Age, Biography and Wiki
Robert Wiens was born on 1953 in Leamington, Canada, is a Canadian visual artist. Discover Robert Wiens's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 71 years old?
| Popular As |
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| Age |
71 years old |
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| Born |
1953 |
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| Birthplace |
Leamington, Canada |
| Nationality |
Canada
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We recommend you to check the complete list of Famous People born on .
He is a member of famous artist with the age 71 years old group.
Robert Wiens Height, Weight & Measurements
At 71 years old, Robert Wiens height not available right now. We will update Robert Wiens's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
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Robert Wiens Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Robert Wiens worth at the age of 71 years old? Robert Wiens’s income source is mostly from being a successful artist. He is from Canada. We have estimated Robert Wiens's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
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Not Available |
| Source of Income |
artist |
Robert Wiens Social Network
Timeline
Robert Wiens (born 1953 in Leamington, Ontario) is a Canadian visual artist.
Robert Wiens was born in Leamington, Ontario in 1953, and currently lives in Picton, Ontario.
He attended the New School of Art from 1973 to 1974, and had his first solo exhibition at Mercer Union in Toronto in 1980.
Wiens’ paintings and sculptures have been exhibited internationally.
Recent exhibitions include Do Not Destroy: Trees, Art and Jewish Thought at The Contemporary Jewish Museum, San Francisco; Micro/Macro at Gallery Stratford, Stratford, Ontario and Doris McCarthy Gallery, Toronto; and Speak for the Trees, organized by Friesen Gallery in Seattle, Washington and Sun Valley, Idaho.
Wiens has completed commissioned sculptures for the Open Corridor Festival in Windsor, Ontario and for the Forest Art Project in Haliburton, Ontario.
His work is held in public collections, including the National Gallery of Canada, Ottawa; Agnes Etherington Art Centre, Kingston; Four Seasons Hotel, Tokyo; Art Gallery of Ontario, Toronto, and Doris McCarthy Gallery, Toronto.
Wiens’ early work consisted of large-scale sculptures and installations, depicting fragments of heroic monuments.
He used sculpture and installation to explore social issues and ideas of language and representation.
Vanguard, vol.9, no.8(October 1980);
Eclectic, electric and eccentric.
Vanguard, vol.12, no.3 (April 1983);
The Globe and Mail, 17 March 1984;
Wiens takes us behind the scenes in the theatre of war.
The Queen's Journal, #32, vol.123;
Canadian Art, vol.4, no.1(Spring 1987);
Robert Wiens, Mercer Union.
He is perhaps best known for his large-scale watercolour close-ups of pine trees, which he began painting in 1996.
The watercolours are detailed portraits of trees, including old-growth pines in Temagami, Ontario, and deciduous trees found in his local area.
Wiens photographs the trees and then painstakingly reproduces their texture, colour and scale.
The renderings are extremely detailed and dense.
Wiens’ tree portraits also function as memorials to, or remnants of the destruction of Canadian forests.
As John Armstong writes in C Magazine, "Wiens creates, in his pinpoint framing and cool description, a chilly distance between the living trees and what we see in the gallery: he gestures both romance and the deadpan optics of a ledger. Without any didactic tone, these paintings chronicle a simultaneously grim and poetic politic."
Robert Wiens, Carmen Lamanna Gallery.
The Globe and Mail, 24 July 1999;
The Globe and Mail, 6 September 2002;
Hansen, Michael, 2010-2011 Season: ArtSync.
Toronto, Ontario: blurb.com, 2011;
The flowering of a creative discontent.
