Nahum Tevet

Nahum Tevet (נחום טבת) (Born 1946, Kibbutz Messilot, Israel) is one of the leading Israeli artists whose work was among the earliest to respond to the minimalist canon by introducing into his installations everyday domestic objects, metaphors and images like in: Corner (1973-4) and Arrangements of Six Units.

Nahum Tevet (Toib) Was born in 1946 in Kibbutz Messilot, Israel, to his father Mendel Toib and mother Feiga Merin -Toib, both immigrated from Poland in the 1930's. His mother died when he was a baby.

Nahum was raised in the Kibbutz, and while in high school he starts taking art classes at the art teachers’ school of Oranim Collage (1962-3), with teachers like Marcel Janco, Claire Ianiv and Sima Slonim.

In 1965 he was drafted to the army and after 3 years of obligatory service he returned to his home in the Kibbutz where he set an art studio and worked as a gardener.

He started studying on a private mentoring basis with painter Rafi Lavie (1969).

Influenced by Lavie he painted on Plywood, However, unlike his mentor, Tevet was not interested in what's going on within the paintings format but rather in the painting as an object, its place and its function within the given space.

As early as 1970-71 he stops creating traditional painting and made objects and installations mostly from found materials.

In 1970 he married Neta Dominiz, they kept living in Messilot, and have their first son Yaal in 1972.

Toward the late 1970, After his solo show at the Israel Museum Jerusalem, He started to develop his Drawing installations For Given Rooms, where similar drawings appeared more than once, as if they were mirroring on opposite walls or in a nearby room.

These works came after Installation for two Rooms at the Bertha Urdang Gallery NYC which was the starting point of a major series of large sculptural installations titled the Narcissus Series.

In 1972 his first one-person exhibition took place at Sara Gilat Gallery, Jerusalem, in this show Tevet exhibited few sculptural objects made from plywood, paper, masking tapes etc (pic.) and some of his Works on Glass from the same year.

After Yom Kippur War in 1973 the young family moved from the Kibbutz to Petah Tikva, a city near Tel Aviv, where they lived for few years.

His work has been part of exhibitions worldwide since 1975, such as numerous solo and group exhibitions in Europe and the United States, among which Documenta 8 (1987), the Sao Paulo Biennale (1994), the Biennale of Lyon (1997), the Venice Biennale (2003) and the Carnegie International (1999), and museum shows at the Museum Moderner Kunst Stiftung Ludwig in Vienna (1997), Dundee Contemporary Art (2004), the Museo d’Arte Contemporanea Roma (2008), the Kunstmuseum Bochum (2015), Museum Sztuki Łódź (2017) and Museum Villa Stuck, Munich (2017).

His work is included in many important museum collections including MOMA, New York, the Philadelphia Museum of Art, Museum Sztuki, Łódź, the Ludwig Foundation, Vienna, the Kaiser Wilhelm Museum, Krefeld, Magasin3, Stockholm, Kunsthalle Mannheim, FRAC Bretagne, the Israel Museum, Jerusalem and the Tel Aviv Museum of Art.

In 1975 Tevet had his first show in Europe at the prestigious Galerie Schmella, in Dusseldorf and by 1976 had his first museum solo show at the Israel Museum, Jerusalem (curated by Yona Fischer).

The American Artist Robert Rauschenberg saw Works on Glass while visiting Sara Gilat’s home and got very excited, he purchased five pieces from this series, he then asked to meet Tevet and later sent him a small grant and invited him to come to NYC and meet/work there, Tevet, having no money, arrived in NY only few years later in 1979-1980.

In 1979 he moved, with his family to New York, with the support of the America-Israel Cultural Foundation AICF.

On the same year he has his second solo show in New York at the Bertha Urdang Gallery.

There he exhibited: Installation for Two Rooms, a work that drew a lot of attention.

In Narcissus Series (1979-1984), large, 'drawing in space' like wooden structures serves to investigate questions of memory and perception.

Reflections, repetitions and mirroring, in these dynamic sculptures there is a gradual development in complexity which remain, as of today, one of the main characteristics of his work.

In this large scale intricate colourful and playful floor (sometimes floor and wall) sculptures, Tevet breaks the distinction between sculpture and painting, while examining both media and the 20s Century historical, modernist and canonic movements.

Starting the 1980's Tevet’s work turned reductivism upside-down by using geometrical-abstract vocabulary in large-scale intricate labyrinth-like complex sculptures and installations.

In 1980, while still in New York, Nahum Tevet was invited to teach at the Bezalel Academy of Arts and Design in Jerusalem, where he quickly became an influential figure as Professor for the Sculpture at the Art Department.

Nahum Tevet thought at Bezalel Academy during 1980 -2013.

During the ’80 Tevet produced two series of group of works: Narcissus Series (1980-84) and Painting lesson series (1983-1990), these formalized Tevet’s thoughts and ideas setting the foundation for the works he will make in the coming decades.

The British critic -philosopher Michael Newman wrote about the painting Lessons in 1986:

"…We haven't simply left the "Master narratives" behind, but rather continued it in the form "the End of the master narrative"… these speculations are not irrelevant aside, but rather a precondition for understanding the exemplary nature of Tevet sculptures and the reason why it is among the most important art being made today….”

From this group of works many were shown in few European Museum shows, in Documenta 8 and Kassel 1987 (pic).

Those turned into even more extensive installations in the later years 1990s – to today.

Tevet has been the subject of major survey exhibitions at both the Israel Museum in Jerusalem and the Tel Aviv Museum

1990s the Tel Aviv Museum produced an extensive exhibition of Painting Lesson series titled Painting lessons-Sculptures (1983-1990) curated by Yona Fisher.

In the 1990s a retrospective was held

The whole series was a subject of a large exhibition at the Tel Aviv Museum of Art in 1991 (curator Yona Fischer, Catalog).

There were few "rules" to the large rooms floor installations Nahum Tevet created between 1993-2006: In these works, Tevet took away the highly painterly surface, which was so present in the former Painting Lessons Series, and created instead furniture's like modules which components were painted in the same way a housepainter would coat his furniture.

Within the painterly/sculptural/architectural vectors typical to his artistic project, here the painterly aspect is less present.

By the summer 2000 Tevet was asked to become head of the Advance studies program and was leading the opening of the Bezalel Branch of Salame Street in Tel Aviv.

The program shortly became the first recognized MFA program in Israel.

Tevet was its director 2001-2010 during this time the program quickly gained local importance and international respectful status and success.

In 2006 the Israel Museum, Jerusalem mounted  Nahum Tevet Works  1993-2006 curated by Sarit Shapira