Age, Biography and Wiki

Nancy Rubins was born on 1952 in Naples, Texas, US, is an American artist. Discover Nancy Rubins's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 72 years old?

Popular As N/A
Occupation N/A
Age 72 years old
Zodiac Sign N/A
Born 1952
Birthday
Birthplace Naples, Texas, US
Nationality United States

We recommend you to check the complete list of Famous People born on . She is a member of famous Artist with the age 72 years old group.

Nancy Rubins Height, Weight & Measurements

At 72 years old, Nancy Rubins height not available right now. We will update Nancy Rubins's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Nancy Rubins's Husband?

Her husband is Chris Burden

Family
Parents Not Available
Husband Chris Burden
Sibling Not Available
Children Not Available

Nancy Rubins Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Nancy Rubins worth at the age of 72 years old? Nancy Rubins’s income source is mostly from being a successful Artist. She is from United States. We have estimated Nancy Rubins's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Artist

Nancy Rubins Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia Nancy Rubins Wikipedia
Imdb

Timeline

1952

Nancy Rubins (born 1952) is an American sculptor and installation artist.

Her sculptural works are primarily composed of blooming arrangements of large rigid objects such as televisions, small appliances, camping and construction trailers, hot water heaters, mattresses, airplane parts, rowboats, kayaks, canoes, surfboards, and other objects.

Works such as Big Edge at CityCenter in Las Vegas contain over 200 boat vessels.

Stainless Steel, Aluminum, Monochrome I, Built to Live Anywhere, at Home Here, at the Albright-Knox Art Gallery in Buffalo, contains 66 used aluminum boats and rises to a height of 30 ft.

Rubins was born in Naples, Texas.

Her family moved to Cincinnati before settling in Tullahoma, Tennessee.

1974

She studied at the Maryland Institute College of Art in Baltimore, Maryland, where she received her BFA in 1974, and then at the University of California, Davis, where she received her MFA in 1976.

Rubins taught at Virginia Commonwealth University in Richmond, and Florida State University in Tallahassee, before moving to New York.

In New York, along with teaching she ran a house painting business.

Her 1974 piece Mud Slip, Army-Surplus Canvas and Used Cups from Coffee Machine combined found materials with wet clay; it lasted only as long as the clay stayed wet.

Her creation of unlikely assemblages grew as she began to incorporate more detritus and found materials into her work.

After college, Rubins taught night classes at City College of San Francisco and scavenged the local Goodwill and Salvation Army stores in San Francisco, where she was living at the time, collecting nearly 300 television sets for 25 to 50 cents apiece.

1977

In 1977 she taught for a year at Virginia Commonwealth University where she started working with used appliances.

1980

Rubins was privately commissioned to create her first public installation in 1980.

Big Bil-Bored was a controversial artwork, voted "Ugliest Sculpture in Chicago" in a radio poll.

Constructed of various discarded appliances, the installation towered forty-three feet high outside of the Cermak Plaza shopping center in Berwyn, Illinois.

Soon after, Rubins was offered a commission for another public installation.

Already by the mid-1980s she had begun regularly using abandoned airplane parts in her work.

Her contact for the plane parts was Bill Huffman in the Mojave desert.

For durability, she chose aluminum, fiberglass and composites rather than wood.

In the late 1980s Rubins started working with discarded mattresses which were inspired by pastries she saw in Vienna – both relate to dreams in her mind.

1982

Rubins resides in Topanga, California, and taught at the University of California, Los Angeles, from 1982 to 2004.

In college, Rubins worked primarily with clay, creating igloo-like sculptures out of mud, concrete, and straw.

She was inspired by the work of Peter Voulkos and Robert Arneson.

She ended up at UC Davis finishing her MFA and studying with Arneson.

Rubins avoided the characteristic permanence of ceramics with the constant disassembling of sculptures, collapsing her work back into the slip bucket or back into raw scraps.

In 1982, the Washington Project for the Arts funded Rubins's Worlds Apart, a forty-five foot tall temporary installation composed of abandoned appliances, concrete and steel rebar.

Her work overlooked the Whitehurst Freeway, blocks from the Watergate Building in Washington D.C., and again caused controversy.

The sculpture was taken down as soon as the permit expired.

While in Washington Rubins was contacted by artist Charles Ray to teach at UCLA where she met Chris Burden.

1987

Rubins collaborated with husband Chris Burden on a number of projects, including an installation called A Monument to Megalopolises Past and Future at Los Angeles Contemporary Exhibitions (LACE) in 1987.

1993

In 1993 she made a sculpture of cakes and mattresses at UCLA.

It was shown at Paul Kasmin Gallery in New York

1995

Rubins is perhaps best known for building sculptures out of salvaged airplane parts, such as an installation in 1995 for the Museum of Modern Art in New York; the piece weighed nearly 10,000 pounds.

2000

Boats entered Rubins' sculptural vocabulary in 2000s.

Rubins also started working with assembling discarded cast- aluminum playground structures.

Most of these structures were built out of melted down WWII materials.

2007

Museum of Contemporary Art, La Jolla, 2007.jpg, La Jo

2014

These pieces were shown at the Gagosian gallery in 2014.

Aside from sculpture, Rubins is known for her large scale graphite drawings which resemble lead sheets.