Roger Horrocks

Roger John Horrocks (born 4 June 1941) is a New Zealand writer, film-maker, educator and cultural activist.

Horrocks was born in the Auckland suburb of Mount Albert on 4 June 1941, the son of Jack Horrocks and Edith Barbara Horrocks (née Rhodes).

Majoring in English, he completed a BA (1962), MA First Class Honours (1963), and PhD (1976) from the University of Auckland.

His doctoral thesis, supervised by C. K. Stead, was titled Mosaic: a study of juxtaposition in literature, as an approach to Pound's Cantos and similar modern poems.

He also studied for two years with Allen Tate at the University of Minnesota (1964–65) and one year with Thom Gunn at the University of California, Berkeley (1966).

In 1964 he married Eleanor Seguin.

Their daughter, Simone Horrocks, is a film director, and Dylan Horrocks is a cartoonist and writer.

He taught at the University of Auckland from 1967 to 2004, and on his retirement became an emeritus professor.

He taught Film Studies in adult education courses from 1967, then a University of Auckland course at graduate level from 1975.

His teaching was timely because a New Zealand film industry was just emerging.

Horrocks has been one of the founders of many cultural organisations, including the Auckland International Film Festival (established 1969), Alternative Cinema (1972), Association of Film & Television Teachers (later the National Association of Media Educators, 1983), Artspace (1986), NZ Electronic Poetry Centre (2001), NZ On Screen (2006), and Script to Screen (2009).

In 1973, receiving a Fellowship from the American Council of Learned Societies, he studied with Robert Creeley at the State University of New York at Buffalo.

His other public policy work has included positions in the Arts Council (1975–77 and 1985–7), Creative NZ (1998), and the Short Film Fund of the NZ Film Commission (1985-6).

In 1975 he became a co-director of the film company Point of View Productions.

Since then he has been the researcher or co-researcher of documentaries directed by his wife Shirley.

Horrocks was a co-scriptwriter of the feature film Skin Deep (1978).

His second marriage, in 1979, was to Shirley Heim (née Spitz), herself a documentary filmmaker, and he became stepfather to Steve and Tony Heim.

He wrote and edited textbooks (beginning with On Film in 1980) and many academic papers and books (such as Television in New Zealand, which he co-edited with Laurence Simmons in 2004).

A number of his students went on to become film-makers, or academics in the field of media studies.

(The film-makers include: David Blyth, Vanessa Alexander, Sam Pillsbury, Alison Maclean, Gregor Nicholas, Hester Joyce, Roseanne Liang, Lisa Reihana, Dan Salmon, and Ray Waru. Academics include Brian McDonnell, Trisha Dunleavey, Simon Sigley, Geraldene Peters, Xuelin Zhou, Margaret Henley, and Lynne Star.) He also played a significant part in the establishment of film teaching and media studies in secondary schools.

During the 1980s, Horrocks was a co-editor of the influential literary magazines AND (1984–85) and Splash (1984–86), and a Contributing Editor to Parallax (1982-3).

Mark Williams in The Oxford History of New Zealand Literature in English has characterised Horrocks as one of ‘New Zealand’s most alert and inventive critics.' Douglas McNeill in the Journal of New Zealand Literature describes him as ‘a close reader’s close reader.’ Terry Sturm singled out his essay ‘The Invention of New Zealand’ as a ‘seminal’ reading of the work of Allen Curnow.

He worked as Lye's assistant during the artist's last year (1980), then after his death he helped to ensure that his papers and works were returned to New Zealand.

When the Broadcasting Commission (NZ On Air) was created in 1989, Horrocks was appointed as one of the original board members.

He served for eleven years, and for the last four years was deputy chair.

Horrocks became Head of the Centre for Film, Television and Media Studies established in 1994, and was appointed Head when it became a full department in 2000.

Other awards include a Distinguished Teaching Award from the University of Auckland in 1998, a “10K Award” from the Broadcasting Commission (NZ On Air) in 2002 for services to broadcasting, and an Industry Mentor Award at the first New Zealand Scriptwriters Awards in 2010.

He was a board member for many years of the Auckland University Press (and Board Chairman, 2001–2004), and on the advisory board of Te Ara (from 2002).

Horrocks wrote a biography of the artist which was a finalist in the 2002 New Zealand Book Awards and has been described by the British journal Sight and Sound as the “definitive piece of Lye scholarship”.

In the 2005 New Year Honours, Horrocks was appointed a Member of the New Zealand Order of Merit, for services to the film and television industries.

His subsequent book, Art That Moves (2009), explores the aesthetics of Lye's “new art of motion.” He has also edited three volumes of Lye's writings and co-edited another.

In 2009 he wrote and directed the film Art that Moves which won the Van Gogh Prize in the 2010 Amsterdam Film Festival.

In 2012 he wrote the libretto for Len Lye: the Opera, with music by Eve de Castro-Robinson, which was performed at the Maidment Art Centre, with expatriate singer James Harrison returning to New Zealand to play the role of the artist.

Also, in 2014 he received a New Zealand History Research Trust Fund Award, and in 2015 a Michael King Centre Residency.

Horrocks has been a long-term trustee of the Len Lye Foundation and was involved in the creation of the Len Lye Centre which opened in New Plymouth in 2015.

A selection of Horrocks's criticism was published as Re-Inventing New Zealand, 2016, and he has also written collections of poetry, including Song of the Ghost in the Machine which was a finalist in the 2016 Ockham New Zealand Book Awards.

Horrocks played a central role in the re-discovery of expatriate film-maker, kinetic sculptor and writer Len Lye.

In 2019 the Royal Society of New Zealand awarded him its Pou Aronui Prize for his lifetime contribution to the Humanities.

The Royal Society described him as “a champion of New Zealand culture, particularly New Zealand’s film and television industries, as well as literature and the visual arts.”

Horrocks was one of the New Zealand pioneers of the academic study of film and television.