Pat Metheny

Patrick Bruce Metheny (born August 12, 1954) is an American jazz guitarist and composer.

Pat's interest in guitar increased around 1964 when he saw the Beatles perform on TV.

For his 12th birthday, his parents allowed him to buy a guitar, which was a Gibson ES-140 3/4.

Pat Metheny's life changed after hearing the album Four & More by Miles Davis.

Soon after, he was captivated by Wes Montgomery's album Smokin' at the Half Note which was released in 1965.

He cites the Beatles, Miles Davis, and Montgomery as having the biggest impact on his music.

When he was 15, Metheny won a scholarship from Down Beat magazine to a one-week jazz camp where he was mentored by guitarist Attila Zoller, who then invited him to New York City to meet guitarist Jim Hall and bassist Ron Carter.

While playing at a club in Kansas City, Metheny was approached by Bill Lee, a dean at the University of Miami, and offered a scholarship.

After less than a week at college, Metheny realized that playing guitar all day during his teens had left him unprepared for classes.

He admitted this to Lee, who offered him a job to teach as a professor, as the school had recently introduced electric guitar as a course of study.

He moved to Boston to teach at the Berklee College of Music with jazz vibraphonist Gary Burton and established a reputation as a prodigy.

In 1974, he appeared on an album unofficially titled Jaco with pianist Paul Bley, bassist Jaco Pastorius, and drummer Bruce Ditmas on Carol Goss's Improvising Artists label—but he was unaware that he was being recorded.

The next year he joined Gary Burton's band with guitarist Mick Goodrick.

Metheny released his debut album, Bright Size Life (ECM, 1976), with Jaco Pastorius on bass guitar and Bob Moses on drums.

He was the leader of the Pat Metheny Group (1977–2010) and continues to work in various small-combo, duet, and solo settings, as well as other side projects.

His style incorporates elements of progressive and contemporary jazz, latin jazz, and jazz fusion.

He has three gold albums and 20 Grammy Awards, and is the only person to have won Grammys in 10 categories.

Metheny was born in Lee's Summit, Missouri.

His father Dave played trumpet, his mother Lois sang, and his maternal grandfather Delmar was a professional trumpeter.

Metheny's first instrument was the trumpet, on which he was taught by his brother, Mike.

Pat's brother, father, and grandfather played trios together at home.

His parents were fans of Glenn Miller and swing music.

They took Pat to concerts to hear Clark Terry and Doc Severinsen, but they had little respect for guitar.

His next album, Watercolors (ECM, 1977), was the first time he recorded with pianist Lyle Mays, who became his most frequent collaborator.

The album also featured Danny Gottlieb, who became the drummer for the first version of the Pat Metheny Group.

All but Egan had played on Metheny's album Watercolors (ECM, 1977), recorded a year before the first group album.

With Metheny, Mays, and Gottlieb, the fourth member was bassist Mark Egan when the album Pat Metheny Group (ECM, 1978) was released.

When Pat Metheny Group (ECM, 1978) was released, the group was a quartet comprising, besides Metheny, Danny Gottlieb on drums, Mark Egan on bass, and Lyle Mays on piano, autoharp, and synthesizer.

The second group album, American Garage (ECM, 1979), reached number 1 on the Billboard jazz chart and crossed over onto the pop charts.

From 1982 to 1985, the Pat Metheny Group released Offramp (ECM, 1982), a live album, Travels (ECM, 1983), First Circle (ECM, 1984), and The Falcon and the Snowman (EMI, 1985), a soundtrack album for the movie of the same name for which they collaborated on the single "This Is Not America" with David Bowie.

The song reached number 14 in the British Top 40 in 1985 and number 32 in the U.S.

Offramp marked the first appearance of bassist Steve Rodby (replacing Egan) and a Brazilian guest artist, Nana Vasconcelos, on percussion and wordless vocals.

On First Circle, Argentinian singer and multi-instrumentalist Pedro Aznar joined the group; as drummer, Paul Wertico replaced Gottlieb.

Both Rodby and Wertico were members of the Simon and Bard Group at the time and had played in Simon-Bard in Chicago before joining Metheny.

First Circle was Metheny's last album with ECM; he had been a key artist for the label but left following disagreements with the label's founder, Manfred Eicher.

Still Life (Talking) (Geffen, 1987) featured new group members trumpeter Mark Ledford, vocalist David Blamires, and percussionist Armando Marçal.

Aznar returned for vocals and guitar on Letter from Home (Geffen, 1989).

During this period the Steppenwolf Theater Company of Chicago featured compositions by Metheny and Mays for their production of Lyle Kessler's play Orphans, where it has remained special optional music for all productions of the play around the world since.

Metheny then again delved into solo and band projects, and four years went by before the release of the next group record, a live album titled The Road to You (Geffen, 1993), which featured tracks from the two Geffen studio albums among new tunes.

The group integrated new instrumentation and technologies into its work, notably Mays' use of synthesizers.