Age, Biography and Wiki
Molly Fowler was born on 7 February, 1957, is a Molly Macklin Fowler is television producer. Discover Molly Fowler's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 67 years old?
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Age |
67 years old |
Zodiac Sign |
Aquarius |
Born |
7 February, 1957 |
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7 February |
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We recommend you to check the complete list of Famous People born on 7 February.
She is a member of famous television producer with the age 67 years old group.
Molly Fowler Height, Weight & Measurements
At 67 years old, Molly Fowler height not available right now. We will update Molly Fowler's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Molly Fowler Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Molly Fowler worth at the age of 67 years old? Molly Fowler’s income source is mostly from being a successful television producer. She is from . We have estimated Molly Fowler's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
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Not Available |
Source of Income |
television producer |
Molly Fowler Social Network
Timeline
Molly Macklin Fowler (born February 7, 1957) is an American television producer and documentary filmmaker who reframed her investigative and story-telling skills as a mitigation specialist for criminal litigation.
Fowler subsequently transitioned to television as a producer for Phil Donahue and as a booker for Diane Sawyer on ‘ABC News PrimeTime Live.” In 1995, Fowler joined ABC Daytime as Director of Development and served as a programming executive over ‘One Life to Live’ and ‘All My Children.’ In 2001, Fowler teamed with Producer Richard O’Regan in a joint venture between The New York Times and Granada Factual to produce “World Birth Day,” “World Birth Day Delivering Hope” and “World Wedding Day.” The three two-hour specials were the first productions co-funded by the Discovery International and broadcast on each of the Discovery networks around the world.
Reviewed by Leslie Camhi for the New York Times ″World Birth Day″ was described as “an ambitious and affecting two-hour documentary,”
Fowler returned to the theatre to direct Yale classmate Anna Theresa Cascio’s "Broad Channel," which was produced for television by Scott Hornbacher after his exit from HBO’s “The Soprano’s.”
She developed Benson Lee’s “Planet B-Boy” at Tribeca All Access in 2005.
The film employed social media and became a cult hit at its debut at the 2007 Tribeca Film Festival in an outdoor screening sponsored by ESPN.
Fowler joined Point Made Films and produced and directed “In 500 Words or Less,” which examined the college application process in 2008.
For Odyssey Networks, Fowler teamed with Forest Whitaker and his Significant Pictures as Executive Producer of “Serving Life,” living in a men's maximum security prison in Angola, Louisiana to document the story of 4 men learning to staff the hospice there, which was part of Oprah’s Doc Club on the premiere season for OWN.
She was Executive Producer of Red Darragh Films, LLC, and has been a supervising and co-executive producer for now-Governor Wes Moore and his Omari Productions since 2011 when she was paired with Moore for his debut as series anchor for "ABC News Beyond Believe on OWN."
Fowler produced nine live events for physicist Brian Greene at the 2011 World Science Festival.
One of them, titled “Music and the Spark of Spontaneity,” was subsequently profiled by the New York Times.
She teamed with crime investigator John Walsh to produce “John Walsh Investigates: Abducted in the Heartland” for Lifetime TV before rejoining Wes Moore to make “Coming Back with Wes Moore” which the Baltimore Sun reviewed: “At a time in American life when we are seeing reports of veterans dying while waiting months and even years for basic care at Veterans Affairs hospitals, this documentary about soldiers returning to civilian life after combat in Iraq and Afghanistan is timely and deeply touching."
Born to Be opened at the New York Film Festival.
Through her charity, Justice Partners Inc., Fowler works with the Louisiana Center for Children's Rights as a mitigation specialist and investigator working with juveniles facing a life sentence without the possibility of parole and adults for whom the Miller v. Alabama and Montgomery v. Louisiana SCOTUS cases have afforded an opportunity for re-sentencing.
She has also overseen the release of 8 prisoners serving inordinately long sentences imposed by the State of Louisiana and/or federally in her short tenure in New Orleans.
She is the widow of attorney Jack Levine and has two daughters.
She lives in New Orleans, Louisiana.
Fringe First, Traverse Theatre “Still Life”
Christopher Award, “Serving Life”
Humanitas Award, “Serving Life”
42nd Annual News & Documentary Emmy Awards (2021) - Best Documentary Nominee, "Born to Be"
Indie-Lincs International Film Festival 2022 - Big Imp for Feature Film Winner, "Born to Be"
Dorian Film Awards 2021 - Best LGBTQ Documentary Nominee "Born to Be"
Together they produced the PBS mini-series “Coming Back with Wes Moore” with a grant from The Corporation for Public Broadcasting for Omari and Powderhouse Productions in Somerville, MA. In 2018, she founded Justice-Partners, Inc. a 501c3 charity initially established to make socially relevant films, the first of which was "Born To Be," the story of gender affirmation surgeon Jess Ting, M.D. which premiered at the 2019 New York Film Festival.
Fowler was hired out of the dramaturgy program at the Yale School of Drama to represent Warner Theatre Productions at the National Theatre of Great Britain in an early TV production deal.
She remained in the U.K. as a theatre director where she received a Fringe First Award at the Edinburgh Festival for her production of Emily Mann’s “Still Life” at the Traverse Theatre, which was transferred to the Donmar Warehouse in London and subsequently to Riverside Studios in London.
Fowler then served as a script advisor for Dustin Hoffman’s Punch Productions.
Nashville Film Festival 2020 - Best Documentary Feature Winner, "Born to Be"
Trans Stellar Film Festival 2020 - Best Documentary Feature and Best Feature, "Born to Be"
Kansas City Underground Film Festival 2020 - Best Feature Film, "Born to Be"
Seattle Asian American Film Festival 2020 - Grand Jury Best Documentary Feature, "Born to Be"
Critic’s Pick, The New York Times (2020) "Born to Be"