Paresh Mokashi

The film depicts the making of India's first full-length feature film, Raja Harishchandra (1913), made by Dadasaheb Phalke.

The film was acclaimed critically and won several awards.

The film made in Marathi language depicts the struggle of Dadasaheb Phalke in making of India's first full-length feature film, Raja Harishchandra (1913).

Unlike typical biopic films, Mokashi used light humoured adventure style for the film.

The film gathered wide critical acclaim and Mokashi was praised for the narrative storyline of the film.

The film also participated in several national and international film festivals.

Paresh Mokashi (born 6 February 1969) is an Indian filmmaker, producer, actor and Theatre director-producer; working predominantly in Marathi cinema and Marathi theatre.

He started working as a backstage worker for theatre and did few minor roles for plays as well as films.

It was also selected as India's official entry to 82nd Academy Awards in the Best Foreign Language Film category.

Paresh Mokashi was born to a Maharashtrian family in Pune and was brought up in Lonavla.

He is a grandson of a noted Marathi writer D. B. Mokashi.

Mokashi finished his schooling in Lonavla and acquired Bachelor of Arts degree from a Pune-based college.

It was selected as India's official entry to 82nd Academy Awards in the Best Foreign Language Film category along with 62nd British Academy Film Awards and 66th Golden Globe Awards but was not listed among the final five nominations.

He has been associated with Marathi theatre since 1988 and worked as an actor in Pune based organisations like Theatre Academy and Maharashtra Cultural Center.

He also participated in the plays made for children by a Berlin based theatre group, Grips-Theater.

After acting in couple of plays, Mokashi got associated with Prithvi Theatre, Mumbai.

Mokashi made his directorial debut for theatre with the Marathi play, Sangeet Debuchya Mulee in 1999.

While working as an organiser for their theatre festivals, Mokashi directed his first play Sangeet Debuchya Mulee (Debu's Daughters: The Musical) in Marathi for 1999 Prithvi Theatre festival.

The play was also written by Mokashi himself.

He directed few more plays including Mukam Post Bombilwadi (Bombilwadi: The Village), Sangeet Lagnakallol (The Roaring Marriage: The Musical) and Samudra (The Ocean).

All his plays got critical acclaim and won several awards on release.

Sangeet Debuchya Mulee made satirical comments on the current communal harmony in India, through the daughters of a saintly social reformer in Maharashtra, Debuji Zhingraji Janorkar, popularly known as Gadge Maharaj.

Mokashi did a few small-time roles for Hindi TV serials and feature films, including Sanjay Leela Bhansali's Hum Dil De Chuke Sanam (1999) but soon he turned to writing and directing.

Mokashi came across a biography of Dadasaheb Phalke, also known as the father of Indian cinema, written by Bapu Watve.

His 2001 comedy play, Mukam Post Bombilwadi, showcased tumultuous events upon Adolf Hitler's accidental landing in a small village in coastal Maharashtra.

His other plays like Mangalawarache Mundake (2001) discussed environmental concerns and Samudra (2005), starring Atul Kulkarni, explored a mystery based upon ancient Vedic mythological history.

The 2004 musical play, Sangeet Lagnakallol, was set in early 1900s referencing the characters and situations from Shripad Krushna Kolhatkar's book, Sudaamyaache Pohe (1910) and Ram Ganesh Gadkari's book, Sampoorna Baalakraam (1925).

He has also formed his production company, "Mayasabha Productions", which has produced some of his own work including his 2005 Marathi play, Samudra and 2009 Marathi film, Harishchandrachi Factory.

He currently lives in Mumbai and is married to theatre actor-writer Madhugandha Kulkarni, who had also done a minor role in Mokashi's debut film, Harishchandrachi Factory.

Mokashi's struggle to make the film is included as one of the twenty inspiring stories in the book "Connect the Dots" by Rashmi Bansal, under the title "Truth Shall Prevail" in "Zubaan" section of the book.

Mokashi started as a backstage worker for a theatre group in Pune.

With an idea of making film on Phalke, Mokashi started his research with the help of National Film Archive of India, Pune and finished the script by March 2005.

As Mokashi did not undergo any formal training for film-making and did not assist any other film directors earlier, he found it difficult to find producers for the film and it took three years to raise finances for the film.

Declining the suggestions of making the film in Hindi, casting big stars, adding at least one title track, Mokashi decided to produce the film by himself through his production company, "Mayasabha Productions".

Made with the budget of inr 40000000, Mokashi had to mortgage his house to complete the film.

Mokashi made directorial debut with his much acclaimed feature film, Harishchandrachi Factory.

The film shoot was completed in December 2005 and post production work was finished in eight months in 2008.

In an interview with Rediff.com, Mokashi told that the film "had a technical release in the remote places of Maharashtra so [it] could participate in various festivals across the country."

He continued to work for theatre and made his directorial debut for cinema with the 2009 Marathi feature film, Harishchandrachi Factory.

The play's narrative format used Kirtans, call-and-response chanting or responsory, which were popularised by the 13th-century Hindu saint, Dnyaneshwar and another 16th-century Varkari saint, Tukaram.