Age, Biography and Wiki
Nuzhat Kazmi was born on 26 October, 1957, is an Indian art historian (born 1957). Discover Nuzhat Kazmi's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 66 years old?
| Popular As |
N/A |
| Occupation |
Art Historian and Critic |
| Age |
66 years old |
| Zodiac Sign |
Scorpio |
| Born |
26 October, 1957 |
| Birthday |
26 October |
| Birthplace |
N/A |
| Nationality |
|
We recommend you to check the complete list of Famous People born on 26 October.
She is a member of famous Historian with the age 66 years old group.
Nuzhat Kazmi Height, Weight & Measurements
At 66 years old, Nuzhat Kazmi height not available right now. We will update Nuzhat Kazmi's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Nuzhat Kazmi Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Nuzhat Kazmi worth at the age of 66 years old? Nuzhat Kazmi’s income source is mostly from being a successful Historian. She is from . We have estimated Nuzhat Kazmi's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Historian |
Nuzhat Kazmi Social Network
| Instagram |
|
| Linkedin |
|
| Twitter |
|
| Facebook |
|
| Wikipedia |
|
| Imdb |
|
Timeline
Nuzaht Kazmi (born 26 October 1957) is an art historian and critic.
She was a faculty and the founding head of the Department of Art History and Appreciation at Faculty of Fine Arts, Jamia Millia Islamia in New Delhi.
She is a researcher and author, her specialities include Islamic art, Mughal art, and Medieval and European influences on late medieval and early modern Indian art.
She has authored ‘Islamic Art: The Past and the Modern’, 'Awraq-e Musavvir, Mughal Art of Portraiture' and others.
She started her career by teaching art history in Jamia Millia Islamia.
Later she founded a department 'Art History and Appreciation' there.
She has been a scholar and faculty for more than 4 decades.
The disciplines of art history and criticism frequently reference her writings.
Her specialities include notably Islamic art, Mughal art, post-European mediaeval and modern Indian art.
Kazmi attends the University of London's School of Oriental and African Studies as a Commonwealth Scholar.
She has delivered lecture at institution of national and international importance like Indira Gandhi National Centre for the Arts, Delhi, and National Gallery of Modern Arts, Nehru Centre, London University.
In 2009, she authored a book Islamic Art: The Past and the Modern.
The book discusses how Islamic art evolved in tandem with all other artistic genres.
From its earliest forms, it has taken from different cultural traditions, and it still does.
The book looks at the artistic works that the Islamic culture has generated over the ages, from its origins to contemporary interpretations.
Kazmi has blended the inclusive and exclusive characteristics of this great tradition from all over the world with the sensitivity and seriousness that this particular sort of art demands.
Her work “Awraq-e Musavvir, Mughal Art of Portraiture" is notable in Mughal art history. The entire body of Mughal Portrait paintings is examined in this book. It explores the topic from a historical, social, political, and cultural perspective. It talks about how Mughal emperors were not just art enthusiasts but also experts. Furthermore, Kazmi has investigated the gender and sovereignty themes in the context of portraiture.
