Age, Biography and Wiki
Olga Baclanova (Olga Vladimirovna Baklanova) was born on 19 August, 1893 in Russia, is an actress. Discover Olga Baclanova's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 81 years old?
Popular As |
Olga Vladimirovna Baklanova |
Occupation |
actress |
Age |
81 years old |
Zodiac Sign |
Leo |
Born |
19 August, 1893 |
Birthday |
19 August |
Birthplace |
Russia |
Date of death |
6 September, 1974 |
Died Place |
Vevey, Vaud, Switzerland |
Nationality |
Russia
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We recommend you to check the complete list of Famous People born on 19 August.
She is a member of famous Actress with the age 81 years old group.
Olga Baclanova Height, Weight & Measurements
At 81 years old, Olga Baclanova height is 5' 4" (1.63 m) .
Physical Status |
Height |
5' 4" (1.63 m) |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Olga Baclanova's Husband?
Her husband is Richard Davis (1937 - 6 September 1974) ( her death), Nicholas Soussanin (5 March 1929 - 1935) ( divorced) ( 1 child), Vlademar Zoppi (1922 - 23 February 1929) ( divorced) ( 1 child)
Family |
Parents |
Not Available |
Husband |
Richard Davis (1937 - 6 September 1974) ( her death), Nicholas Soussanin (5 March 1929 - 1935) ( divorced) ( 1 child), Vlademar Zoppi (1922 - 23 February 1929) ( divorced) ( 1 child) |
Sibling |
Not Available |
Children |
Not Available |
Olga Baclanova Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Olga Baclanova worth at the age of 81 years old? Olga Baclanova’s income source is mostly from being a successful Actress. She is from Russia. We have estimated Olga Baclanova's net worth, money, salary, income, and assets.
The Docks of New York (1928) | $1,500 /week |
Olga Baclanova Social Network
Instagram |
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Wikipedia |
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Imdb |
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Timeline
Born Olga Vladimirovna Baklanova, one of six children of Vladimir Baklanoff and his wife Alexandra, later billed as the Russian Tigress in her early talking films, was born August 19, 1893.
She graduated from the Cherniavsky Institute in Moscow prior to her selection in 1912 at age 19 to apprentice at the Moscow Art Theatre. During her early years at M. A. T.
(1914-1918) she appeared in perhaps 18 films bringing her into contact with Tourjansky, Boleslawski and M. Chekov among others.
From 1917 she appeared in the "classics" on the parent stage and at the M. A. T. First Studio. Her mentor, Nemirovich-Danchenko, showcased her in avant-garde productions of the newly created M. A. T.
Her last Russian film, Bread (1918) was the first communist agitprop vehicle.
Musical Studio from 1920-1925. She was honored with the Worthy Artist Of The Republic by the Soviet regime. Eight months after her M. A. T.
New York debut in December 1925, she declined to return with the M. A. T. company to Russia and subsequently defected. She was noticed by the Hollywood studios while performing on stage in Los Angeles in The Miracle in the role of the nun.
Her film debut was a bit in The Dove (1927).
Her dramatic Portrayals in The Man Who Laughs (1928), Street of Sin (1928), The Docks of New York (1928) and Forgotten Faces (1928) brought her critical acclaim in 1928. Her subsequent vamp/tramp roles in early Paramount and Fox talking films nearly destroyed her promising start. Stagey mannerisms and a heavy accent relegated her to supporting roles.
After appearing in west coast stage productions in 1931-32, she permanently left for the Broadway stage in 1933 following one last film at Paramount.
She appeared to advantage in three films at MGM including the infamous Freaks (1932) with an unrestrained and legendary performance.
From 1933 to 1943 she starred in various Broadway productions and then toured in road companies of Cat And The Fiddle, Twentieth Century, Grand Hotel and Idiot's Delight.
She debuted on the London stage in 1936 in Going Places.
One last big role in Claudia (1943) kept her busy for two years (1941-1943).
She returned to Hollywood in 1943 to recreate her stage role. Some summer stock and occasional night club appearances followed as she moved into retirement.
During the mid-1960s Olga was interviewed by Richard Lamparski, Kevin Brownlow and John Kobal who all recognized her unique contributions in the performing arts.