Roy Hargrove

Roy Anthony Hargrove (October 16, 1969 – November 2, 2018) was an American jazz musician and composer whose principal instruments were the trumpet and flugelhorn.

Hargrove spent a year (1988–1989) studying at Boston's Berklee College of Music but could more often be found playing in New York City jam sessions; he eventually transferred to the New School in New York.

His first studio recording there was with saxophonist Bobby Watson for Watson's album No Question About It.

Shortly thereafter, Hargrove recorded with the band Superblue featuring Watson, Mulgrew Miller, Frank Lacy, Don Sickler and Kenny Washington.

In 1990, Hargrove released his debut solo album, Diamond in the Rough, on the Novus/RCA label.

This album, and the three succeeding recordings Hargrove made for Novus with his quintet, were among the most commercially successful jazz recordings of the early 1990s and made him one of jazz's in-demand players.

During the late 1990s and early 2000s, Hargrove was also a member of the Soulquarians, a collective of experimental jazz, hip hop and soul artists that included Questlove, D’Angelo, Common and others.

Hargrove topped the category "Rising Star–Trumpet" in the DownBeat Critics Poll in 1991, 1992 and 1993.

During this time in his early career, Hargrove was known as one of the “Young Lions,” a group of rising jazz musicians — including, among others, Marcus Roberts, Mark Whitfield and Christian McBride — who, embracing the foundations of jazz, played principally bebop, hard bop and the Great American Songbook standards.

Hargrove, along with other of the "Young Lions," formed an all-star band in 1991 called The Jazz Futures, which released one critically acclaimed album Live in Concert before going their separate ways.

As a side project to his solo and quintet recordings, Hargrove also was the leader of The Jazz Networks, an ensemble of American and Japanese musicians which released 5 albums between 1992 and 1996 and featured other notable jazz artists, including Antonio Hart, Rodney Whitaker and Joshua Redman.

(These albums were originally released only in Japan and Europe, but after Hargrove's death, his estate arranged for release on streaming platforms in the U.S.)

In 1993, Jazz at Lincoln Center commissioned Hargrove to compose an original jazz suite, and he premiered The Love Suite: In Mahogany at Lincoln Center with his sextet that year.

In 1994, Hargrove signed with Verve and recorded With the Tenors of Our Time featuring Joe Henderson, Stanley Turrentine, Johnny Griffin, Joshua Redman, and Branford Marsalis.

Also that year, Hargrove appeared on the eponymous debut album of Buckshot LeFonque, a jazz-funk band led by Branford Marsalis.

In 1995, Hargrove released his next album, Family, and experimented with a trio format that same year on Parker's Mood, an album recorded with bassist Christian McBride and pianist Stephen Scott.

The Penguin Jazz Guide identifies Parker's Mood as one of the “1001 Best Albums” in the history of the genre.

Also in 1995, Hargrove formed the Roy Hargrove Big Band to perform at the Panasonic Jazz Festival in New York.

The band would go on to perform worldwide and feature big band arrangements of Hargrove's own compositions as well as his favorite songs by respected contemporaries.

He achieved worldwide acclaim after winning two Grammy Awards for differing styles of jazz in 1998 and 2002.

Hargrove primarily played in the hard bop style for the majority of his albums, but also had a penchant for genre-crossing exploration and collaboration with a variety of hip hop, soul, R&B and alternative rock artists.

As Hargrove told one reporter, "I've been around all kinds of musicians, and if a cat can play, a cat can play. If it's gospel, funk, R&B, jazz or hip-hop, if it's something that gets in your ear and it's good, that's what matters."

Hargrove was born in Waco, Texas, to Roy Allan Hargrove and Jacklyn Hargrove.

When he was 9, his family moved to Dallas, Texas.

He took lessons at school initially on cornet before turning to trumpet.

One of Hargrove's most profound early influences was a visit to his junior high school by saxophonist David "Fathead" Newman, who performed as a sideman in Ray Charles's Band.

Hargrove's junior high music teacher, Dean Hill, whom Hargrove called his “musical father,” taught him to improvise and solo.

He was discovered by Wynton Marsalis when Marsalis visited the Booker T. Washington High School for the Performing and Visual Arts in Dallas.

Hargrove credited trumpeter Freddie Hubbard as having the greatest influence on his sound.

In 1998, Hargrove won the Grammy Award for Best Latin Jazz Album for Habana with Roy Hargrove's Crisol, an ensemble of Cuban and American musicians which included Chucho Valdés, Russell Malone, Frank Lacy and Miguel "Anga" Diaz, among others.

In 2000, Hargrove added jazz and funk-influenced horns in support of D'Angelo on his Grammy-winning album Voodoo.

He also supported D'Angelo on tour that year as a member of the Soultronics, a backing "supergroup" featuring Questlove and Pino Palladino, among others.

Also in 2000, Hargrove performed the music of Louis Armstrong in Roz Nixon's musical production "Dedicated To Louis Armstrong" as part of the Verizon Jazz Festival.

He won his second Grammy for Best Jazz Instrumental Album in 2002 for Directions in Music: Live at Massey Hall with co-leaders Herbie Hancock and Michael Brecker.

Hargrove was nominated for four other Grammy Awards during his career.

In 2002, Hargrove collaborated with D'Angelo, Macy Gray, the Soultronics, and Nile Rodgers, on two tracks for Red Hot & Riot, a compilation album in tribute to the music of afrobeat pioneer Fela Kuti.

He also acted as sideman for jazz pianist Shirley Horn and spoken-word artist Common on the album Like Water for Chocolate and with singer Erykah Badu on Worldwide Underground.

From 2003 to 2006, he released three albums as the leader of Roy Hargrove's The RH Factor, a group that blended jazz, soul, hip hop and funk idioms.

The band's debut album, Hard Groove, was hailed as "genre-busting" by critics and ushered in a new era of hip hop-accented jazz.

The band's second album, "Strength," was nominated for a Grammy Award for "Best Contemporary Jazz Album."