Nicholas Zalevsky

Nicholas Zalevsky (born February 19, 1951, Kiev, Ukraine) — Ukrainian and American figurative painter.

His works have been associated with Magic realism, Photorealism and Surrealism.

He started his career as a Soviet Nonconformist Artist (ukrainian underground) opposing the then dominant to Soviet Socialist realism.

He had to create art in the underground.

Nicholas Zalewsky was born on February 19, 1951, in Kiev, Ukraine, to an ethnically mixed family of a Ukrainian mother and a Jewish father.

Zalevsky's only sibling is, — his brother Vladislav who is 17 years his senior.

From his early childhood, Nicholas showed a talent for drawing, which led him to study in specialized Shevchenko State Art School in Kiev from where he, —graduated in 1968 (as his friend Les Podervianskyi).

Then he attended the Ukrainian Academy of Printing in Kiev graduating from its Department of Graphic Arts in 1976 and moving on to work as a children books illustrator.

He was friends with artists and teachers Florian Yuryev and Vilen Barskyi (sometimes he worked as a bodybuilder in his drawing lessons).

His artistic position drastically differed from the canon of Socialist Realism.

His artistic views being greatly different from those that conformed to the canons Socialist Realism.

In 1977, Nickolas took part in underground art exhibition by the art association «Rukh» («Movement») along with such artists as Mykola Trehub, Vudon Baklitsky, Yuri Kosin, Alexander Kostetsky, Olena Golub and others.

Naturally, he did not expect to achieve any success in a country that did not let him develop his talent.

For years, Zalevsky lived by doing odd jobs while exhibiting his paintings in such conditions as private apartments or abandoned buildings.

This led the artist to seek and develop new directions in his work.

From 1991 he works out of West Hartford, Connecticut, USA, with regular visits to his native city.

In 1991, he and his family moved to the US joining his elder brother who had already settled there.

Zalevsky's painting manner exhibits the features of narrative fiction based on the discourse of the absurd associated with the works of Arthur Rimbaud, Samuel Beckett, and Charles Bukowski.

«I always wanted to blow up this perfectly-fed world of Dutch still life.

The picture is not entitled to be a supplement to the expensive interior» — writes Zalevsky.

Zalevsky's multi-figured composition "Crucifixion" (1996) gives an unusual treatment to the theme of Christ by depicting only one of his nail-pierced hands of gigantic size stuck out of an entrance to a NYC subway station.

His interpretation of such mythological figures as Salome (2002) and Centaur (2016) denies them their customary pathos and heroism.

Zalevsky works on his every in painstakingly careful and lengthy way, with many preparatory drawings, during several years for one painting.

As a result, his paintings have received much attention and appreciation at international art competitions.

His "Dutch Still Life" (2005) contains, in addition to ordinary objects (such as potatoes, an onion, a plate and a bottle of beer) a cut-off human finger which does not belong to this traditionally set group of objects.