Ragnar Kjartansson

Ragnar Kjartansson (born 1976) is a contemporary Icelandic artist who engages multiple artistic mediums throughout his performative practice.

His video installations, performances, drawings, and paintings incorporate the history of film, music, visual culture, and literature.

His works are connected through their pathos and humor, with each deeply influenced by the comedy and tragedy of classical theater.

Ragnar's use of durational, repetitive performance to harness collective emotion is a hallmark of his practice and recurs throughout his work.

Ragnar has had solo exhibitions at the Reykjavík Art Museum, the Barbican Centre, London, the Hirshhorn Museum and Sculpture Garden, Washington D.C., the Musée d'art contemporain de Montréal, the Palais de Tokyo, Paris, the New Museum, New York, the Migros Museum of Contemporary Art, Zurich, the Fondazione Sandretto Re Rebaudengo, Turin, the Frankfurter Kunstverein, Louisiana Museum in Humlebæk, Denmark (now until August 2023) and the BAWAG Contemporary, Vienna.

The performance is filmed every five years and began in 2000.

Ragnar graduated from the Iceland Academy of the Arts in 2001 and from the Royal Academy of Arts in Stockholm in 2000.

No Tomorrow is a video installation by Ragnar, choreographer Margrét Bjarnadóttir, and composer Bryce Dessner.

Spanning six screens that encircle the room, the installation surrounds viewers with a performance of spatial music written for eight dancers with eight guitars.

Recorded from the center of the performers’ space, the installation is kaleidoscopic, capturing the dancers as they weave within each screen and across the channels; their movements and melodies ranging from pastorale to rock and roll.

Combining a variety of classic Western references – blue jeans and white t-shirts, the draped silk curtains of mid-20th century song and dance films, as well as lyrics drawn from the Archaic Greek poet Sappho and adventurer Vivant Denon, two sensualists millennia apart – the work spins notions of idealization and iconography.

It is also a reflection on our ideals of beauty, our search for it, and the absurdity of its representations, inspired by the frivolity and reality of Rococo paintings, classical ballet, and modern pop music videos.

The Visitors is a 2012 installation and video art piece created by Ragnar.

He named the piece for The Visitors, the final album by the Swedish pop band ABBA.

The piece was commissioned by the Migros Museum in Zurich, and was one of the museum's inaugural exhibits.

The premiere of the piece marked Ragnar's first solo show in Switzerland.

The Visitors constitutes the performance of a song written by Ásdís Sif Gunnarsdóttir, Ragnar's ex-wife.

The piece is displayed across nine different screens, each featuring musicians or artists either by themselves or in groups in different rooms of a house, or outside, performing simultaneously but separately.

One screen features Ragnar by himself.

Others featured in the piece include Ragnar's friends, both from the artist's native Reykjavík and elsewhere, as well as residents of Rokeby Farm, where the piece was filmed.

Ragnar participated in The Encyclopedic Palace at the Venice Biennale in 2013, Manifesta 10 in St. Petersburg, Russia in 2014, and he represented Iceland at the 2009 Venice Biennale.

MoMA PS1 presented the durational performance, A Lot of Sorrow, by Ragnar featuring The National on 5 May 2013.

The band performed their song Sorrow a consecutive 99 times over the course of 6 hours.

The piece was originally shown at the Migros Museum in Switzerland, and premiered in the United States in early 2013 at the Luhring Augustine Gallery.

The piece has since been displayed in several museums around the world, including The Broad in Los Angeles, The Guggenheim in New York City, the Institute of Contemporary Art in Boston, the Turner House Gallery in Penarth, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Frist Center for the Visual Arts in Nashville, Tennessee, and the San Francisco Museum of Modern Art.

He is the recipient of the 2015 Artes Mundi's Derek Williams Trust Purchase Award, and Performa's 2011 Malcolm McLaren Award.

Ragnar's exhibition "Epic Waste of Love and Understanding", held at the Louisiana Museum of Modern Art from August to October 2023, showcases his diverse approach, from endurance-testing repetition to subtly nuanced explorations of human connection, often blending humor and introspection.

Ragnar was born in Reykjavik, Iceland to Kjartan Ragnarsson and Guðrún Ásmundsdóttir.

His mother is a well-known actress in Iceland and his father is a director and playwright.

He was in and out of bands growing up, most notably as a member of the Icelandic band Trabant.

Trabant is an electronic-pop/rock band from Reykjavík, Iceland, known for its raw but powerful music and flamboyant live performances.

Trabant's style of music is a blend of electronic music, punk, R&B and pop.

In 2015, Ragnar's mother Guðrún G. Ásmundsdóttir wrote about the performance: "It is trying for a mother and an actress with a fifty year acting career to spit on her own son – the son who has never been anything but a true blessing and has always made her laugh should life get difficult around them. This performance would never have existed had it not been for the enduring love and true respect they have for one another."

The performance was initially commissioned for the Iceland Dance Company in 2017.

Me and My Mother is an ongoing performance collaboration with Ragnar's mother where she repeatedly spits in his face.

The piece returned to the Institute of Contemporary Art in February 2019.

The piece came to the Dallas Museum of Art in September 2019.

The piece was filmed at Rokeby Farm, located in upstate New York, near Barrytown.

Rokeby is a home and estate that at one point belonged to the Astor family, and later the Livingston family.

The property is now inhabited by various descendants of both families, and other tenants.