Age, Biography and Wiki
Russell Mills was born on 1952 in Ripon, United Kingdom, is a British artist. Discover Russell Mills's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 72 years old?
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He is a member of famous artist with the age 72 years old group.
Russell Mills Height, Weight & Measurements
At 72 years old, Russell Mills height not available right now. We will update Russell Mills's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Russell Mills Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Russell Mills worth at the age of 72 years old? Russell Mills’s income source is mostly from being a successful artist. He is from United Kingdom. We have estimated Russell Mills's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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artist |
Russell Mills Social Network
Timeline
Russell Mills is a British artist who was born in Ripon, Yorkshire, England in 1952.
He has released three CDs with his recording project Undark, one of them on the British ambient label Em:t Records.
The last, Pearl + Umbra was released on Bella Union, to very respectable reviews.
In the 1980s, Mills began receiving commissions to design record album covers and associated packaging.
Stylistically, his work at this time became much more abstract, abandoning figurative representation in favour of symbolic allusions.
He regularly treated the canvas as a sculptural plane, with materials such as metals, powders, bones, feathers, beeswax, fabric, wires, animal skins and papers embedded in thick paints and pastes.
Works of this period generally occupy the entirety of the canvas with little or no "negative space" left.
Notable album covers include:
Mills is also the co-author of the 1986 book "More Dark Than Shark" with Brian Eno, the book being a collection of interviews with Eno and Mills's artistic interpretations of the lyrics to songs off Eno's first four solo albums.
From the later 1990s to the present, Mills' work has again evolved to a new style, made possible by the advent of computer design applications such as Photoshop.
The "collage" aesthetic is still frequently seen, but now in a virtual/digital form, with many abutting and overlapping semi-transparent images, often cropped into crisp, aligned rectangles.
Mills still uses hand-drawn or -painted imagery, but as often as not it is scanned into the computer and treated as another malleable collage element.
Images of water and sky are frequently seen, and a cooler color palette often prevails (in contrast to an earlier reliance on earth tones).
Negative space is still a rarity in Mills' compositions.
It is worth noting that many of the musicians who choose Mills as an illustrator compose music that is "ambient" to varying degrees.
Many of the album covers visually reflect this, in that they can be viewed quickly for an overall emotional impression, while intense perusal reveals many painstakingly layered details.
Russell Mills worked with Nine Inch Nails in 1994-1997 and again in 2012-15.
In 1994, he was commissioned to create the entire visual world of The Downward Spiral, beginning with the artwork for the album's cover and booklet, and extending to all of the associated singles (including March of the Pigs and Closer to God), the remix collection Further Down the Spiral, the 1997 video cassette compilation Closure, the 2004 Deluxe Edition and DualDisc re-releases of The Downward Spiral, (which was accompanied by several new Mills compositions downloadable from the Nine Inch Nails website), and various promotional materials.
These interrelated works contain Mills' heaviest use of organic materials to depict a sense of fragility and decay.
Animal skeletons, sets of teeth, blood, feathers, and dead insects are liberally embedded in the canvases.
In some pieces, materials have been affixed and then exposed to water or chemical elements, so that their decay is literally imprinted on the surface of the artwork.
Notable album covers from 1995 to the present include:
In addition to soundtracking several multimedia exhibits (see below), Russell Mills has released two albums to date:
Both albums originated from Mills "collecting sounds" from musicians, many of whose albums he has illustrated.
He then collaged the organic and electronic sounds into ambient pieces (with one or two vocal "songs" per album), with varying degrees of collaboration with the originating artists.
Featured contributors to Undark (aka "Undark One: Strange Familiar"):
An analysis of the symbolic meaning of the elements used to create the cover for Roger Eno's Between Tides appears in the 1999 book 100 Best Album Covers, edited by Storm Thorgerson and Aubrey Powell (of the design group Hipgnosis.)
Mills was Visiting Tutor (until 2012) at the Royal College of Art, Visiting Professor at the Glasgow School of Art.
In 2012, work began on the cover art for the album Hesitation Marks, released in 2013, and subsequently an art book called Cargo in the Blood, released in December 2015.