Age, Biography and Wiki

Pagu (Patrícia Rehder Galvão) was born on 9 June, 1910 in São João da Boa Vista, is a Brazilian writer. Discover Pagu's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 52 years old?

Popular As Patrícia Rehder Galvão
Occupation N/A
Age 52 years old
Zodiac Sign Gemini
Born 9 June, 1910
Birthday 9 June
Birthplace São João da Boa Vista
Date of death 12 December, 1962
Died Place Santos
Nationality Brazil

We recommend you to check the complete list of Famous People born on 9 June. She is a member of famous writer with the age 52 years old group.

Pagu Height, Weight & Measurements

At 52 years old, Pagu height not available right now. We will update Pagu's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Pagu's Husband?

Her husband is Oswald de Andrade (1930-1935) Geraldo Ferraz (1941-1962)

Family
Parents Not Available
Husband Oswald de Andrade (1930-1935) Geraldo Ferraz (1941-1962)
Sibling Not Available
Children Rudá de Andrade Geraldo Galvão de Andrade

Pagu Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Pagu worth at the age of 52 years old? Pagu’s income source is mostly from being a successful writer. She is from Brazil. We have estimated Pagu's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income writer

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Timeline

1910

Patrícia Rehder Galvão, known by her pseudonym Pagu (June 9, 1910 – December 12, 1962) was a Brazilian writer, poet, playwright, journalist, and translator who had a large role in the Brazilian Modernist movement.

1928

She completed secondary education at the São Paulo Normal School in 1928, and joined the Movimento Antropofágico, influenced by Oswald de Andrade and Tarsila do Amaral.

The nickname "Pagu" was given to her by the poet Raul Bopp, who dedicated a poem to her (Coco de Pagu).

1930

Pagu was also politically active, being associated to the Brazilian Communist Party during the 1930 decade.

Born in a family of Portuguese, Spanish, and German descent, Galvão was an "advanced" woman for the moral and social standards of the time.

When she was 15 years old, she collaborated with the Brás Jornal newspaper, using the pen name Patsy.

In 1930, Pagu married Oswald de Andrade, who recently had left Tarsila, then his wife.

In the same year, Rudá de Andrade, her first and Andrade's second son is born.

Both became militants of the Brazilian Communist Party and together they founded the political newspaper O Homem do Povo (The People's Man), which lasted for eight issues before being closed by São Paulo police.

There, Pagu wrote the column "A Mulher do Povo" (The People's Woman) and drew the comic strip "Malakabeça, Fanika e Kabeluda".

This book follows three young women during the 1930s, a time when the workforce was very misogynistic towards women.

1931

Pagu was arrested in 1931 by participating in a harbor workers' strike in Santos, the first in a series of 23 detentions in her life.

After her arrest she published the novel Parque Industrial (Industrial Park), under the pseudonym Mara Lobo.

1933

Pagu published the novels Industrial Park (the author's edition, 1933), under the pseudonym Mara Lobo, considered the first Brazilian proletarian novel, and A Famosa Revista (The Famous Magazine) (Americ-Edit, 1945), in collaboration with Geraldo Ferraz.

One of Pagu’s most famous pieces is the book she wrote “Parque Industrial” which was published in 1933 gives detailing insight of the social and economic issues that Brazil faced during the post World War period.

1935

In 1935 she was arrested in Paris as a foreign communist using a false identity, and was repatriated to Brazil.

She broke up with Andrade, after many quarrels.

Pagu then resumed her journalistic activity, but was again arrested and tortured by the forces of the Getúlio Vargas dictatorship, and was jailed for five years.

During those five years her son was raised by Andrade.

1940

Upon leaving prison in 1940, she broke away from the Communist Party, choosing to follow a socialism of Trotskyist line instead.

She joined the newspaper A Vanguarda Socialista along with Geraldo Ferraz, art critic Mário Pedrosa, Hilcar Leite and Edmundo Moniz.

1941

She married Geraldo Ferraz and from this union her second son was born, Geraldo Galvão Ferraz, on June 18, 1941.

She moved in with her two children and her husband.

Around the same time she travelled to China, obtaining there the first soybean seeds that were introduced in Brazil.

1945

In 1945 Pagu launched a new novel, A Famosa Revista, written with her husband Geraldo Ferraz.

1950

She unsuccessfully attempted a run for state representative in the 1950 elections.

1952

In 1952 she attended the School of Dramatic Art in São Paulo, taking their shows to Santos.

Linked to the avant-garde theater, they presented her translation of Ionesco's The Bald Singer. She translated and directed Fando et Lis by Fernando Arrabal, an amateur montage in which the young artist Plínio Marcos debuted.

She also translated poems by authors such as Guillaume Apollinaire.

Known as a major cultural influence in Santos, Pagu encouraged young talents such as actor and playwright Plinio Marcos and composer Gilberto Mendes.

She devoted herself particularly to the stage, especially in encouraging amateur groups.

While still working as an art critic, she was stricken with cancer.

She traveled to Paris to undergo surgery, but without positive results.

Disappointed and desperately sick, Pagu attempted suicide, but did not succeed.

Of this episode, she wrote the pamphlet "Truth and Freedom": "A bullet got behind, between gauze pads and shattered memories."

1962

She returned to Brazil and died on December 12, 1962, due to the disease.

1994

Industrial Park was published in the United States in translation of Kenneth David Jackson in 1994 by the University of Nebraska Press.

1998

She has also written detective stories under the pseudonym King Shelter, originally published in Detective magazine, directed by playwright Nelson Rodrigues, and then gathered in Safra Macabra (Livraria José Olympio Editora, 1998).

In her work, along with theater groups, she revealed and translated great authors hitherto unpublished in Brazil, such as James Joyce, Eugène Ionesco, Fernando Arrabal and Octavio Paz.

2016

A version in Spanish of this novel was published in 2016 and translated by Martín Camps, Professor at the University of the Pacific in Stockton, California.