Paris Barclay

Paris K. C. Barclay (born June 30, 1956) is an American television director, producer, and writer.

He is a two-time Emmy Award winner and is among the busiest single-camera television directors, having directed nearly 200 episodes of television to date, for series such as NYPD Blue, ER, The West Wing, CSI, Lost, The Shield, House, Sons of Anarchy, In Treatment, Glee, Dahmer – Monster: The Jeffrey Dahmer Story, The Watcher, and American Horror Story: NYC.

He also serves as an executive producer on many of the shows he directs, and occasionally as a writer or co-creator as well.

Barclay was often hired to direct videos for films, introducing audiences to House Party (1990), White Men Can't Jump (1992), Mo' Money (1992), Posse (1993), and Cool Runnings (1993), among others.

Barclay began his successful career in television with an unaired episode of Angel Street in 1992.

He was hired by John Wells, who was making his debut as an executive producer.

Barclay directed Shawn and Marlon Wayans' first feature film, Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996) – also featuring Keenen Ivory Wayans, Vivica Fox, and Bernie Mac.

Although it received mixed reviews, it was a box office success and has built a cult following since its release.

Barclay also directed the HBO movie, The Cherokee Kid (1996), a Western dramedy starring Sinbad, James Coburn, Burt Reynolds, Gregory Hines, and A Martinez.

After directing episodes of ER, Barclay directed and eventually became a producer of NYPD Blue.

In three years there, Barclay would receive two Emmy Awards for best directing—the second of which was for the episode titled "Hearts and Souls"— featuring the death of Jimmy Smits' character Bobby Simone.

The episode has been ranked one of TV Guide's 100 Best Episodes of All Time.

Barclay reteamed with Smits again in his role as "Nero Padilla" on Sons of Anarchy.

In 2000, Barclay joined forces with fellow NYPD Blue producers Steven Bochco and Nicholas Wootton to create City of Angels, a medical drama with a predominantly African-American cast including Blair Underwood, Viola Davis, Octavia Spencer, Maya Rudolph, and Vivica Fox.

The show aired on CBS for two seasons while winning two NAACP awards.

In 2002 he returned to the John Wells fold to produce and direct a pilot, The Big Time, featuring Christina Hendricks, Dylan Baker, Molly Ringwald and Christopher Lloyd—which eventually aired as a two-hour movie.

In the years that followed, Barclay worked on a wide variety of television dramas and comedies.

He served as co-executive producer and producing director of the series Cold Case, for which he has also directed nine episodes.

Other shows he directed in the decade include The West Wing, Huff, Law & Order, Numb3rs, Lost, House, The Shield, Weeds, Monk,The Good Wife, NCIS: Los Angeles, Sons of Anarchy, CSI, The Mentalist and 9 episodes of Glee.

2008 marked Barclay's return to HBO, where he executive produced three seasons of In Treatment, as well as directed 36 episodes.

In 2008, the series won 2 Emmys for Glynn Turman for Outstanding Guest Actor in a Drama Series and Dianne Wiest won for Outstanding Supporting Actress in a Drama Series.

Also in 2008, Barclay collaborated with screenwriter Dustin Lance Black to write the MTV film Pedro, the story of Pedro Zamora from The Real World: San Francisco.

The film, directed by Nick Oceano, premiered at the Toronto International Film Festival and earned the writers WGA, the Humanitas Prize, and GLAAD Media Awards nominations.

The series garnered a Golden Globes nomination for Best Drama Series in 2009 and series lead Gabriel Byrne won the Golden Globe for Best Television Actor in a Drama Series that same year.

In 2012, Barclay directed his first music video in 16 years, working once again with LL Cool J and R&B star Joe on the video for "Take It".

Also drawing on his music video experience was Barclay's episode ("The Coup") of the Steven Spielberg-produced NBC series Smash, in which TV Fanatic said that the Barclay-directed number for the original song "Touch Me" (written by OneRepublic's Ryan Tedder) "pushed the boundaries from traditional Broadway show to music video level."

From 2013 to 2017, Barclay served two terms as the President of the Directors Guild of America.

With his ninth Emmy nomination for an episode of Dahmer – Monster: The Jeffrey Dahmer Story in 2023, Barclay became the first Black director to be nominated by the Television Academy in every narrative dramatic category.

Barclay was born in Chicago Heights, Illinois.

Raised Catholic, he attended La Lumiere School, a private college preparatory boarding school in La Porte, Indiana.

On scholarship, he was one of the first African-Americans to attend the school.

Barclay went on to Harvard College, where he was extremely active in student musical theatre productions and the a cappella singing group The Harvard Krokodiloes.

During his four years there, he wrote 16 musicals, including the music for two of the annual Hasty Pudding shows.

Barclay attended both the La Lumiere School and Harvard with John Roberts, now the Chief Justice of the Supreme Court.

His Harvard roommate was novelist Arthur Golden, author of Memoirs of a Geisha.

Following his graduation from Harvard, Barclay worked as a copywriter and creative supervisor at Grey, BBDO, Cunningham & Walsh, and Marsteller.

Barclay then moved into music video directing and production through his own company, Black & White Television.

He directed music videos for Bob Dylan ("It's Unbelievable"), the New Kids On The Block ("Games" ), Janet Jackson and Luther Vandross ("The Best Things in Life Are Free" ).

Most notably, he created eight videos for LL Cool J, including "Mama Said Knock You Out", which won awards from both MTV and Billboard—and went on to be listed by The Rock and Roll Hall of Fame as one of the 500 songs that shaped rock and roll.

In 2013, Complex Magazine ranked "Mama Said Knock You Out" as one of the top 50 rap videos of the 1990s, crediting it with creating "one of the most crucial links in establishing the cultural bridge between boxing and rap."