Age, Biography and Wiki
Richard Ray Whitman (T'so-ya-ha) was born on 1949 in Claremore, Oklahoma, U.S., is an A native american male actor. Discover Richard Ray Whitman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 75 years old?
Popular As |
T'so-ya-ha |
Occupation |
N/A |
Age |
75 years old |
Zodiac Sign |
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Born |
1949, 1949 |
Birthday |
1949 |
Birthplace |
Claremore, Oklahoma, U.S. |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 1949.
He is a member of famous film with the age 75 years old group.
Richard Ray Whitman Height, Weight & Measurements
At 75 years old, Richard Ray Whitman height not available right now. We will update Richard Ray Whitman's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Richard Ray Whitman Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Richard Ray Whitman worth at the age of 75 years old? Richard Ray Whitman’s income source is mostly from being a successful film. He is from United States. We have estimated Richard Ray Whitman's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
film |
Richard Ray Whitman Social Network
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Wikipedia |
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Imdb |
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Timeline
Richard Ray Whiteman (born 1949) is a Yuchi-Muscogee multidisciplinary visual artist, poet, and actor.
He is enrolled in the Muscogee Nation and lives in Oklahoma.
Whitman was born in Claremore, Oklahoma, in 1949.
His maternal grandmother was Polly Long.
Like many Yuchis, Whitman is enrolled in the Muscogee Nation, and his Yuchi name is T'so-ya-ha.
He grew up in Gypsy, Oklahoma, and attended Bristow High School.
He also attended the Institute of American Indian Arts, the California Institute of the Arts, and the Oklahoma School of Photography in Oklahoma City.
Whitman began his art career as a painter and expanded to photography, installation, and video art.
Whitman is known for his black-and-white photography portraying contemporary Native realities, especially his "Street Chiefs Series" from the 1970s and 1980s.
"Street Chiefs" features images of homeless Native men, primarily in downtown Oklahoma City.
"The contemporary Indian in the isolation of the city canyons and rural reservations is avoided. The boredom, pain, frustration, poverty of the reality-counterbalance of our lives is harsh, unattractive, and unmarketable."
His photographic portraits are compassionate and empathetic to the lives of homeless natives and places them in the larger context of Indian Removal, which forced tribes from all over the country to Indian Territory.
In 1973, he participated in the 71-day occupation of Wounded Knee and created art during the occupation.
From the 1980s onward, Whitman has incorporated text and computer graphics in his photography to create collage or mixed media.
His socio-politically informed work often deals with the issues of homeland and dispossession.
Collaborating with Yuchi poet and brother Joe Dale Tate Nevaquaya, Whitman created video to document the Yuchi language.
Together they worked with French filmmaker Pierre Lobstein in the 1990s.
Whitman read T.C. Cannon's poetry in the video "Mazerunner: The Life and Art of T.C. Cannon" which was directed and edited by Phillip Albert.
This work was subsequently screened at the Metropolitan Museum of Art (3/19/1994) and was presented on the Bravo Cable Channel and the Independent Film Channel from May, 1995 through June, 1996.