Nadim Karam

Nadim Karam (نديم كرم); (born 1957) is a multidisciplinary Lebanese artist and architect who fuses his artistic output with his background in architecture to create large-scale urban art projects in different cities of the world.

He uses his vocabulary of forms in urban settings to narrate stories and evoke collective memory with a very particular whimsical, often absurdist approach; seeking to 'create moments of dreams' in different cities of the world.

Nadim Karam grew up in Beirut.

He received a Bachelor of Architecture from the American University of Beirut in 1982, at the height of the Lebanese civil war, and left the same year to study in Japan on a Monbusho scholarship.

At the University of Tokyo he developed an interest in Japanese philosophy of space, which he studied under Hiroshi Hara, and was also taught by Fumihiko Maki and Tadao Ando.

He created several solo art performances and exhibitions in Tokyo while completing master and doctorate degrees in architecture.

Nadim Karam taught at the Shibaura Institute of Technology in Tokyo in 1992 with Riichi Miyake and then returned to Beirut to create his experimental group, Atelier Hapsitus.

The name, derived from the combination of Hap (happenings) and Situs (situations), comes from Karam's enjoyment of the fact that the encounter of these two factors often gives rise to the unexpected.

He taught architectural design at the American University of Beirut (1993-5, 2003–4), and was Dean of the Faculty of Architecture, Art and Design at Notre Dame University in Lebanon from 2000 to 2003.

Nadim Karam is mainly known for his conceptual work, like 'Hilarious Beirut', the 1993 post-war anti-establishment project for the reconstruction of Beirut city centre, and 'The Cloud', a huge public garden resembling a raincloud that stands at 250 m above ground.

Inspired by the city of Dubai, it proposes a visual and social alternative to the exclusivity of the skyscrapers in Gulf cities.

Karam's signature un-built projects include the 'Net Bridge' a pedestrian bridge conceived as a gateway to Beirut city centre from the marina, with five lanes that playfully intersect and interweave.

Similarly, his winning design of a competition for the BLC Bank headquarters for Beirut features the new headquarters straddling the old.

Karam collaborates closely with Arup Engineers in London, who give structural and technical reality to his most unusual ideas.

The Dialogue of the Hills is an urban art project conceived to invigorate the historic core of Amman through a series of public gardens and sculpture for each hill community.

The sculptures are designed to create a dialogue with the others on the surrounding hills of the city, physically and visually linking diverse socio-economic communities.

The Wheels of Chicago is a project inspired by the city where the Ferris wheel was invented.

His project for Prague's Manes Bridge in the spring of 1997 was both a commemoration of the city's post-communist liberalization and an echo of its history, with the placement of his works in parallel to the baroque sculptures on the Charles Bridge.

The post-civil war 1997–2000 itinerant urban art project he created for central Beirut was one of five worldwide selected by the Van Alen Institute in New York in 2002 to highlight the role they played in the rejuvenation of city life and morale after a disaster.

He co-chaired in 2002 the UN/New York University conference in London for the reconstruction of Kabul and was selected as the curator for Lebanon by the first Rotterdam Biennale.

In Japan, 'The Three flowers of Jitchu' realized at Tōdai-ji Temple in Nara in 2004, was a temporary installation commemorating the achievements of a Middle Eastern monk, Jitchu, whose performance is still enacted yearly since the year 752 in the temple he designed for it.

Karam's project took 20 years to gain acceptance from the Tōdai-ji Temple authorities.

From 2006 to 2007 he served on the Moutamarat Design Board for Dubai and regularly gives lectures at universities and conferences worldwide.

With Atelier Hapsitus, the pluri-disciplinary company he founded in Beirut, he created large-scale urban art projects in different cities including Beirut, Prague, London, Tokyo, Nara and Melbourne.

His 2006 Victoria State commission The Travellers a permanent art installation of ten sculptures which travel across Melbourne's Sandridge Bridge three times daily, tells the story of Australian immigrants and creates an urban clock in the city.