Age, Biography and Wiki

Ray Taylor (Raymond Edgar Taylor) was born on 1 December, 1888 in Perham, Minnesota, USA, is a director,assistant_director,producer. Discover Ray Taylor's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 64 years old?

Popular As Raymond Edgar Taylor
Occupation director,assistant_director,producer
Age 64 years old
Zodiac Sign Sagittarius
Born 1 December, 1888
Birthday 1 December
Birthplace Perham, Minnesota, USA
Date of death 15 February, 1952
Died Place Hollywood, California, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 1 December. He is a member of famous Director with the age 64 years old group.

Ray Taylor Height, Weight & Measurements

At 64 years old, Ray Taylor height not available right now. We will update Ray Taylor's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Ray Taylor Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Ray Taylor worth at the age of 64 years old? Ray Taylor’s income source is mostly from being a successful Director. He is from United States. We have estimated Ray Taylor's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Director

Ray Taylor Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia
Imdb

Timeline

1920

One of the more prolific American directors, Ray Taylor was a Midwesterner who began his show-business career as an actor and stage manager in regional theater, a career that was interrupted by army service in World War I. After his discharge he ventured to Hollywood, where he got a job with Fox Films and worked as an assistant director, often with John Ford. In the 1920s Taylor traveled crosstown to Universal Pictures, where he got the opportunity to become a director, initially of one- and two-reelers. His proficiency in that niche impressed Universal execs enough to promote him to features and serials. When talkies made their debut, Taylor--unlike many of his silent-era colleagues--had no trouble adapting to the techniques of sound films, and in fact his career went on the fast track. Universal put him in the director's chair on many of its top western series and eventually placed him at the helm of one of its most popular and fondly remembered serials, "Flash Gordon.

1930

" However, due to a worsening drinking problem his work by the late 1930s and early 1940s was often erratic.

1937

Director William Witney said he got his first co-directing credit--on the Republic serial The Painted Stallion (1937)--because Taylor had gotten so drunk by lunchtime one day about halfway through filming that he had to be taken home. Witney was called upon to replace him and finish the picture. Taylor was teamed up with the equally prolific, but more reliable, Ford Beebe during his last years at Universal. When the serial genre began to die out Taylor went back to making westerns, and was eventually hired by Producers Releasing Corp. (PRC) to try to give a professional veneer to its low-grade western series starring erstwhile "cowboy" Lash La Rue. When the series and its star left low-rent PRC for Ron Ormond's even lower-rent Western Adventure Productions, Taylor went with them. However, the series' rock-bottom budgets, tenth-rate scripts and the stupefying ineptness of its star stymied whatever efforts Taylor made to breathe some life into them, and these entries can hardly be counted among his better efforts.