Age, Biography and Wiki
Ni Yide was born on 1901, is an A 20th-century chinese male writer. Discover Ni Yide's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 69 years old?
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69 years old |
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1901, 1901 |
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1901 |
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Date of death |
1970 |
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We recommend you to check the complete list of Famous People born on 1901.
He is a member of famous writer with the age 69 years old group.
Ni Yide Height, Weight & Measurements
At 69 years old, Ni Yide height not available right now. We will update Ni Yide's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Ni Yide Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Ni Yide worth at the age of 69 years old? Ni Yide’s income source is mostly from being a successful writer. He is from . We have estimated Ni Yide's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Source of Income |
writer |
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Timeline
He wrote an article on Pan Tianshou’s (1897-1971) bird and flower landscapes where he described ‘Bathed in Dew’ as poetical and ‘After the Rain’ where he mentions for example, “...the crimson flowers with their stately leaves appear pure and noble, lovely and gentle and above all lyrical in their beauty”.
According to Yide “ ...If we want to exhibit our national heritage, I believe, landscape painting is the most suitable subject.
Chinese landscapes in every place possess indigenous Chinese traits.
Ni Yide (1901–1970) was a Chinese modernist painter, writer and art critic.
Ni Yide wrote an article defending Qui Ti (1906-1958), a Storm society member who received criticism from realists for a still life of flowers she painted.
He graduated in 1922 from the earliest training ground for modern Western art in China, the Shanghai Art School.
He became a professor at the Shanghai Art Academy upon his graduation.
He continued his studies in Western art and art history in Tokyo at the Kubwata Painting school under Fujishima Takeji.
In 1927, Ni returned to China to protest the Japanese military incursion into Shandong.
There, he taught at Gangzhou Municipal Art School, then at the Wuchang College of Art in Hubei.
By 1930, he was an art critic, theorist, and creative writer, as well as an oil painter.
In 1931 Ni, Pang Xunqin (1906–1985), and five other modernist painters formed the Storm society to promote modern Western art's influence on Chinese art.
Ni Yi-de helped write the group's manifesto.
The Storm Society wanted to be unrestrained by past conventions in art such as limitations by nature.
They said that art is not a slave of religion or literature.
The storm society exhibited works inspired by European styles such as Fauvism, Cubism, symbolism, expressionism, futurism, abstractionism and surrealism.
Their works were featured in Shanghai newspapers and magazines such as Liangyou, Meishije and Shidai.
Ni was also a member of the Muse society at the Shanghai Art Academy.
They published l'Art Journal, which provided a venue for its manifesto and most of its exhibition news.
One of his paintings, ‘'Summer’' (1932) was cubist-inspired.
In 1941, Ni set up Nitian Studio in Chongqing.
On December 8, 1942, the day after the Pearl Harbor attacks, Japanese encroachment caused the 10 members of the Storm Society to flee south.
In 1944, he became a professor at NAA in Chongqing.
In 1945 Ni Yide, Din Yangyong (1902-1978), and a few other artists exhibited their works at the Chinese Modern painting exhibition (Zhongguo Xiandai huihan zhan) organized by Zao Wouki (1921-2013) in Chongqing.
After World War II, Yide became part of the nine person art society in Shanghai.
In 1949, Ni became a professor and vice president of ZAFA (Zhejang Academy of Fine Arts).
In 1953, Ni transferred to teach at CAFA (Central Academy of Fine Arts) China.
In 1955, Ni became a director of the editing department of Meishu.
In 1961, Ni set up a studio in ZAFA, Hangzhou.
As a writer, Ni Yide used his considerable literary skills to defend stylistic innovation and personal creativity as the essentials for a modern art in modern China.
In the 2nd national art exhibition of China, Ni Yide criticized the judges for their conservative bias, and dismissed "official art" with the argument that in France real progress always came outside of the government salon.