Age, Biography and Wiki
Salvatore Martirano was born on 12 January, 1927 in Iran, is an American composer (1927–1995). Discover Salvatore Martirano's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 68 years old?
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Age |
68 years old |
Zodiac Sign |
Capricorn |
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12 January, 1927 |
Birthday |
12 January |
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Date of death |
17 November, 1995 |
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Iran
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We recommend you to check the complete list of Famous People born on 12 January.
He is a member of famous composer with the age 68 years old group.
Salvatore Martirano Height, Weight & Measurements
At 68 years old, Salvatore Martirano height not available right now. We will update Salvatore Martirano's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Salvatore Martirano Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Salvatore Martirano worth at the age of 68 years old? Salvatore Martirano’s income source is mostly from being a successful composer. He is from Iran. We have estimated Salvatore Martirano's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Source of Income |
composer |
Salvatore Martirano Social Network
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Timeline
Salvatore Giovanni Martirano (January 12, 1927 – November 17, 1995) was an American composer of contemporary classical music.
Born in Yonkers, New York, he taught for many years at the University of Illinois.
He also worked in electronic music and invented electronic musical instruments.
Born in Yonkers, New York, Martirano received his undergraduate degree in 1951 from Oberlin College, where he studied composition with Herbert Elwell.
A year later he completed his master's degree in composition at the Eastman School of Music, where he studied with Bernard Rogers.
He then pursued further studies in Florence, Italy with Luigi Dallapiccola from 1952 through 1954.
Martirano was the second person to live in the 1955 "Garvey House" in Urbana after Garvey, for whom it was designed by notable architect Bruce Goff.
Many of Martirano's early works incorporate twelve-tone compositional techniques as well as jazz, vernacular, and multimedia idioms.
Martirano worked in Italy from 1956 to 1959, when he was a resident fellow at the American Academy.
Between 1959 and 1964, Martirano received commissions, awards, and fellowships from the Guggenheim, Ford, Koussevitzky, and Fromm Foundations, as well as from the American Academy of Arts and Letters and Brandeis University.
His best-known composition, "L's GA" (Lincoln's Gettysburg Address), was widely performed in the late 1960s and early 1970s.
It became associated with the anti-Vietnam War movement.
In 1963, Martirano joined the Theory and Composition Department at the University of Illinois in Urbana.
In 1969, Salvatore Martirano, along with a group of engineers and musicians at the University of Illinois, began work on the design and construction of a musical electronic instrument.
The instrument, named the SAL-MAR Construction, is a hybrid system in which TTL logical circuits (small and medium scale integration) drive analog modules, such as voltage-controlled oscillators, amplifiers and filters.
The performer sits at a horizontal control panel of 291 lightable touch-sensitive switches (no moving parts).
The two-state switches are used by a performer to dial sequences of numbers that are characterized by a variety of intervals and lengths.
A sequence may bypass, address, or be added to other sequences forming an interlocked tree of control and data according to a performer's choice.
The unique characteristic of the switch is that it can be driven both manually and logically, which allows human/machine interaction.
The most innovative feature of the human/machine interface is that it allows the user to switch from control of macro to micro parameters of the information output.
This is analogous to a zoom lens on a camera.
He served on the faculty until his retirement and death in 1995.