Osnat Trabelsi

Osnat Trabelsi (in Hebrew: אסנת טרבלסי; born December 21, 1965) is an Israeli film producer.

She is known for producing documentary films on political topics, especially those involving Palestine, the Mizrahi experience in Israel, women's issues, colonialism, racism, and more; and for melding her business with activism, promoting filmmaking in the geographical and social periphery of Israel, and creating access to Palestinian cinema.

Trabelsi was born and grew up in Ashdod, in the south of Israel.

Her mother, Rina, immigrated to Israel from Iraq, via Tehran, and lived in a shanty-town allotted to Mizrahi immigrants in Hadera.

She later moved to Ramat Gan.

Her father, Mordechai, immigrated from Tunis as part of a youth program, and studied in an agricultural school.

He later reunited with his family, who came to Israel at a later time, and lived with them in the moshav Beit Hagadi, also in southern Israel.

Upon their marriage, Trabelsi's parents moved to Ashdod, where their children were born.

Trabelsi is the eldest of four, two boys and two girls.

When she graduated, she went on to work as a production coordinator on feature films, the first of which was Eran Riklis' Cup Final (1991).

On the latter film set, in 1992, she met Juliano Mer-Khamis, and the two embarked on a collaboration to create a film about Mer-Khamis' mother, Arna, who ran a children's theater in Jenin.

Additional films followed, including Rami Naaman's The Flying Camel (1994) and Riklis' Zohar (1993).

However, Arna Mer-Khamis died in 1994, and film remained unfinished.

In 1999, she founded Trabelsi Productions, and her first project was a Tnuva campaign in the Palestinian Authority.

Until the outbreak of the Second Intifada, her company produced several advertisements for the Palestinian Authority and for Palestinian and international companies.

The film Arna's Children was her first international production.

The film won many awards in its screenings around the world, and garnered much appreciation.

She then produced many other documentaries, most of which deal with political and social issues: the occupation of Palestine, women's struggles with various types of oppression, Ashkenazim and Mizrahim, drugs, and the Holocaust.

In 1999, she produced Yigal Burstein's film Smoke Curtain – Three Days with Ariel Zilber; The film documented musician Ariel Zilber, as he recorded his first Arabic-Hebrew CD.

In February 2000, Trabelsi and Daoud Kuttab initiated and led the international human rights film festival "Basic Trust" in Tel Aviv, Nazareth and Ramallah, with artistic directors Judd Neeman and George Khalife.

While planning a second festival, in September 2000, the Second Intifada broke out, and the festival was cancelled.

Later, in 2002, when news of the fate of some of the then-children who were part of the theater project came to light, the two created the film Arna's Children, produced by Trabelsi and directed by Mer-Khamis, following Arna's political and human rights activism and the stories of the children involved, three of whom died in various circumstances of resistance to the occupying Israeli army.

The film won the Best Documentary Award at the Tribeca Film Festival.

After working on several feature films, Trabelsi worked for 10 years as an executive producer for commercials.

She produced advertisements for Israeli mega-brands such as Milky, Castro, El Al and Tnuva, while also producing documentary films.

In 2002, she produced the film Behind the Fence for the BBC, directed by Inigo Gilmour, which was the first film to be made about Israel's Separation Wall.

In 2007, her film Ashkenaz was released.

The film dealt with the way the hegemonic Ashkenazi culture is "unmarked" or invisible in Israel, whereas every other group is "ethnic" and a minority, even though numerically Ashkenazim are not the majority.

When she approached the New Israel Fund for backing, she requested that the film be included in its minority track program.

The request met with confusion and even antagonism, which Trabelsi had anticipated and perhaps wanted to trigger, to prove the point of the film, that Ashkenazim do not believe themselves to have an ethnicity, they are just "regular" – and accordingly, there is no such thing as "Ashkenazi cinema", although the funders, recipients, and filmmakers in Israel are overwhelmingly of Ashkenazi origin.

The film was made without the support of the New Israel Fund, and the incident remained an example used in further activism and as part of her thesis on ethnic relations and power structures in Israel.

In 2010, she produced Erez Miller's debut film, 443, depicting what Miller calls "The Apartheid Road" between Tel Aviv and Jerusalem.

In 2011, Trabelsi adopted a daughter.

When she was 21, Trabelsi pursued film studies at Tel Aviv University.

She produced the annual Tel Aviv International Student Film Festival, which has become extremely well-regarded in film circles in Israel over the years.

In 2013, her film The Sound of Torture gained international acclaim and awards.

After many years of trying to "pass" in Ashkenazi culture, Trabelsi began exploring her own identity as a Mizrahi woman after meeting Juliano Mer-Khamis, and being exposed to the Palestinian struggle and experience.

She herself grew up in a right-wing, occupation-supporting family, and was only able to return to her roots in this circuitous way.

After embarking on her personal journey in this regard, she became especially involved in exploring and drawing a connection between Mizrahi and Palestinian identities and experience in her work and in her activism as well, two areas that she sees as one and the same.

When she founded her production company, her stated mission was to create and promote films that are politically engaged with the injustices being perpetrated against Palestinians, as well and other social justice issues.