Age, Biography and Wiki
Roy Dalgarno was born on 2 December, 1910 in Australia, is a Frederick Leslie Roy Dalgarno was social realist artist social realist artist. Discover Roy Dalgarno's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 90 years old?
| Popular As |
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| Occupation |
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| Age |
90 years old |
| Zodiac Sign |
Sagittarius |
| Born |
2 December, 1910 |
| Birthday |
2 December |
| Birthplace |
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| Date of death |
1 February, 2001 |
| Died Place |
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| Nationality |
Australia
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We recommend you to check the complete list of Famous People born on 2 December.
He is a member of famous artist with the age 90 years old group.
Roy Dalgarno Height, Weight & Measurements
At 90 years old, Roy Dalgarno height not available right now. We will update Roy Dalgarno's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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| Height |
Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Roy Dalgarno Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Roy Dalgarno worth at the age of 90 years old? Roy Dalgarno’s income source is mostly from being a successful artist. He is from Australia. We have estimated Roy Dalgarno's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
artist |
Roy Dalgarno Social Network
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Timeline
Frederick Leslie Roy Dalgarno (2 December 1910 – 1 February 2001) was an Australian social realist artist.
Born in Melbourne, Victoria (Australia) in 1910, Dalgarno was educated at Ballarat Grammar School.
He then attended the Academy of Art under Dattilo Rubbo from 1930 to 1932.
He joined the Communist Party of Australia in the 1930s but, according to art historian Bernard Smith, his bohemian temperament was incompatible with party puritanism.
In the late 1930s he travelled to the canefields of North Queensland, where he concentrated on his painting.
From 1932 to 1934 he attended East Sydney Technical College Painting & Drawing.
He co-founded the Studio of Realist Art (SORA) Sydney in 1945.
From 1947 to 1949 he worked as lecturer at the East Sydney Technical College.
After studying in Paris, he moved to India, where he co-founded Editions Anarkali, publisher of fine arts in Bombay, while being employed as a visiting lecturer in lithography at the School of Fine Arts.
He left the party in 1949.
Later, between 1951 and 1953 he was at Ecole des Beaux Arts in Paris, including in 1951–52 William Hayter’s Atelier 17 (etching).
In 1953 he won the First Prize for Diploma Students, lithography, at the Ecole des Beaux Arts, Paris.
In 1965 he won first prize at the Mahasartra State (India) exhibition.
In 1975 he moved to Auckland, New Zealand, where he worked as a Lecturer in drawing and composition at the Auckland Society of Arts.
In 1980 he studied etching and collography at the Pratt Graphic Centre, New York.
Dalgarno died in Auckland of pneumonia in 2001.
Described as a socialist bohemian and a social realist painter, his work commissioned by the Australian maritime and mining trade unions is perhaps the best remembered, for its depiction of Australian workers and working conditions.
The art historian Bernard Smith wrote of Dalgarno: "He belongs to that great generation of social realist Australian artists who flourished during World War II and early post-war years but – in the aftermath of the Cold War – are now largely stored and forgotten by curators."
('Artist of the Everyday' The Australian, 23 February 2001)
