Age, Biography and Wiki

Rone (Tyrone Wright) was born on 1980 in Geelong, Victoria, Australia, is a Rone is pseudonym of Tyrone Wright a street artist. Discover Rone's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 44 years old?

Popular As Tyrone Wright
Occupation N/A
Age 44 years old
Zodiac Sign N/A
Born 1980
Birthday
Birthplace Geelong, Victoria, Australia
Nationality Australia

We recommend you to check the complete list of Famous People born on . He is a member of famous artist with the age 44 years old group.

Rone Height, Weight & Measurements

At 44 years old, Rone height not available right now. We will update Rone's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Rone Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Rone worth at the age of 44 years old? Rone’s income source is mostly from being a successful artist. He is from Australia. We have estimated Rone's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1911

Opened in 1911 and once seating 2,300 patrons, it was one of the first permanent movie theatres in Victoria.

When Rone found out the building would soon be demolished, he asked to use the space for an art exhibition.

12,000 patrons came to the show over 10 days, and photographs featured in the show are now part of the National Gallery of Victoria's permanent collection.

1933

Originally built in 1933, the mammoth structure had stood empty for a quarter century.

The show, called EMPIRE, was a year in the making, with the team living on site through the change of the seasons.

1980

Rone is the pseudonym of Tyrone Wright (born 1980), a street artist based in Melbourne, Australia.

2001

Rone grew up in the city of Geelong, Victoria, before moving to Melbourne in 2001.

2002

In 2002, he started decorating skateboards and skate parks before beginning to put paste-ups and stencils on walls around Melbourne.

He creates "Jane Doe" images.

In the earlier years of his career, Rone used to use wheat pasting to do quick paste-ups in busy locations, but later work on the streets are mostly created using traditional painting materials such as rollers and paintbrushes.

Some of the locations he has painted include New York, San Francisco, Los Angeles, Miami, Paris, Berlin, London, Tokyo, Hong Kong, Santo Domingo, Mexico, Havana, Christchurch, and Port Vila.

Rone’s work is now in galleries.

His work has been acquisitioned by institutions the National Gallery of Australia and the National Gallery of Victoria and has been shown by Stolen Space in London, Opera Gallery in New York, White Walls in San Francisco, Urban Nation in Berlin, and Backwoods Gallery in Melbourne.

He has also worked on a Jean Paul Gaultier museum exhibit and is a brand ambassador for Uniqlo.

In February 2021, Rone received an arts grant from the Australian federal government for $1.86 million, one of the largest amounts awarded to a single artist in Australian history.

2016

Since 2016 Rone has been creating immersive art installations in abandoned buildings.

The first of these, EMPTY, took place in the old Star Lyric Theatre building in Fitzroy, Melbourne.

2017

In 2017, he was invited to transform the machine rooms of the old Alphington Paper Mill, which was built in the 1910s and was Victoria’s first paper mill.

A clandestine project, Rone completed a series of murals inside the decrepit building in secret.

Because of health and safety requirements, only a small group of people were able to view the works, which he called ALPHA; they also had to wear reflective vests and hard hats and be given a full safety induction on arrival.

The building has since been demolished.

Later that year, Rone transformed a small weatherboard cottage into an immersive show called OMEGA.

Part art exhibition, part installation, Omega was Rone’s first project that went beyond painting portraits in decaying buildings and created an immersive experience.

He recreated the archetypal mid-century Australian interior landscape that the home’s former resident grew up in.

In total, 8,000 people visited over 10 days, with an hours-long queue snaking down the chain-link fence that lined the block.

Based on the success of OMEGA, Rone was invited to turn the Burnham Beeches mansion in the Dandenong Ranges into a multi-storey art exhibit.

2019

Then in March 2019, over the course of six weeks, more than 25,000 people travelled to see the show, which included fourteen giant murals based on the manor’s history.

2020

In late 2020 Rone was a part of Melbourne's first so-called “artcade,” which was designed to bring people back into the city after COVID lockdowns.

Along with other artists including Adnate, Meggs, and Mayonaize, Rone was given access to several storefronts whose tenants had vacated during the previous year’s slump.

Rone painted a depiction of Sleeping Beauty to represent a city finally waking up after a long slumber.

Nearly 15 years after leaving his hometown of Geelong, Rone was invited back to the city he littered in illegal stencils as teen to have a solo exhibition at the Geelong Art Gallery, one of the largest regional galleries in Australia.

In addition to turning their main wing into an immersive installation, it was also the first comprehensive survey of Rone’s career.

A large room exhibited a retrospective of his work, charting his practice from early stencils and street art to photographs documenting all of his major installations.

Nearly 50,000 people passed through over 80 days.