Age, Biography and Wiki

Ricardo Mamood-Vega (Ricardo Andres Mahmoud) was born on 5 June, 1968 in Buenos Aires, Argentina, is an actor,producer,writer. Discover Ricardo Mamood-Vega's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 56 years old?

Popular As Ricardo Andres Mahmoud
Occupation actor,producer,writer
Age 56 years old
Zodiac Sign Gemini
Born 5 June, 1968
Birthday 5 June
Birthplace Buenos Aires, Argentina
Nationality Argentina

We recommend you to check the complete list of Famous People born on 5 June. He is a member of famous Actor with the age 56 years old group.

Ricardo Mamood-Vega Height, Weight & Measurements

At 56 years old, Ricardo Mamood-Vega height is 5' 9" (1.75 m) .

Physical Status
Height 5' 9" (1.75 m)
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Ricardo Mamood-Vega's Wife?

His wife is Karina Diaz Acosta (11 August 1995 - present) ( 2 children)

Family
Parents Not Available
Wife Karina Diaz Acosta (11 August 1995 - present) ( 2 children)
Sibling Not Available
Children Not Available

Ricardo Mamood-Vega Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Ricardo Mamood-Vega worth at the age of 56 years old? Ricardo Mamood-Vega’s income source is mostly from being a successful Actor. He is from Argentina. We have estimated Ricardo Mamood-Vega's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Actor

Ricardo Mamood-Vega Social Network

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Timeline

1991

Actor Ricardo Mamood grew-up against the odds in Argentina, found stardom in Asia and has been quick to parlay his international cache and sexy Latin looks into a Hollywood career. After playing the lead in a children's play at Kindergarten, Ricardo knew, all he wanted to be was an actor. However shortly after his stage debut, his mother (single and with a new born) could no longer support him, so she sent Ricardo to live with a couple who didn't have any children and owned the kindergarten. They watched many old films together and the couple took him to see his very first drive-in film - they hid him in the trunk of their car, since only those above 18 were allowed in drive-ins. At about 7 years old, he managed to open their home safe and steal money, with which he bought half a dozen G. I. Joe's action figures. Playing "It takes a Thief" cost him his home. Disappointed, the couple sent him back to his mother, who at that time was living in a tiny and crowded kitchen in an old rat and flee infested building with his younger half-brother. They had a single bed that stood in the kitchen during the day and on which his mother and brother slept while he took the "bed" on the kitchen counter-top. He soon outgrew the length of the counter-top, so he had to set his rolled-towel pillow on top of the cooker's burner. When he was 9, his family moved to the poor and violent slums outside Buenos Aires Capital City. He started working in the mornings and early evenings chopping meat at a butcher shop called La Vaca Bionica (The Bionic Cow) during the week, while still managing to attend primary school in the afternoons. On the weekends, he worked as a bricklayer boy while also taking care of his 4 year-old half-brother. Acting was procrastinated for many years with the exception of the occasional daydreaming, playing Cowboys and Indians, and keeping the habit of watching old films and re-runs of old TV shows every chance he had, while most kids were playing soccer on the streets. His mother would spend most of her day and sometimes nights at work, so after his half-brother would fall asleep, he would join his street buddies and listen to tunes on the radio or sneak into the local bars and pool houses. Nights on the street were the only times when there were no duties or responsibilities. At that time he also helped as a "glue-boy" at night, making flour-water-based glue in a bucket in the back of a pick-up truck for grown-ups to stick up anti-de-facto government pamphlets during the military dictatorship. As years went by, Ricardo became violent at home and in the neighborhood, and started getting into all kinds of trouble. He left home for months when he was 12, wandering around the capital city, sleeping in parks and breaking into small grocery stores at night in order to eat with other street buddies. His mother managed to find him and bring him back. At about 13, he started going to high school while working at a clandestine chemical factory making industrial detergent, but his troubles worsened. His mother, afraid his son would end up like many others, found a way to send him to the city to take acting classes on Saturdays with - now renowned - theater director Julio Baccaro. At 15 he was performing on stage with alternative theater groups while managing to work and attend high school at night. He dropped out of high-school 3 months before graduation and never got to college, but at 17 (claiming he had some English language skills learned during high school) he managed to land an entry level job at the Buenos Aires city subsidiary of Leather's Best Inc. , a New York-based multinational company dedicated to manufacturing and trading of bovine-finished leather. He didn't speak any English with the exception of very few words he learned from TV and film, but he managed to hide that fact for a while. When he was not in the filing room, he would sit in front of a Siemens telex machine, typing word-by-word, handwritten manuscripts which senior executives would drop at his desk box. He didn't have a clue of what he was writing about. A top executive of the company caught him and instead of firing him, he sent him to learn English on his account for a couple of months. After that, he felt encouraged to get books and pretty much learned the language at work, by watching hundreds of subtitled films, reading science-fiction, writing poetry and acting in English-spoken plays. Accidentally, met one half-brother while buying a walk-man at a mall in Buenos Aires (Spinetto Mall) when he was 16. That mall was built on the same property where the old grocery stores he stole food from used to be. That brotherly encounter resulted in meeting a total of seven half brothers and sisters he didn't know he had, as well as finally meeting his father. A few years later he was Deputy Executive Director, in charge of raw materials purchase and quality assurance and started to travel to the US for marketing and technical training. After that, he ended up building an extremely successful career (yet slowly sidetracked acting) in the trading and corporate world and went on to work in senior management positions for several multinational corporations. In 1991, he was struck by lighting while he was talking on the phone at a leather factory (Esposito Tannery) he was visiting. He was rushed to a local hospital but, strangely enough and although it left him unconscious for forty minutes, he didn't suffer any burns and came out uninjured. However, the handset he was using at the time he was struck (extension #33) was badly burnt and misshaped by the heat.

1994

He went back to acting and in 1994 he produced and directed his stage adaptation of "Crónica de un secuestro" ("Chronicle of a kidnapping") written by playwright Mario Diament. Later he moved to New York and then to Hong Kong, where he lived for 10 years.

1999

He married in 1999. In Hong Kong, he went onto work for companies such as Paccess and Nike, Inc. , creating for them pioneer supply chain management and global raw materials consolidation and distribution programs in Asia, while still managing to work on films and theater projects. After careful planning and a transition period, he left the corporate world (leaving a Vice-President job offer behind) and went onto pursue his acting career full-time.

2000

He was the face for Samsung's worldwide "Discovery" campaign, directed by Wayne Peng. [2000]

2003

Did his own stunts for his fighting scene with Jackie Chan in The Medallion (2003)

2004

Did the all facial and character motions for the roles (included lead characters Agent Sam Fisher and villain Sadono) in the Ubi Soft Entertainment's 3D video game sequel_Splinter Cell: Pandora Tomorrow (2004) (VG)_ at Centro Digital Pictures Ltd. studios in Hong Kong and directed by 'Florent Siri'. [2003]

2005

Playing Claudio in Shakespeare's "Measure For Measure" in Hollywood. [June 2005]

2006

Playing Juan in the premiere of "Miracle" at the Egyptian Arena in Hollywood for Noah Wyle's Blank Theatre Company. [June 2006]