Age, Biography and Wiki

Paul Binnie (Paul James Binnie) was born on 27 May, 1967 in Airthrey Castle, Scotland, is a Paul Binnie is artist. Discover Paul Binnie's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 56 years old?

Popular As Paul James Binnie
Occupation N/A
Age 56 years old
Zodiac Sign Gemini
Born 27 May, 1967
Birthday 27 May
Birthplace Airthrey Castle, Scotland
Nationality Scottish

We recommend you to check the complete list of Famous People born on 27 May. He is a member of famous Artist with the age 56 years old group.

Paul Binnie Height, Weight & Measurements

At 56 years old, Paul Binnie height not available right now. We will update Paul Binnie's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Paul Binnie Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Paul Binnie worth at the age of 56 years old? Paul Binnie’s income source is mostly from being a successful Artist. He is from Scottish. We have estimated Paul Binnie's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Artist

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Timeline

1967

Paul Binnie (born 27 May 1967) is a Scottish artist working in the Japanese tradition of woodblock printing.

His work is reflective of the shin-hanga artists of the early to mid-20th century, employing subjects such as landscapes, tattoos, and bijin.

Binnie was born in Airthrey Castle, Scotland on 27 May 1967 and studied art history at the University of Edinburgh and painting and etching at Edinburgh College of Art from 1985 to 1990.

1990

After taking his Master's degree (honours) in 1990 he moved to Paris until his interest in Japanese ukiyo-e prints took him to Japan in 1993.

There he studied woodblock printmaking as an apprentice to Seki Kenji, master printer of Doi publisher.

While in Japan, Binnie began experimenting with kappazuri (stencil printing).

His first stencil prints were depictions of tattooed figures, followed by yakusha-e (kabuki actor prints).

1995

By late 1995, Binnie had left Seki’s studio to concentrate on his own work, primarily focusing on actor prints, a genre which he had begun to collect.

His interest increased in actor prints by shin-hanga artists such as Natori Shunsen and Masamitsu Ota, and he also began to collect fukeiga (landscape prints) by artists such as Hasui Kawase and Hiroshi Yoshida.

1998

In 1998, Binnie moved to London and set up his own studio, where he expanded his subjects to include cloud studies, landscapes, and bijin (beautiful women).

While his actor prints were largely concerned with capturing an actor's expression in a given moment, his landscape and bijin prints often incorporated an historical reference, usually to well-known Japanese prints or paintings.

His Shiki (Four Seasons) series, for example, referenced prints of shin-hanga artists such as Goyō Hashiguchi and Shinsui Itō.

2004

In 2004, Binnie returned to depicting tattooed figures, both male and female, in the series, A Hundred Shades of Ink of Edo in which he applied designs from ukiyo-e artists such as Hokusai and Hiroshige to nude figures.

Each of the ten prints in the series was based on the work of an individual ukiyo-e artist.

2012

Binnie continues his work on bijin-ga with the series Flowers of A Hundred Years, which began in 2012.

The series of ten prints explores the "changing roles, political and social situations and lifestyles of women in Japan in the 20th century, decade by decade."

Significant print collections featuring Binnie's work:

2015

Soon after completion of the tenth print in 2015, the Metropolitan Museum of Art in New York purchased the complete series for its collection.