Age, Biography and Wiki
Pedro Garcia-Velasquez was born on 28 November, 1984 in Colombia, is an A colombian composer. Discover Pedro Garcia-Velasquez's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 39 years old?
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Age |
39 years old |
Zodiac Sign |
Sagittarius |
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28 November, 1984 |
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28 November |
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Colombia
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We recommend you to check the complete list of Famous People born on 28 November.
He is a member of famous composer with the age 39 years old group.
Pedro Garcia-Velasquez Height, Weight & Measurements
At 39 years old, Pedro Garcia-Velasquez height not available right now. We will update Pedro Garcia-Velasquez's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Pedro Garcia-Velasquez Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Pedro Garcia-Velasquez worth at the age of 39 years old? Pedro Garcia-Velasquez’s income source is mostly from being a successful composer. He is from Colombia. We have estimated Pedro Garcia-Velasquez's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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composer |
Pedro Garcia-Velasquez Social Network
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Timeline
Pedro Garcia-Velasquez (born 28 November 1984, Bogotá, Colombia) is a French-Colombian composer and co-founder of Le Balcon ensemble and BabelScores – an online library of contemporary music.
Born in Bogota, Colombia, Garcia-Velasquez began his musical education through the violin at the age of seven.
In 2002, he started studying composition at the Pontifical Xavierian University in Bogota under the mentorship of Harold Vasquez-Castaneda.
He obtained his degree in 2006.
In 2007, he moved to France to continue his studies at the Conservatoire à rayonnement regional de Boulogne-Billancourt with Jean-Luc Hervé.
In 2008, in parallel with his studies in composition, Garcia-Velasquez co-founded Le Balcon ensemble alongside pianist Alphonse Cemin, conductor Maxime Pascal, composer Juan-Pablo Carreño and sound engineer Florent Derex.
In 2009, he co-founded BabaelScores, a digital music library, alongside composer Lucas Fagin.
In 2012, he started a collaboration with scene-artist Nieto in order to conceive Scratched Shadows, a piece with video-stage musicians.
This cooperation opened Garcia-Velasquez to new possibilities in terms of what forms of arts, such as video, dance, installation, or sculpture, could be integrated into the composition's creation process.
Long-term cooperation with choreographer Tatiana Julien, from 2012 to 2017, brought to life several pieces integrating dance and composition, among them, INITIO in 2018, a co-written choreographic opera for the Théâtre National de Chaillot.
He was later admitted into the Conservatoire de Paris (CNSMDP) in the class of Frédéric Durieux, where he graduated in 2013.
He has been an artist-in-residence at the Théâtre de l’Athénée between 2013 and 2018, at the IRCAM and ZKM on 2017, and at the Fondation Singer-Polignac since 2019.
It was produced in collaboration with stage director Benjamin Lazar on 2014 and has a sequel, Fête dans le vide : Théâtre acoustique II, for soprano, chamber orchestra, and 3D sound system, produced in 2015.
In 2016 he received the Prix Pierre Cardin from the Académie des Beaux-Arts.
Pedro Garcia-Velasquez work has explored the concept of Gesamtkunstwerk on several occasions, and from different angles.
The idea of a “synthesis of the arts” was already present at a very early stage of his creations and it has evolved through time in increasingly complex ways.
Recently he has been working with artist Marion Flament in the creation of automated sound sculptures integrated into his pieces Un vaso de dicha, for the Fondation Singer-Polignac, and a prelude and interludes for Gustav Mahler’s Das Lied von Der Erde, for the Festival Saint-Denis 2020.
One of his main interests is the creation of immersive sound universes using 3D sound techniques, such as specialized sound and the use of the binaural technique (3D sound on headphones).
Sound and space are conceived to bring the spectator into a sensory experience evoking specific landscapes, like forests, or buildings such as churches, alongside music.
Lieux Perdus – Théâtre acoustique I, for 4 singers, chamber orchestra and 3D sound system, is a piece that developed this idea of surrounding the spectator.