Age, Biography and Wiki

Puce Mary (Frederikke Hoffmeier) was born on 1989, is a Danish experimental musician. Discover Puce Mary's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 35 years old?

Popular As Frederikke Hoffmeier
Occupation Musician composer sound artist
Age 35 years old
Zodiac Sign
Born 1989, 1989
Birthday 1989
Birthplace N/A
Nationality

We recommend you to check the complete list of Famous People born on 1989. She is a member of famous artist with the age 35 years old group.

Puce Mary Height, Weight & Measurements

At 35 years old, Puce Mary height not available right now. We will update Puce Mary's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Not Available

Puce Mary Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Puce Mary worth at the age of 35 years old? Puce Mary’s income source is mostly from being a successful artist. She is from . We have estimated Puce Mary's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1989

Frederikke Hoffmeier (born 1989), better known by her stage name Puce Mary, is a Danish experimental musician, composer and sound artist.

Frederikke Hoffmeier was born in 1989 in Denmark.

She started her career in Copenhagen's underground music scene, performing with bands such as Timeless Reality.

2010

Her debut release under the name Puce Mary, Piss Flowers, was issued in cassette format in 2010.

During this time, Hoffmeier collaborated with Loke Rahbek, also known as Croatian Amor, on multiple cassette-only releases.

2013

Her debut full-length album, Success, was released in 2013 on Posh Isolation record label.

2014

The record was followed up by 2014's Persona.

Around this time, she obtained residency at EMS, a state-funded experimental music studio in Stockholm, Sweden.

2015

In 2015, Hoffmeier collaborated with Rahbek on the full-length release, The Female Form.

The following year saw the release of her fourth solo studio album, The Spiral.

2018

Her 2018 album, The Drought, was released on Berlin-based record label PAN and received positive reviews from publications such as Pitchfork, Resident Advisor and The Quietus.

In the same year, she contributed to the track "Hope in Suffering (Escaping Oblivion & Overcoming Powerlessness)" by Yves Tumor, released on their album Safe in the Hands of Love.

At live performances following the release of The Spiral, Hoffmeier has collaborated with Drew McDowall of Coil.

2020

In 2020, she scored the film Kød & Blod, which was directed by Jeanette Nordahl.

Hoffmeier resides in Los Angeles and Copenhagen.

Puce Mary's musical styles has been described as power electronics and noise music.

According to Colin Joyce of Pitchfork, "grating percussive scraping and nail-on-chalkboard vocalizations dominate her [Hoffmeier's] creeping compositions, even as her instrumental work runs the gamut from deafening drones to clattering industrial drum beats."

Pitchfork contributor Louis Pattison has noted that The Female Form, her collaboration with Loke Rahbek, "lingers on the threshold between gritty basement industrial and the rarified field of electroacoustic composition," while operating on the themes of "intimacy, communication, sexuality and gender identity."

On her fourth record The Drought, Bob Cluness of The Quietus stated that: "Hoffmeier uses genre motifs of noise and industrial music here, not so much to bombard the listener with adolescent fantasies of power, transgression and provocation, but instead to look at such violence as possessing empathy based on action and transformation."

Puce Mary's live performances often stray away from the prerecorded material.

On her musical workflow, she has emphasised "having a controlled set of variables and a system that is able to bear reproducible results."

Likening her recording process to "a regenerated organ or an organ transplant," she states: "I want the chaos implied by this to be legible to the listener so when a rhythm is guiding their ears along a piece of music, they are not carried away and are very much aware that a single tone, a single beat, can stop that sound and time completely."

Hoffmeier has cited ambient music and real-life soundscapes as influences outside the industrial sounds.