion' in which a transparent coffin has been lit up violet.

2003

In 2003, Sarah Lucas participated in the 50th International Biennale of Art in Venice, Outlook: Contemporary Art in Athens, and In-A-Gadda-Da-Vida, a three-person exhibition for Tate Britain with Angus Fairhurst and Damien Hirst in 2004.

2004

It was later acquired by George Michael in 2004.

2005

From October 2005 to January 2006, Tate Liverpool presented the first survey exhibition of Lucas's work.

2006

Lucas' 2006 sculpture of a life-size bronze horse and cart, Perceval, is situated in Cullum Street, London.

2011

Writing in The Guardian, in 2011, Aida Edemariam said that "Lucas was the wildest of the Young British Artists, partying hard and making art that was provocative and at times genuinely shocking."

2012

In 2012 Lucas curated Free, an exhibition at the Southbank Centre by the Koestler Trust.

The annual exhibition displays art works by prisoners, detainees and ex-offenders.

2013

In 2013 the Whitechapel Gallery in East London hosted a retrospective of Lucas' work.

2015

In 2015 Sarah Lucas represented Britain at the 56th Venice Biennale with SCREAM DADDIO. She was interviewed by close friend Don Brown during the installation of the exhibition.

2018

In September 2018, The New Museum presented the first American survey of Lucas' work in the exhibition "Sarah Lucas: Au Naturel".

Lucas has also created new sculptural works for the exhibition, including This Jaguar's Going to Heaven (2018), a severed 2003 Jaguar X-Type—the car's back half burned and its front half collaged with cigarettes—and VOX POP DORIS (2018), a pair of eleven-foot-tall thigh-high platform boots cast in concrete.

2019

The exhibition traveled to the Hammer Museum in Los Angeles in June 2019.

The National Gallery of Australia's 2021-22 Know My Name Exhibition Part Two features the work Installation of Project 1: Sarah Lucas, as well as her first self-portraits, Eating a Banana.

Numerous works by Lucas feature in the exhibition Big Women at the firstsite gallery in Colchester in the UK in Spring 2023.

In September 2023 an exhibition of her work opened at the Tate Britain.

Lucas frequently employs a critical humour in her work in order to question conventions and highlighting the absurdity of the everyday.

One of Lucas' most famous works Two Fried Eggs and Kebab, parodies the traditional still life and evokes similarities between itself and feminist Judy Chicago's infamous piece The Dinner Party. Feminist reviews often describe Lucas as attempting to add female artists into the canon of art history through her analytical work that predominantly discusses the female body and voyeurism.

Lucas frequently appropriates masculine constructions to confront and dissect their nature.