Age, Biography and Wiki

Roger Sandall (Frederick Roger Sandall) was born on 18 December, 1933 in Christchurch, New Zealand, is an Australian anthropologist, essayist, cinematographer, and scholar. Discover Roger Sandall's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 78 years old?

Popular As Frederick Roger Sandall
Occupation N/A
Age 78 years old
Zodiac Sign Sagittarius
Born 18 December, 1933
Birthday 18 December
Birthplace Christchurch, New Zealand
Date of death 11 August, 2012
Died Place Australia
Nationality New Zealand

We recommend you to check the complete list of Famous People born on 18 December. He is a member of famous cinematographer with the age 78 years old group.

Roger Sandall Height, Weight & Measurements

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He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Roger Sandall Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Roger Sandall worth at the age of 78 years old? Roger Sandall’s income source is mostly from being a successful cinematographer. He is from New Zealand. We have estimated Roger Sandall's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income cinematographer

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Timeline

1933

Frederick Roger Sandall (18 December 1933 – 11 August 2012) was a New Zealand-born Australian anthropologist, essayist, cinematographer, and scholar.

He was a critic of romantic primitivism, which he called designer tribalism, and argued that this rooted Indigenous people in tradition and discouraged them to assimilate to Western culture.

Sandall was born in Christchurch, New Zealand on 18 December 1933 and attended Takapuna Grammar School.

1956

He studied anthropology at University of Auckland (BA, 1956) and received his MFA (1962) from Columbia University.

Among his teachers were Margaret Mead and Cecile Starr.

1962

He filmed Maíz as partial fulfilment of his MFA at Columbia in 1962.

• Maíz (1962)

1965

In 1965, he accepted a fellowship in anthropology at Columbia.

Sandall was finishing a librarianship course and taking photographs of the protests at Berkeley when MOMA's Willard Van Dyke recommended him to the Australian Institute of Aboriginal Studies (AIAS) as a "one-man film unit."

1966

Between 1966 and 1973, Sandall made a number of documentaries, oftentimes featuring sacred rituals that were shown only to small audiences in an effort to respect the privacy of these events.

• Walbiri Ritual at Ngama (1966)

• Djungguan at Yirrkala (1966)

1967

• The Mulga Seed Ceremony (1967)

• Emu Ritual at Ruguri (1967)

1968

Despite this, he won the first prize for documentary at the Venice Film Festival in 1968 for his film Emu Ritual at Ruguri.

• Gunabibi: An Aboriginal Fertility Cult (1968)

1969

• Walbiri Ritual at Gunadjarai (1969)

• Camels and the Pitjantjara (1969)

• Making a Bark Canoe (1969)

1970

After leaving AIAS in the early 1970s, Sandall became a political activist for the rights of Indigenous Australians.

• Pintubi Revisit Yumari (1970)

1972

• Pintubi Revisit Yaru-Yaru (1972)

• What You Thinkin' About, Little Horse?

(1972)

• Coniston Munster: Scenes from a Stockman's Life (1972)

1973

In 1973, Sandall joined the anthropology department at the University of Sydney as a lecturer.

He wrote for a number of journals including The American Interest, Art International, Commentary, The New Criterion, Merkur, Encounter, and Quadrant.

1988

He replaced Peter Coleman as the editor of Quadrant from March 1988 to January 1989, after which he quit due to a public political clash and difficulty in drumming up interest among writers.

1993

He retired from teaching in 1993.

2001

In 2001, he published The Culture Cult with an American firm after comments he had made at a conference years prior were "grossly distorted in a[n Australian] newspaper report."

2003

In 2003, the book won him a Centenary Medal.

Sandall was a strong critic of romantic primitivism.

He coined the term designer tribalism to criticise Western anthropologists' perpetuation of the noble savage archetype and the "Disneyfication" of Indigenous people's relationship with nature by "forcing" them to continue practicing their ancestral traditions.

He specifically criticises the Māori people for hunting practices that caused the extinction of the moa bird, which he felt was proof that these rituals were being maintained for Western tourism.

He named Margaret Mead, Ruth Benedict, Robert Owen, and John Humphrey Noyes as part of the "culture cult" that kept designer tribalism alive.

A quote from The Culture Cult reads: "If your traditional way of life has no alphabet, no writing, no books, and no libraries, and yet you are continually told that you have a culture which is 'rich', 'complex', and 'sophisticated', how can you realistically see your place in the scheme of things? If all such hyperbole were true, who would need books or writing? Why not hang up a 'Gone Fishing' sign and head for the beach?"

He also felt that "repression, economic backwardness, endemic disease, religious fanaticism, and severe artistic constraints" were inherent within primitive Indigenous cultures.

He believed that the White Australia policy and similar legislations improved the wellbeing of Indigenous Australians and supported cultural assimilation into what he called "modern civilisation".

Sandall was married to Bay Books publisher Philippa; they had two children, Richard and Emma.

2012

He died on 11 August 2012 in Australia.