Regina Carter

The violin was bequeathed to Genoa after Paganini's death in 1840.

The name of instrument is given because an "explosive" sound can be achieved.

Carter was invited to play after the incidents of the September 11 attacks as a gesture of solidarity.

She was both the first jazz musician and the first African American to play the instrument.

She later recorded Paganini: After a Dream for Verve Records.

The album featured classical works by Maurice Ravel and Claude Debussy, and Cinema Paradiso by Ennio Morricone.

Regina Carter (born August 6, 1966) is an American jazz violinist.

She is the cousin of jazz saxophonist James Carter.

Carter was born in Detroit and was one of three children in her family.

She began piano lessons at the age of two after playing a melody by ear for her brother's piano teacher.

After she deliberately played the wrong ending note at a concert, the piano teacher suggested she take up the violin, indicating that the Suzuki Method could be more conducive to her creativity.

Carter's mother enrolled her at the Detroit Community Music School when she was four years old and she began studying the violin.

She still studied the piano, as well as tap and ballet.

As a teenager, she played in the youth division of the Detroit Symphony Orchestra.

While at school, she was able to take master classes from Itzhak Perlman and Yehudi Menuhin.

Carter attended Cass Technical High School with a close friend, jazz singer Carla Cook, who introduced her to Ella Fitzgerald.

In high school, Carter performed with the Detroit Civic Orchestra and played in a pop-funk group named Brainstorm.

In addition to taking violin lessons, she also took viola, oboe, and choir lessons.

Carter was studying classical violin at the New England Conservatory of Music in Boston when she decided to switch to jazz.

She transferred to Oakland University in Rochester, Michigan where she was a jazz major under the direction of Marvin "Doc" Holladay.

She also studied and performed with trumpeter Marcus Belgrave.

Through Belgrave, Carter was able to meet musicians active in the Detroit jazz scene, including Lyman Woodard.

She graduated in 1985.

After graduating, she taught strings in Detroit public schools.

Needing a change of scene, she moved to Europe and lived in Germany for two years.

While making connections, she worked as a nanny for a German family and taught violin on a U.S. military base.

Carter returned to the U.S. and first came into the spotlight as the violinist for the all female pop-jazz quintet Straight Ahead in 1987, with Cynthia Dewberry, Gayelynn McKinney, Eileen Orr, and Marion Hayden.

In the early to mid-1990s, Branford Marsalis was quoted as saying, "They truly swing."

They released a trio of albums on the Atlantic Jazz label including their self-titled debut, Body and Soul, and Look Straight Ahead.

Carter went solo before the release of their third album, Dance of the Forest Rain.

In 1991 she left the band and moved to New York City.

While in New York she was a relative unknown and undertook work accompanying performers such as Aretha Franklin, Lauryn Hill, Mary J. Blige, Billy Joel, and Dolly Parton.

She also played with Max Roach and Oliver Lake, as well as being in the String Trio of New York.

Carter worked on the albums Intermobility (1993), Octagon (1994), and Blues ... ? (1996) with the group.

While with the trio, she released her first solo CD, Regina Carter (1995).

Dedicated to her mother, Something for Grace was released in 1997.

She toured with Wynton Marsalis for the 1997 production Blood on the Fields.

She then changed record companies from Atlantic Records to Verve Music Group, which allowed her more artistic freedom, and she released Rhythms of the Heart (1999).

The album Motor City Moments, paying homage to her hometown, was released in 2000.

In December 2001, she played a concert in Genoa using Il Cannone Guarnerius, a violin that was made in 1743 and was once owned and favoured by Niccolò Paganini.