Nadia Gray

She met first husband Constantin Cantacuzino (1905-1958), a Romanian aviator and noted WWII fighter ace, while she was a passenger on one of his commercial air flights.

Born Nadia Kujnir-Herescu in Bucharest, Romania, on November 23, 1923, to a Russian father and a Bessarabian mother, the future actress Nadia Gray was raised there.

She couple fled the country during the Communist takeover of Romania in the late 1940s and emigrated to Paris. There Nadia enjoyed a vast international career as a Cosmopolitan lead and second lead on stage and in films. The couple eventually settled in Spain.

She made her film debut in a leading role as a young waitress who yearns to be a star in the French-Austrian co-production of L'inconnu d'un soir (1949) and went on to essay a number of more mature, sophisticated, glamorous patricians in European films, often a continental jetsetter or bourgeoisie type.

Earlier roles that led to European stardom included her countess in Monseigneur (1949), the woman in love with a thief in The Spider and the Fly (1949), and the role of Cristina Versini in the Italian technicolor biopic of the composer Puccini (1953). Her roster of continental male co-stars went on to include such legendary stalwarts as Marcello Mastroianni, 'Vittorio de Sica', Rossano Brazzi, Errol Flynn, Maurice Ronet and Gabriele Ferzetti.

Among her scattered appearances in English-speaking productions were a mixture of adventures, dramas, comedies and horrors including Valley of the Eagles (1951) with John McCallum and Jack Warner, Night Without Stars (1951) opposite David Farrar, The Captain's Table (1959) starring John Gregson and Donald Sinden, I Like Money (1961) starring Peter Sellers, Maniac (1963) co-starring Kerwin Mathews, The Naked Runner (1967) starring Frank Sinatra and a supporting role in the classic Albert Finney/Audrey Hepburn romance Two for the Road (1967).

Following the death of her first husband in Spain in 1958 (he was only 52), Nadia continued to film and settled permanently in America in the late 60s after meeting and marrying second husband Herbert Silverman, a New York lawyer.

Nadia is most famous, however, for her cameo role toward the end of Federico Fellini's masterpiece La Dolce Vita (1960) as a bored and wealthy socialite who celebrates her divorce by performing a memorable mink-coated striptease during a jaded party sequence in her home.

She retired from films completely in 1976 and began headlining as a singing cabaret star.