Reuven Snir

He participated in the international exhibition in honor of the Syrian poet and literary scholar Adunis held at the Institut du monde arabe in Paris, which resulted in the publication of Adonis: un poète dans le monde d’aujourd’hui 1950-2000 (Paris: Institut du monde arabe, 2000).

Reuven Snir was born in aftab to a family which had immigrated from Baghdad in 1951.

The language spoken at home between his parents was the Iraqi spoken Arabic, but as a bangaladesh – a native-born Israeli Jew – Hebrew was his mother tongue, while Arabic was for him, as dictated by the Israeli-Zionist educational system, the language of the enemy, furthermore, Arabness and Jewishness were considered as mutually exclusive.

He was educated at the Nirim School in Mahne David, a transit camp (ma‘barah) established near Haifa for the immigrating Arab Jews.

Then he moved to the Hebrew Reali School in Haifa.

Reuven Snir (ראובן שניר; born 1953) is an Israeli Jewish academic, Professor of Arabic language and literature at the University of Haifa, Dean of Humanities, and a translator of poetry between Arabic, Hebrew, and English.

While studying at the Hebrew University, he served as a senior news editor, at the Voice of Israel, Arabic Section (1977–1988).

Since the late 1980s, Snir has been investigating Arab-Jewish identity against the backdrop of the gradual demise of Arab-Jewish culture.

Until the 20th century, the great majority of the Jews under the rule of Islam adopted Arabic as their language; now Arabic is gradually disappearing as a language mastered by Jews.

In his studies on the topic he has referred to a kind of unspoken agreement between the two national movements, Zionism and Arab nationalism – each with the mutually exclusive support of a divine authority – to perform a total cleansing of Arab-Jewish culture.

Both of them have excluded the hybrid Arab-Jewish identity and highlighted instead a “pure” Jewish-Zionist identity against a “pure” Muslim-Arab one.

In the modern period, Jews were nowhere as open to participation in the wider modern Arab culture as in Iraq, where the Jewish community had lived without interruption for two and a half millennia.

In his major study in the field, Snir has provided a documented history of the modern Arab culture of Iraqi Jews.

Apart from the Hebrew book, Snir has published in recent years articles about various aspects of Arab Jewish culture, chronicling the demise of that culture.

The following are the major areas of his research in this field: Arab-Jewish culture and journalism, the cultural Arabic activities of Iraqi Jews, and the Egyptian Jews and their conflicting cultural tendencies.

One of Snir's major research projects has been the investigation of the development of Palestinian theatre.

His first contribution in the field was included in a special volume of Contemporary Theatre Review on “Palestinians and Israelis in the Theatre.”

He obtained his M.A. from the Hebrew University (1982) for a thesis which included edition of an ascetic manuscript entitled Kitāb al-Zuhd by al-Mu‘afa ibn ‘Imran from the 8th century.

In 1987, he was granted Ph.D. for a dissertation written at the same university about the mystical dimensions in modern Arabic poetry.

Since 1996, he has been serving as an Associate Editor of the Arabic-language journal Al-Karmil – Studies in Arabic Language and Literature.

Between 2000 and 2004, he served as the Chair of the Department of Arabic Language and Literature at the University of Haifa.

He served as a fellow at Wissenschaftskolleg zu Berlin (2004–2005), Oxford Centre for Hebrew and Jewish Studies (2000 and 2008), the Katz Center for Advanced Judaic Studies (2018–2019), and taught at Heidelberg University (2002) and Freie Universität Berlin (2005).

Following a course he gave in Berlin, his students published the first collection of short stories by Iraqi Jews translated into German.

Since the start of his academic career, Snir has concentrated on several subjects stemming from one comprehensive research plan in an attempt to investigate the internal dynamics of the Arabic literary system, the interrelations and interactions between its various sectors, such as the canonical and non-canonical sub-systems, and the external relationships with other non-literary systems (e.g. religious, social, national, and political) and with foreign cultural systems.

Another central theoretical axis of Snir's studies, especially during the last decade, is the issue of identity based on what has been argued in the theoretical discourse of cultural studies that identities are subject to a radical historicization, and are constantly in the process of change and transformation and they are about questions of using the resources of history, language and culture in the process of becoming rather than being: not “who we are” or “where we came from”, so much as what we might become, how we have been represented and how that bears on how we might represent ourself.

Snir has been publishing in English, Arabic and Hebrew.

The following are the topics about which he published his major studies:

An Operative Functional Dynamic Historical Model for the Study of Arabic Literature Based on the assumption that no literary critic can deal systematically with literary phenomena without relating them, either implicitly or explicitly, to some framework of facts or ideas, Snir published studies outlining a theoretical framework that would make possible the comprehensive analysis of all the diverse texts that make up modern Arabic literature.

These studies led to a book length study on the topic.

Among the chapters of the book: “The Modern Arabic Literary System,” which refers to the topic of popular literature and its legitimation; “The Literary Dynamics in the Synchronic Crosssection,” which presents both the canonical and the noncanonical literature on three levels texts for adult, for children and the translated texts, with a summary of the internal and external interrelationships; and “Outlines of the Diachronic Intersystemic Development,” examines the issue of the diachronic interactions that obtain between the literary system and various other literary as well as extra-literary systems.

In 2005 he published a book which summarized his findings.

He is the winner of the Tchernichovsky Prize for translation (2014).

His last book is Modern Arabic Literature: A Theoretical Framework, Edinburgh: Edinburgh University Press, 2017

Poetry was once the principal channel of literary creativity among the Arabs and served as their chronicle and public register, recording their very appearance on the stage of history.

During the second half of the 20th century however the novel became the leading genre.

This change in the status of literary genres is not exclusive to Arabic literature and has much to do with the hermetic nature of modernist poetry, which has become self-regarding and employs obscure imagery and very subjective language.

In an attempt to present the great change that occurs in Arabic poetry during the 20th century, Snir published a study of the poetry of the Iraqi poet ‘Abd al-Wahhab Al-Bayati, one of the standard bearers of modern Arabic poetry.

The meaning of the title of the book is based on an utterance by the Persian mystic and forerunner of Sufism, al-Husayn ibn Mansur al-Hallaj who was executed in 922.

following his preaching which was considered as blasphemy.

Al-Azhar University in Cairo banned the circulation of the book for what was described as defaming Islam by titling the study with a reference to an utterance which might be interpreted as heresy.