Age, Biography and Wiki
Robert Cogan was born on 2 February, 1930, is an American composer (1930–2021). Discover Robert Cogan's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 91 years old?
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91 years old |
Zodiac Sign |
Aquarius |
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2 February, 1930 |
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2 February |
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Date of death |
19 August, 2021 |
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We recommend you to check the complete list of Famous People born on 2 February.
He is a member of famous composer with the age 91 years old group.
Robert Cogan Height, Weight & Measurements
At 91 years old, Robert Cogan height not available right now. We will update Robert Cogan's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Robert Cogan Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Robert Cogan worth at the age of 91 years old? Robert Cogan’s income source is mostly from being a successful composer. He is from . We have estimated Robert Cogan's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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composer |
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Timeline
Robert Cogan (February 2, 1930 – August 19, 2021) was an American music theorist, composer and teacher.
He studied at the University of Michigan (B.M., 1951; M.M., 1952); Princeton University (M.F.A., 1956); Royal Conservatory of Brussels; Berkshire Music Center, Tanglewood; and the Staatliche Hochschule für Musik und Theater, Hamburg.
His principal teachers included Nadia Boulanger, Aaron Copland, Ross Lee Finney, Philipp Jarnach and Roger Sessions.
For more than three decades Cogan was Chair of Graduate Theoretical Studies and Professor of Composition at New England Conservatory, Boston.
He also was a visiting professor at the Berkshire Music Center; at State University of New York at Purchase; at the Central Conservatory of Music, Beijing, and Shanghai Conservatory; and at IBM Research.
As speaker and/or composer Cogan was programmed in Belgium, Brazil, Canada (Banff Festival), China, France (IRCAM), Paris; Avignon and Nice Festivals), Germany (Darmstadt International Summer Courses for New Music); North and West German Radios; Zinzig Festival; Bielefeld University), Great Britain (Universities of Edinburgh, London, and Southampton), Italy (Gubbio and Prix Italia festivals; Italian Society for Musical Analysis; Rockefeller Bellagio Study Center), Korea (Seoul Arts Olympics), the Netherlands (International Computer Music Association), Russia, Sweden (Swedish Institute for Electronic Music), Switzerland (Montanea Festival), and Yugoslavia (Belgrade Radio-Television).
In the United States he appeared under the auspices of the American Society for Aesthetics; College Music Society; Ford, Morse, Rockefeller, and Rothschild Foundations; International Association for Semiotics; League of Composers; Music Educators National Conference; Music Teachers National Association; Society of Composers; Society for Ethnomusicology; and Society for Music Theory; as well as in universities throughout North America.
Performers of Cogan's works include the conductors Tamara Brooks, Lorna Cooke deVaron, John Heiss, Jacques-Louis Monod, Fredrick Prausnitz, Gunther Schuller, and Leopold Stokowski; the Cleveland Orchestra, Norddeutscher Rundfunk, and RIAS Berlin orchestras; pianists Geoffrey Burleson, Marilyn Crispell, David Del Tredici, David Hagan, Robert Henry, and Ellen Polansky; instrumentalists Esther Lamneck, Alexei Ludewig, and Stephanie Key; and singers Jan DeGaetani, Elizabeth Keusch, Joan Heller, Jane Bryden, and Maria Tegzes.
His music appears on the Delos, Golden Crest, Leo, Music and Arts, Neuma, and Spectrum recording labels.
Cogan resided in Cambridge, Massachusetts, with his partner, composer and theorist Pozzi Escot.
He also published in numerous journals including College Music Symposium, Interface, Journal of Music Theory, The Musical Quarterly, Perspectives of New Music, and Sonus.