Age, Biography and Wiki
Rosemary Vercoe (Rosemary Joyce Vercoe) was born on 29 April, 1917 in Hanger Hill, Ealing, London, England, is a British actress and costume designer. Discover Rosemary Vercoe's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 96 years old?
Popular As |
Rosemary Joyce Vercoe |
Occupation |
costume designer |
Age |
96 years old |
Zodiac Sign |
Taurus |
Born |
29 April, 1917 |
Birthday |
29 April |
Birthplace |
Hanger Hill, Ealing, London, England |
Date of death |
28 July, 2013 |
Died Place |
Islington, London, England |
Nationality |
London, England
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We recommend you to check the complete list of Famous People born on 29 April.
She is a member of famous costume designer with the age 96 years old group.
Rosemary Vercoe Height, Weight & Measurements
At 96 years old, Rosemary Vercoe height not available right now. We will update Rosemary Vercoe's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Rosemary Vercoe's Husband?
Her husband is Patrick Robertson
Family |
Parents |
Not Available |
Husband |
Patrick Robertson |
Sibling |
Not Available |
Children |
Not Available |
Rosemary Vercoe Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Rosemary Vercoe worth at the age of 96 years old? Rosemary Vercoe’s income source is mostly from being a successful costume designer. She is from London, England. We have estimated Rosemary Vercoe's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
costume designer |
Rosemary Vercoe Social Network
Instagram |
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Linkedin |
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Twitter |
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Wikipedia |
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Imdb |
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Timeline
Rosemary Joyce Vercoe (29 April 1917 – 28 July 2013) was a British actress and costume designer, perhaps best known for being a long-term collaborator with Jonathan Miller on his opera and theatre productions.
She was born on 29 April 1917 at Old Court nursing home, Hanger Hill, Ealing, London, the second of five children of Richard Herbert Vercoe (1884–1930), of Southall, Middlesex, a doctor, and his wife, (Elizabeth) Selina Vercoe, née Skinner (1881–1960).
Vercoe was educated at Chelmsford County High School for Girls, followed by Chelsea School of Art, where her teachers included Graham Sutherland and Henry Moore.
She first worked for the London District Theatre Unit as an actress and costume designer, before joining the Players' Theatre costume department during the Second World War.
After the war, Vercoe worked in Stratford-upon-Avon's Shakespeare Memorial Theatre, where she was the costume designer for The Taming of the Shrew, and toured with the company in Australia in 1949–50 as a costume designer, and as an actress understudy.
After this, she essentially became a costume designer full-time, and stopped acting.
Vercoe was a regular collaborator with Jonathan Miller on his opera and theatre productions.
She was known for her meticulous historical research, and for using ordinary everyday clothes of the period, rather than "costumes".
London's Victoria and Albert Museum includes Vercoe's costumes from the 1979 English National Opera production of The Turn of the Screw.
The V&A also houses her extensive archives.
She was married to the set designer Patrick Robertson, and they were frequent collaborators.
Miller's 1982 production of Verdi's opera Rigoletto for English National Opera, set in 1950s New York, was set designed by Patrick Robertson and costume designed by Vercoe.
Vercoe died at the Highgate Nursing Home, 12 Hornsey Lane, Islington, London, on 28 July 2013.
It was most recently revived in 2017, using Vercoe's costume design, which reviewers still comment on, "the mafia concept, although prolific in opera stagings these days, is still a perfect fit for Rigoletto".